But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    Soon he finds himself in the jungle and carried away by the sheer power of his imagination, seeing the world throuhg his own eyes and making friends along the way.

    Emily Elizabeth describes the activities she enjoys with her very big red dog and how they take care of each other.

    After three days of marveling at the sights and sounds of the Serengeti, Father—Auntie Sharon’s brother—takes the group to the coastal town of Bagamoyo (Swahili for “to let go of one’s heart”) and tells its sad history as a slave-trading post. “e are much more fortunate than our African ancestors who were forced to leave the country that they loved and had no chance of retuning,” Father says. “We are blessed with the freedom to move back and forth.” Robinson (Jackie’s Gift), the daughter of baseball legend Jackie Robinson, bases this book on family history and a family trip, and while her tale isn’t particularly dramatic, her pride in her family’s resilience shines through. Ford’s (Barack) acrylics don’t add much emotional depth despite their detail and rich palette, but he brings a matter-of-fact approach to a distant landscape that underscores how a close family can transcend geography.

    As the bright day shifts to twilight, the lantern on Baba's boat twinkles in the distance, sending the baby off into a peaceful sleep on Mama's shoulder. Inspired by a visit to her son, his wife, and their child in Tanzania, Patricia MacLachlan writes a gentle story of an African family's day from sunup to sundown. Rich, beautifully detailed illustrations by Elizabeth Zunon offer a restful complement to the Swahili refrain "lala salama"--an invocation to "sleep well."

    But she drops Mama's water bucket, spills Kogo's tea, and sends Baba's potatoes tumbling down the hill. Isn't there something that Chirchir does best? Set in the rolling hills of rural Kenya, this is a wise and lyrical story about belonging from Kelly Cunnane, the author of the Ezra Jack Keats Award winner For You Are a Kenyan Child, accompanied by Jude Daly's beautiful folk art-style illustrations.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Blackbird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day. Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia resonates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.

    On her way to deliver a basket of food to her sick grandmother, Elisabeth encounters a sly wolf.Book Details: Format: Library Binding Publication Date: 6/1/1982 Pages: 32 Reading Level: Age 5 and Up

    Embittered and suspicious from the war, the people hide their food and close their windows tight. That is, until the clever strangers suggest making a soup from stones. Intrigued by the idea, everyone brings what they have until-- together, they have made a feast fit for a king! In this inspiring story about the strength people possess when they work together, Muth takes a simple, beloved tale and adds his own fresh twist.

    Beautifully illustrated . . . this handsome volume is an art object in itself."- Kirkus Reviews"Punchy writing and bold images make this a promising readaloud prospect. It’s a work of art, too" -Publishers WeeklyMeet the most wily jackal in the forest. Too lazy to hunt for food, he decides to trick his friend the crane, and soon gets carried away, gobbling up every animal he encounters. This lighthearted story, told in cumulative rhyme, is an adaptation of an oral trickster tale from Rajasthan, north India. It is illustrated with finger painting by the talented Sunita, a young woman artist who hails from the Meena tribe. In this handmade, silkscreen printed children's book, Sunita adapts a traditional Meena art form called Mandna, which is traditionally painted by women on the walls and floors of their village homes.This is the first time that Mandna--rarely seen outside the confines of Meena villages--has been used in a children’s book. Each book is made completely by hand, and numbered out of a limited edition.

    The sky was once so close to the Earth that people cut parts of it to eat, but their waste and greed caused the sky to move far away.

    Men and women are unable to find work. Children are going hungry. In her teacher's village of New York City, people are starving because they do not have money to buy food. But can one small girl in Africa's Cameroon like Kedi make a difference all the way across the great salt river in America?Inspired by true events, Mara Rockliff's gorgeous and accessible text matched with Ann Tanksley's vibrant and warm illustrations bring to life the remarkable story of one child's vision, passion, and dedication to make the world a better place.

    He hadn't always owned a moose. The moose came to him a while ago and he knew, just KNEW, that it was meant to be his. He thought he would call him Marcel. Most of the time Marcel is very obedient, abiding by the many rules of How to Be a Good Pet. But imagine Wilfred's surprise when one dark day, while deep in the woods, someone else claims the moose as their own...