Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    A dream house that is hiding something sinister; two women having lunch who share a husband; an old woman doing her weekly supermarket shop with a secret past that no one could guess; a couple who don't know each other at all even after fifteen years together; and, in the story from which this collection takes its name, a bird and a servant girl in ancient Pompeii who cannot converse, but share a perfect understanding.In this new and varied collection of short stories, Penelope Lively shows that she remains a master of her craft, and one of our finest English writers.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the grey harbor waters and fill the cold night with their song.Contents:Uncle Dobbin's Parrot FairThe Stone DrumTimeskipFreewheelingThat Explains PolandRomano DromThe Sacred FireWinter Was HardPity the MonstersGhosts of Wind and ShadowThe Conjure ManSmall DeathsThe Moon is Drowning While I SleepIn the House of My EnemyBut for the Grace Go IBridgesOur Lady of the HarbourPaperjackTallulah

    They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    Eavesdropping and exploring; savaging our bodies, saving our souls. They are monsters, saviours, victims, childhood friends. Some have called them genies: these are the Djinn. And they are everywhere. On street corners, behind the wheel of a taxi, in the chorus, between the pages of books. Every language has a word for them. Every culture knows their traditions. Every religion, every history has them hiding in their dark places. There is no part of the world that does not know them.They are the Djinn. They are among us.With stories from: Nnedi Okorafor, Neil Gaiman, Helene Wecker, Amal El-Mohtar, Catherine King, Claire North,  E.J. Swift, Hermes (trans. Robin Moger), Jamal Mahjoub, James Smythe, J.Y. Yang, Kamila Shamsie, Kirsty Logan, K.J. Parker, Kuzhali Manickavel, Maria Dahvana Headley, Monica Byrne, Saad Hossein, Sami Shah, Sophia Al-Maria and Usman Malik.

    He arrives at his friends' house without knowing how he got there. Nor do they. He seems to be having an affair with his secretary which is exciting, but unlikely. Further unsettled by leaps in logic and time, Carl wonders if he's actually reacting to the outside world, or if he's terribly mistaken. So begins a psychological adventure that stretches the boundaries of conciousness.

    With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. --penguinrandomhouse.comTwo Introductory parables: Before the law --Imperial message --Longer stories: Description of a struggle --Wedding preparations in the country --Judgment --Metamorphosis --In the penal colony --Village schoolmaster (The giant mole) --Blumfeld, and elderly bachelor --Warden of the tomb --Country doctor --Hunter Gracchus --Hunter Gracchus: A fragment --Great Wall of China --News of the building of the wall: A fragment --Report to an academy --Report to an academy: Two fragments --Refusal --Hunger artist --Investigations of a dog --Little woman --The burrow --Josephine the singer, or the mouse folk --Children on a country road --The trees --Clothes --Excursion into the mountains --Rejection --The street window --The tradesman --Absent-minded window-gazing --The way home --Passers-by --On the tram --Reflections for gentlemen-jockeys --The wish to be a red Indian --Unhappiness --Bachelor's ill luck --Unmasking a confidence trickster --The sudden walk --Resolutions --A dream --Up in the gallery --A fratricide --The next village --A visit to a mine --Jackals and Arabs --The bridge --The bucket rider --The new advocate --An old manuscript --The knock at the manor gate --Eleven sons --My neighbor --A crossbreed (A sport) --The cares of a family man --A common confusion --The truth about Sancho Panza --The silence of the sirens --Prometheus --The city coat of arms --Poseidon --Fellowship --At night --The problem of our laws --The conscripton of troops --The test --The vulture --The helmsman --The top --A little fable --Home-coming --First sorrow --The departure --Advocates --The married couple --Give it up! --On parables.

     In Magical Mr. Goat, a young girl's imaginary friend yearns to become "more than friends." In Unprotected, an unused prophylactic recalls his years spent trapped inside a teen boy's wallet. The stories in Simon Rich's new book are bizarre, funny, and yet...relatable. Rich explores love's many complications-losing it, finding it, breaking it, and making it-and turns the ordinary into the absurd. With razor-sharp humor and illustrations, and just in time for Valentine's Day, Rich takes readers for an exhilarating, hilarious ride on the rollercoaster of love.

    . . A fighter leads his band of virtual warriors, thieves, and wizards across a deadly computer-generated landscape . . . A company outsources grief for profit, their tagline: "Don't feel like having a bad day? Let someone else have it for you."

    Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior.   In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.

    The fifteen stories featured, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.