In turns surreal and concrete, playful and serious, urgent and whimsical, Adult Head rewards readers with a unique prosody and deep wisdom. Culled from the same mind responsible for some of the best lyrics and music made in the past decade, this volume displays Tweedy's prodigious talent for poetry on the page. Jeff Tweedy has devoted the last twenty years of his life to songwriting and music making. As a member of the band Wilco and formerly of the band Uncle Tupelo, Tweedy and his band mates have garnered respect and praise from Rolling Stone, Spin, the New Yorker, the New York Times, and the Chicago Tribune. Tweedy lives in Chicago with his wife and two sons.

    The discomforts of travel on trains, large and heavy suitcases that must be carried by unwilling porters, standing in line at the post office (then to learn that your package is improperly tied), malicious fogs that blot out the race track at the last lap, the sand that gets kicked into one's face at the beach, vitamins and their puffery, and all the petty annoyances that we grumble about ourselves but laugh at when they befall others.The 39 prodigal pieces greatly enlarge the corpus of the best Benchley. Forty-four original illustrations, mostly by Peter Arno, are included.

    One of the most celebrated and viewed films ever made is about to have the time of its life.

    New, never read

    These pieces thus explore, with quiet grace, the unexpected pleasures that are gleaned from an appreciation of the ordinary - a sleeping cat, a blooming garden, a well-cooked meal. Such familiar - even ostensibly mundane - details of our lives, Steinbach maintains, play a far more important part in shaping our identities and our sense of our relationship to the world than do the exotic encounters or momentous events to which we attach much significance. Alternately poignant and humorous, sedately contemplative and bristling with emotional energy, Steinbach's various musings on the daily rhythms of her own moods and experiences transform everyday life into a rich and meaningful journey.

    A remarkable book that contains enough information to help you win bets the rest of your life: -- The bagpipe was not a Scottish invention-- Abner Doubleday did not invent baseball at Cooperstown -- or anywhere else in America-- London's Big Ben is neither a clock nor a tower-- Robert Fulton did not invent the steamboat, and the boat he built was not called the Clermont-- Cleopatra was not Egyptian-- Lizzie Borden was acquitted-- Scores of persons had flown nonstop across the Atlantic before Lindbergh-- No witches were burned at Salem-- Edison did not invent the light bulb-- Conan Doyle's Sherlock Holmes never said, "Elementary, my dear Watson"-- Mark Twain was not born in Hannibal, Missouri-- And, alas, there is no such thing as an aphrodisiac.

    Her cuts are so swift that the smiles are still on the faces when she displays the heads on her trophy wall.--Washington Post. Finally in trade paperback, here is the latest volume of stiletto essays from the author of Reflections in a Jaundiced Eye and Confessions of a Failed Southern Lady.

    An experimental, violent prison unit. The death of an American city, as seen through a complex police investigation. A lawless frontier town trying to talk its way into the United States. A corrupt cop who rules his precinct like a warlord. The survivors of a plane crash trying to make sense of their disturbing new island home. A high school girl by day, monster fighter by night. A spy who never sleeps. A space odyssey inspired by 9/11. An embattled high school football coach. A polished ad exec with a secret. A chemistry teacher turned drug lord.These are the subjects of 12 shows that started a revolution in TV drama: The Sopranos. Oz. The Wire. Deadwood. The Shield. Lost. Buffy the Vampire Slayer. 24. Battlestar Galactica. Friday Night Lights. Mad Men. Breaking Bad.These 12 shows, and the many more they made possible, ushered in a new golden age of television — one that made people take the medium more seriously than ever before. Alan Sepinwall became a TV critic right before this creative revolution began, was there to chronicle this incredible moment in pop culture history, and along the way “changed the nature of television criticism,” according to Slate. The Revolution Was Televised is the story of these 12 shows, as told by Sepinwall and the people who made them, including David Chase, David Simon, David Milch, Damon Lindelof and Carlton Cuse, Vince Gilligan and more.

    And it can't be that hard, can it? Andrea lost ten pounds in less than a month. But Andrea's starting to act weird. Today she even fainted in class. Lauren's worried. Andrea says she's dying to be thin - but just how far will she go?

    Now he leads a crusade to rescue children in Brooklyn's "war zone"--and beyond. His dramatic story is more than a life-and-death struggle in the midst of crime, drugs and poverty. It is a vision of hope and promise for America's children. "Lately in the news they've been talking about how likely it is for a black male teenager to get shot and killed--especially in my neighborhood. They say it's even more likely that in a couple of years I'll be carrying a gun. But what they don't know is what a difference God's made in my life. Ever since I was three I've been going to Sunday school, and I've learned about God and His ways. And I made up my mind to follow Jesus. No, you'll never see me with a gun shooting anyone. Ever! Because no matter what's going on around me, I am standing for Jesus."--Vincent, age 12

    Throughout James May's Magnificent Machines, our Top Gear guide explores the iconic themes of the past hundred years: flight, space travel, television, mechanised war, medicine, computers, electronic music, skyscrapers, electronic espionage and much more. But he also reveals the hidden story behind why some inventions like the Zeppelin, the hovercraft or the Theremin struggled to make their mark. He examines the tipping points - when technologies such as the car or the internet became unstoppable - and gets up close by looking at the nuts and bolts of remarkable inventions. Packed with surprising statistics and intriguing facts, this is the ideal book for anyone who wants to know how stuff works and why some stuff didn't make it.

    What began as a solitary ramble through the nooks and crannies of pop culture evolved into a way of life. My Year Of Flops collects dozens of the best-loved entries from the A.V. Club column along with bonus interviews and fifteen brand-new entries covering everything from notorious flops like The Cable Guy and Last Action Hero to bizarre obscurities like Glory Road, Johnny Cash’s poignantly homemade tribute to Jesus. Driven by a unique combination of sympathy and Schadenfreude, My Year Of Flops is an unforgettable tribute to cinematic losers, beautiful and otherwise.

    Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from The New Yorker over the same period. Here you'll find the bittersweet tale of the inventor of the birth control pill, and the dazzling creations of pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and why it was that employers in Silicon Valley once tripped over themselves to hire the same college graduate.

    D. Salinger's novel, The Catcher in the Rye celebrated its fiftieth anniversary of publication in 2001. The Catcher in the Rye: New Essays presents a variety of new approaches to this extremely popular and intensely influential novel, ranging from the examination of the intertextual relationship between The Catcher in the Rye and Cormac McCarthy's All the Pretty Horses, to the evaluation of Salinger's mythic place in American film and popular culture, to the interrogation of what it means for a reader to claim that a novel such as The Catcher in the Rye has changed his or her life. These essays provide new commentary and new insights, and demonstrate the continuing relevance of Salinger, The Catcher in the Rye, and Holden Caulfield to American culture and literature and, in turn, to American cultural and literary studies.

    Esper’s first book, The Actor’s Art and Craft, earned praise for describing the basics taught in his famous first-year acting class. The Actor’s Guide to Creating a Character continues the journey. In these pages, co-author Damon DiMarco vividly re-creates Esper’s second-year course, again through the experiences of a fictional class. Esper’s training builds on Sanford Meisner’s legendary exercises, a world-renowned technique that Esper further developed through his long association with Meisner and the decades he has spent training a host of distinguished actors. His approach is flexible enough to apply to any role, helping actors to create characters with truthful and compelling inner lives.