In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recently discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film), whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.

    Robert Murphy deals with this head on, and makes the first full contribution to this literature in the new century. Working within a Rothbardian framework, he takes up the challenge of Hans Hoppe regarding the role of market insurance in property security to extend the analysis to the security of person.His applications are part empirical and part speculative, but unfailingly provocative, rigorous, and thoughtful. The title itself refers to the supposed chaos that results from eliminating the state, but Murphy shows that out of chaos grows an ordered liberty. Anyone interested in exploring the farthest reaches of anarchist theory must come to terms with Murphy's account.To search for Mises Institute titles, enter a keyword and LvMI (short for Ludwig von Mises Institute); e.g., Depression LvMI

    One of the best commentaries on Exodus ever to appear in English, now in paperback!

    

    Who could go through a door which had been bricked up and paneled over for two hundred years, leaving an old man to a hideous death?Edward Stevens smiled at their fears of the supernatural - until he read a manuscript on female murderers. On one of the pages was a clear photograph of a woman. Under it, in small letters, had been printed:Marie D'AubrayGuillotined for Murder, 1861Edward Stevens was looking at a photograph of his own wife.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    John Dee and Edward Kelley. Crowley obtained these visions in Mexico in 1900m and in Algeria in 1909. The are the source of many key spiritual doctrines of Thelema, particularly concerning the theogony of the All-Father Chaos and the goddess Babalon. They give an account of the transcendence of the Ego by crossing the Abyss, and the attainment of the grade of Master of the Temple. This new edition adds previously unpublished material, including new explanatory diagrams, illustrations designed by Crowley, and the actual Algerian diary record. Unlike other available editions of The Vision and the Voice, this volume includes Crowley's extensive and illuminating commentary.This collection features several works that complement Liber 418, The Vision and the Voice, giving details of Crowley's other advanced initiations and magical workings.Liber 325, The Bartzabel Working gives ritual instructions for the evocation of the Spirit of Mars, and includes the first publication of the actual record of the group ritual evocation of this spirit conducted by Crowley in 1910.Liber 60, The Ab-ul-Diz Working, gives an account of the astral communications with an Adept named Ab-ul-Diz in 1911 that led to the writing of Crowley's Book 4 .Liber 415, The Paris Working, is the record of a series of sexmagical workings conducted in 1914, designed to restore the worship of several of the gods of pagan antiquity. It includes The Holy Hymns to the Great Gods of Heaven.This book collects the diaries of Aleister Crowley for 1909–1914 in one volume.

    Garbage time is running out.Can what is playing you make it to Level 2?Fanged Noumena assembles for the first time the writings of Nick Land, variously described as 'rabid nihilism', 'Deleuzian Thatcherism', 'accelerationism', and 'cybergothic'. Wielding weaponised, machinically-recombined versions of Deleuze and Guattari, Reich and Freud, in the company of fellow 'werewolves' such as Nietzsche, Bataille, Artaud, Trakl, and Cioran, to a cut-up soundtrack of Bladerunner, Terminator, and Apocalypse Now, Land plotted a rigorously schizophrenic escape route out of academic philosophy, and declared all-out war on the Human Security System. Despite his 'disappearance', Land's output has been a crucial underground influence both on recent Speculative Realist thought, and on artists, writers, musicians, and filmmakers invigorated by his uncompromising and abrasive philosophical vision.Beginning with Land's radical rereadings of Heidegger, Nietzsche, and Kant, and ending with Professor Barker's cosmic theory of geo-trauma and neo-qabbalistic attempts to formulate a numerical anti-language, Fanged Noumena rescues from obscurity papers, talks and articles some of which have never previously appeared in print. Long the subject of rumour and vague legend, Land's turbulent post-genre theory-fictions of cybercapitalist meltdown smear cyberpunk, philosophy, arithmetic, poetics, cryptography, anthropology, grammatology, and the occult into unrecognisable and gripping hybrids.Fanged Noumena is a dizzying trip through Land's rigorous, incisive, and provocative work, establishing it as an indispensable resource for radically inhuman thought in the twenty-first century.

    

    With an introduction by Alan Johnson. 'Freedom is the freedom to say that two plus two equals four. If that is granted, all else follows.' This selection of George Orwell’s writing, from both his novels and non-fiction, gathers together his thoughts on the subject of truth. It ranges from discussion of personal honesty and morality, to freedom of speech and political propaganda. Orwell’s unique clarity of thought and illuminating scepticism provide the perfect defence against our post-truth world of fake news and confusion. 'The further a society drifts from the truth, the more it will hate those that speak it.' Includes an introduction by Alan Johnson and passages from Burmese Days, The Road to Wigan Pier, Coming Up for Air, The Lion and the Unicorn, Animal Farm, Nineteen Eighty-Four, Orwell’s letters, war-time diary, criticism and essays including ‘Fascism and Democracy’, ‘Culture and Democracy’, ‘Looking Back on the Spanish War’, ‘As I Please’, ‘Notes on Nationalism’, ‘The Prevention of Literature’, ‘Politics and the English Language’ and ‘Why I Write’.

    Nine short non-fiction pieces with a forward by Shumon Basar.

    Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

    Dick explored sociological, political and metaphysical themes in novels dominated by monopolistic corporations, authoritarian governments, and altered states.In his later works, Dick's thematic focus strongly reflected his personal interest in metaphysics and theology. He often drew upon his own life experiences and addressed the nature of drug abuse, paranoia and schizophrenia, and transcendental experiences in both his short fiction and novels.This collection brings together 11 rare short stories and novellas culled from premier editions of such classic magazines as "Amazing Stories," "If," "Galaxy" and "Planets."Piper in the WoodsThe Variable ManBeyond the DoorThe Crystal CryptThe DefendersThe GunThe SkullThe Eyes Have ItSecond VarietyBeyond Lies the WubMr. Spaceship

    The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

    What ensues when soaring temperatures, rising sea levels, drought, and mass migrations disrupt the global governmental and economic regimes? The Great Collapse of 2093.This work is an important title that will change how readers look at the world. Dramatizing climate change in ways traditional nonfiction cannot, this inventive, at times humorous work reasserts the importance of scientists and the work they do and reveals the self-serving interests of the so called "carbon industrial complex" that have turned the practice of sound science into political fodder. The authors conclude with a critique of the philosophical frameworks, most notably neo-liberalism, that do their part to hasten civilization's demise.Based on sound scholarship yet unafraid to tilt at sacred cows in both science and policy, this book provides a welcome moment of clarity amid the cacophony of climate change literature. It includes a lexicon of historical and scientific terms that enriches the narrative and an interview with the authors.