But he and his fellow vampires Joy, Cynthia, and Ian have agreed to blend into human society. Inspired by superhero movies, one of few passions in his un-life, Alex decides to don a cape and start fighting bad guys. But his decision will have bigger consequences than he realizes—for himself and for everyone he wants to protect.From CHIP ZDARSKY and JASON LOO, the Eisner-winning team behind AFTERLIFT, THE ALL-NIGHTER is a story about found family and a new twist on superheroes!Part of the comiXology Originals line of exclusive digital content only available on comiXology and Kindle. Read for free as part of your subscription to comiXology Unlimited, Kindle Unlimited or Amazon Prime. Also available for purchase via comiXology and Kindle.

    Aside from issue 1, all of these issues are permanently out of print! PLUS: 2 new pages and a new "cleaned up" look to issue 3. Foreword and scathing letters column by Dan Harmon. Idiot guide to the cast list and Jeff's samples. Scud's top ten influences. Fan mail. Fan art. Fan-tastic book.

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    Rob Hoffman and Sylvia Fanucci, lovers living in New York City, lead somewhat complicated lives as they deal with the perils of apartment hunting, accidental pregnancy, the talk of marriage, and dead-end jobs.

    2: WELCOME TO THE PIZZA DOME, from writers SHOLLY FISCH (THE ALL-NEW BATMAN: THE BRAVE AND THE BOLD), MERRILL HAGAN (THE ASTONISHING SPIDER-MAN), AMY WOLFRAM (TV'S TEEN TITANS GO!) and artists BEN BATES (SCRIBBLENAUTS UNMASKED: A CRISIS OF IMAGINATION), LEA HERNANDEZ (KILLER PRINCESSES) and more!

    If that's not enough to make you scream with delight, we're also adding a special color section featuring the two Creepy stories that helped re-launch Dark Horse Presents on MySpace You'll get all of this tantalizing terror for under twenty bucks - it's a killer deal

    Don’t miss a moment in the brutal adventures of Marcus Fenix and Delta Squad’s battle against the Locust.From the Hardcover edition.

    Four mismatched survivors take refuge from a zombie plague inside a shopping mall, and absolute terror ensues. This companion film to George A. Romero's classic Night of the Living Dead now takes on new life in a graphic novel adaptation by Steve Niles (30 Days of Night, Wake the Dead) and new art star Chee (Wake The Dead).

    After the release of three startling, award-winning movies that have played around the world and been added to the permanent collection of the Museum of Modern Art, S. Craig Zahler wanted to return to his first artistic passion―illustration.With tools that he had developed as a director, screenwriter, cinematographer, novelist, and songwriter, he committed himself to writing, drawing, inking, and lettering his graphic novel debut, a full-length work of noir horror entitled, Forbidden Surgeries of the Hideous Dr. Divinus.Here’s the setup…Homeless people are disappearing in New Bastion, and occasionally, a dismantled corpse turns up in a dumpster. These crimes are left alone, until the day a comatose woman named Lillian Driscoll is kidnapped from the hospital. Her brothers―a grumpy detective named Leo and a slick mobster named Tommy―seek answers that lead them to darkness, arcane medicine, and pain.Fans of Bone Tomahawk (recently named best film of the decade by Conan O’Brien) will enjoy Zahler’s return to the supernatural, and the idiosyncratic, tough guy dialogue found in his crime pictures Dragged Across Concrete and Brawl in Cell Block 99 (both of which premiered at the Venice Film Festival) is also present in this starkly rendered, black-and-white graphic novel, a stylistic confluence of pre-code horror, vintage comic strip, and modern indie art styles.

    A group of raccoons gnaw on God’s severed head; a man brags to his friend about driving a Transformer out of its own funeral; a toaster revolts against its master. These are just some of the scenes in the pitch-black world of Hell Was Full, the popular webcomic that blends the bleak and the absurd into a delicious dadaist cocktail.

    Sixteen pages of Sarah's Scribbles semi-autobiographical comics that follow the adventures of herself, her friends, and her beloved pets.

    This is the inaugural volume in an annual showcase of new talent, complimenting our annual flagship anthology. This is comics pushing all the boundaries; surreal, edgy stories of wonder that shimmer with visual style and emotional power. They are presented here in a deluxe package to introduce them to new fans of illustrated fiction.

    As more of Venom's twisted off spring make their presence known, Carnage strikes - and all hell breaks loose! As if things weren't bad enough, it turns out there's much more to Dylan than Eddie, Carnage or even the alternate-reality Reed Richards known as the Maker understand - and once they learn the truth, nothing will ever be the same! Then, in the aftermath of Carnage's assault, Eddie fi nds himself back on the ominous Island of Bones - where every living thing is out to get him! Venom will be tested like never before! COLLECTING: VENOM (2018) 16-25

    Borb is a downtrodden urban Candide whose misfortunes pile up at an alarming rate. The narrative is presented as a series of daily newspaper strips as the author draws on the long and complex tradition of the comic strip slapstick vagabond archetype. At once hilarious, horrifying, and full or heart, Borb depicts the real horrors specific to present-day urban homelessness. Borb is Little's most complex and challenging work.Jason Little studied photography at Oberlin College, and now resides in Brooklyn with writer Myla Goldberg and their daughter Zelie Goldberg-Little. He has been drawing cartoons since he was a child. In addition to acclaimed Shutterbug Follies and Motel Art Improvement Service, he also created the Xeric Award–winning Jack's Luck Runs Out, as well as a number of short works for various cartoon anthologies.

    Each volume is painstakingly edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware. In addition to the 104 full-page black-and-white Sunday strips from 1929 and 1930 (Herriman did not use color until 1935), the book includes an introduction by Blackbeard and reproductions of rare Herriman ephemera from Ware's own extensive collection, as well as annotations and other notes by Ware and Blackbeard.Of special note to collectors, this is the period when Herriman was again liberated from the "grid" constraints of the mid-'20s and was able to compose his pages far more creatively, resulting in richer, more complex, more eye-pleasing compositions. Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.