How could everyone in a castle - even the flies on the walls - sleep for a century and then wake up? This magical, beautifully illustrated tale begins when the king excludes the most difficult fairy of the kingdom from a feast celebrating the birth of his beautiful daughter Briar Rose. Furious, the fairy storms in and curses the baby, pronouncing that on her fifteenth birthday she will be pricked by a distaff (from a spinning wheel) and fall down dead. The youngest fairy softens the curse to a century-long sleep. Despite the fact that the king burns all the spinning wheels in the kingdom, 15-year-old Briar Rose finds herself in the tower where the evil fairy and her fate await her. The drama of the spell unfurls as she and the other inhabitants of the castle fall instantly asleep, from courtiers to kitchen maids. Thorny briars - moodily captured by Trina Schart Hyman's masterful paintbrush - grow up around the castle. Hyman depicts those who died attempting to break through the maze of thorns to reach the legendary sleeping beauty in a nightmarish illustration. But goodness and true love prevail when the perfect prince does finally find his way through the thick vines.Hyman won a Caldecott Medal for her work in Saint George and the Dragon by Margaret Hodges, and her version of The Sleeping Beauty makes us believe in the magic of the spell. The scenes inside the castle are alive with color and movement and rich with details that children will devour eagerly. Moods and expressions are rendered exquisitely, especially those of the wild, red-haired beauty Briar Rose. This wonderful read-aloud classic is one of Hyman's best.

    In 1936, Shostakovitch, just thirty, fears for his livelihood and his life. Stalin, hitherto a distant figure, has taken a sudden interest in his work and denounced his latest opera. Now, certain he will be exiled to Siberia (or, more likely, executed on the spot), Shostakovitch reflects on his predicament, his personal history, his parents, various women and wives, his children—and all who are still alive themselves hang in the balance of his fate. And though a stroke of luck prevents him from becoming yet another casualty of the Great Terror, for decades to come he will be held fast under the thumb of despotism: made to represent Soviet values at a cultural conference in New York City, forced into joining the Party and compelled, constantly, to weigh appeasing those in power against the integrity of his music. Barnes elegantly guides us through the trajectory of Shostakovitch's career, at the same time illuminating the tumultuous evolution of the Soviet Union. The result is both a stunning portrait of a relentlessly fascinating man and a brilliant exploration of the meaning of art and its place in society.

    A reworking of Armenian folktales in which a lazy prince learns to read, write, and weave to win his love only to have these very talents later save him from a three-headed monster.

    But it hasn’t always been a smooth ride. In this informative memoir and guide Kate Moross offers true insider’s tips on how to make it in a highly competitive field. Written in an approachable, forthright and refreshingly honest tone, Make Your Own Luck features chapters on how to thrive in art school, developing your own style, how to self-promote, collaboration with other artists, how to deal with “copycats,” and when to consider working for free. Kate Moross also touches on the fine points of music packaging and videos, how to find an agent, and looks back on the touchstone moments that helped shape her career. Designed to mimic Moross’s signature bold, brightly coloured style, this book is filled with dozens of examples of her work for companies such as Google, Adidas, and Nokia, as well as musicians including Simian Mobile Disco, Jessie Ware, Zomby, and Pictureplane. Irreverent and packed with enormously helpful tips for designers of all stripes, Make Your Own Luck is certain to become an indispensable guide for anyone interested in graphic art as a vocation or hobby.

    Equally impressive is the number of beliefs and superstitions the industrious insect has inspired. Its honey, which was known to the ancient Greeks as the “food of the Gods,” played an important role in early religious rites and was also mentioned in the folklore of many peoples. Hilda Ransome's well-documented and copiously illustrated study of bees focuses on this valuable byproduct of nature and its creator — the "sacred" bee.Chapters cover the folklore of bees and bee culture — from Egyptian, Babylonian, Chinese, Hittite, and other ancient sources as well as practices in modern England, France, and Central Europe. Thirty-five plates of rare black-and-white illustrations depict bees, hives, and beekeepers as they appear in ancient paintings and sculpture, on coins, jewelry, and Mayan glyphs; and carved into African tree trunks. Folk stories from Finland and the bee in America are also described. Hailed by The New York Times as possessing an "oddity, beauty, and broad scholarly interest," this unusual book will attract a wide audience — nature lovers and folklore enthusiasts included.

    350 full-color photos, paintings & illustrations.

    Unwittingly, he finds himself at its center, tapped by the British to report back on the Bolsheviks even as he becomes dangerously, romantically entangled with Trotsky's personal secretary.Both sides seek to use Arthur to gather and relay information for their own purposes . . . and both grow to suspect him of being a double agent. Arthur wants only to elope far from conflict with his beloved, but her Russian ties make leaving the country nearly impossible. And the more Arthur resists becoming a pawn, the more entrenched in the game he seems to become.Blood Red Snow White, a Soviet-era thriller from renowned author Marcus Sedgwick, is sure to keep readers on the edge of their seats.

    Routledge is an imprint of Taylor & Francis, an informa company.

    Based on a true story, Lone Survivor recreates the tale of unforgiving terrain, of savage winter storms and dwindling food supplies, and of a desperate journey into the wilderness, where brave men died and few dared to tread.

    When the Princess learns what her father has done, she is horrified. But she is as clever as she is beautiful. Quickly, the Princess devises a plan to escape and, relying on her own spunk and good sense, ultimately marries the man she chooses for herself.

    Though her patron is hideous, his disarming generosity slowly leads to a surprising connection. Accessibly and with great compassion, Max Eilenberg sheds fresh light on one of our most beloved fairy tales. Angela Barrett's enchanting illustrations illuminate both the sumptuous palace and the horrifying beast himself. The resulting tour de force reminds us that ultimately love conquers all.

    The delightful characters will become storyland friends for life for children who meet them here. Just wait until your child sees the Giant's expression as he cries, "Fee, fi, fo, fum," or the adorable Elves dancing in the Shoemaker's cottage! The Ginger-bread Boy's candy buttons and the dazzling feathers of the Ugly Duckling are among the many inviting details to discover with each new look.A collection of nursery tales so child friendly, rewarding, and full of fun could only have come from the rich and playful imagination of Mary Engelbreit.

    The stories, chosen and edited by the artist, are a balance of 'princess' classics and frolicking adventure tales. Artist Scott Gustafson spent more than four years creating the seventy-five rich oil paintings, reproduced here in full color. His style is reminiscent of N.C. Wyeth and Wyeth;s gifted student Jessie Wilcox Smith (plus a touch of Arthur Rackham in the fairies). The rounded-face, glowing children and charming interiors contribute to Gustafson's unique and contemporary style, which will capture the hearts of even the most hard-boiled media-savvy child.Book Details: Format: Hardcover Publication Date: 10/15/2003 Pages: 144 Reading Level: Age 9 and Up

    Until now, copies on the antiquarian book circuit sold for many hundreds of dollars. It is a crucial book for understanding both Mortensen’s philosophy and his use of psychology in the making of his pictures. To illustrate the text Mortensen includes an amazing gallery of his best-known and most challenging images with explanations, by him, of what makes those photographs so compelling.The reprint of The Command to Lookalso contains two new major essays that assess the significance and impact of the original book. An introduction by Mortensen biographer Larry Lytle explores Mortensen’s use of Jungian psychology and also discusses new advances in neural psychology that confirm Mortensen’s methods of controlling the viewer’s eye. The second essay, by historian Michael Moynihan (author of Lords of Chaos), details a strange and unexpected reception of the book: how this small volume on photographic methods played a role in the creation of the modern Church of Satan and Anton LaVey’s theories about Satanic Magic.