It's a still a mystery, and a much debated topic, among theater enthusiasts as to why "Merrily We Roll Along" flopped, especially since Sondheim's other productions, which include "Into the Woods," "Follies," "Sweeney Todd," and "A Funny Thing Happened on the Way to the Forum," have been so endearing and extraordinarily successful. In this Kindle Single, Pogrebin muses on why the show didn't get off the ground at the same time that she takes the reader on passionate, introspective journey, examining the importance of this very special moment in her life.Abigail Pogrebin is the author of Stars of David: Prominent Jews Talk About Being Jewish (Broadway Books 2007), and One And The Same: My Life as an Identical Twin and What I've Learned About Everyone's Struggle to Be Singular (Doubleday 2009). Pogrebin has written for many national publications, and has produced for Mike Wallace at "60 Minutes." She lives in New York City with her husband and two children.

    

    It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.

    Laugh with the actors, tap your feet to the music, and turn to your neighbor.

    Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country be sacrificed to a sea-monster." Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

    

    There's a funny smell coming from one of Jim's storage units. And Kate's losing it after spending all day with the police. There's no going back after what they've seen.Breathing Corpses was first performed at the Royal Court Jerwood Theatre Upstairs in February 2005.

    His adaptation of Harper Lee's To Kill a Mockingbird and his original screenplay Tender Mercies earned him Academy Awards. He received an Indie Award for Best Writer for The Trip to Bountiful and a Pulitzer Prize for The Young Man from Atlanta. In his plays and films, Foote has returned over and over again to Wharton, Texas, where he was born and where he lives, once again, in the house in which he grew up. Now for the first time, in Farewell, Foote turns to prose to tell his own story and the stories of the real people who have inspired his characters. His memoir is both a celebration of the immense importance of community and evidence that even a strong community cannot save a lost soul. Farewell is as deeply moving as the best of Foote's writing for film and theater, and a gorgeous testimony to his own faith in the human spirit.

    A farce with a hilarious drunk scene for two stylish comediennes.

    Tour.

    School is her get away, and her safe haven, because at home, she suffers through an abusive relationship with her boyfriend William.Due to the stress of life and school, Amelia loses her job, but quickly bounces back and finds a better opportunity, and with a new job on the horizon, she falls into the arms of the owner of the business, Ceedric.Ceedric is a savage street king who goes legit and leaves his past behind, opening a construction company.The chemistry between these two is real and raw, but what will she do about William? With the fear of leaving William, and falling into something new with Ceedric, hearts and lives are on the line and in the way.Can Ceedric use his tru savage ways to hold on to his woman, or will she slip through his fingers, and stick to what she knows, abandoning her chance at happiness?

    He rules with an iron fist, but when someone from his past steps back in his life, he realizes that he must protect that person from the streets.Lisa—the fast life is no longer something she has a passion for. Her time away gave her plenty of time to think of how her love of money caused her to lose the one the truly loved. She gets a second chance at love, but will deceit creep into this relationship causing it to fail?LaTanza—is a beautiful sister with a haunting past. When she met Carlos Fuentes, the son of Chicago’s leading Latin drug dealer, at the young age of sixteen she immediately fell in love. Now older and married to Carlos she is rich, safe and wants for nothing. But when she eavesdrops on a conversation between Carlos and his father, she hears that the senior Fuentes doesn’t like his son being married to a black woman and wants him to father an all Latin son to carry the family tradition. This sends the unstable LaTanza over the edge. Fearing that she and her daughter will be left out in the cold she carries out a deadly plan—a plan to become ‘The Queenpin’.Rivalries explode. Love is found while it is also lost. Betrayal causes people to hurt the ones they love—all for the love of money. Who will come out on top—or even alive?BioA former undercover narcotics detective, Alex Richardson’s familiarity with the seamy side of the streets adds a steamy kind of street cred and realism to his gritty page turning novels. He spends his time between Chicago and Fort Wayne, Indiana.

    As she helps women plan and execute their special day, Reese is secretly waiting for the day it is her walking down the aisle. However, it seems that with Cordell, a well-known Miami DJ, that will never happen. Though she thought she had a fairy tale, after finding out a secret, Reese has to do her best to move on. It may be easier said than done, though. Anthony is a rapper, and to the outside eye, he has everything. The money, the cars, and the picture perfect trophy girlfriend, Elysia. However, with her continuously pressuring Anthony to get married, he strongly doubts their relationship and where it's meant to head. When he meets Reese, the inevitable happens. With her outgoing and vibrant smile, he finds himself easily attracted to her. However, all is not fair in love and war. Will their hearts be the casualty?

    

    has revved up the chaos in her second installment of Pretty Lips That Thugs Love series. Twyla T. intensely catapults the audience into the lives of Ashanti and Kentay as love, drama, and secrets unfold in droves. Kentay Mill adamantly claims Ashanti McNeal as his woman in more ways than one. However, his philandering ways always find its way to Ashanti’s front door—literally when his baby is dropped off at the front door. Kentay has been the man in Ashanti’s life for years, but his constant disrespect and unfaithfulness are pushing her into the arms of another man. And, the kicker is that it’s just not any man, but his very own blood. Regardless of the situation, Kentay vows to keep Ashanti as his by any means necessary. He hates to lose and declares that he will win no matter what. Not trying to entertain the thought, he decides to take matters into his own hands and takes desperate measures to ensure that she will always be his. Ashanti is not feeling the love for Kentay that she used to feel. She knows that she is a good woman and has grown tired of his ill treatment of her. When she wasn’t looking, Ashanti finds love in an unexpected place when it literally bumps into her by the name of Ahmad Jones. Their budding friendship develops into something more that neither of them could deny any longer. After watching Ahmad and his team win the NCAA Championship for his college Mississippi State University, Ahmad and Ashanti celebrate with a hot and passionate kiss on live TV that the world sees and she knows that there is no turning back. Ahmad and Ashanti enter new relationship territory and can’t wait to explore their new found love. They are ready to deal and to tackle the fallout with Kentay in order to start their lives together, but they know it won’t be easy. Just as things are looking up for the new couple, tragedy strikes that sends all of their lives in a tumultuous domino. Secrets will no longer remain secrets. No one will go unscathed as lives are turned upside and inside out. Lives will be changed. Relationships will be tried and tested. Pain is inevitable. Love still rules in the end. As darkness descends over the lives of Ashanti, Kentay, and Ahmad, will any of them find light at the end of the tunnel? Whose love will endure the torrent of disasters? Discover who will survive all of the hazy drama that is unrelenting and unlimited in the second installment of this urban fiction love story in Pretty Lips That Thugs Love 2