D. James. Fast on the heels of her latest best seller: a new, fiendishly entertaining gathering of previously uncollected stories, from the author of Death Comes to Pemberley and The Private Patient.It's not always a question of "whodunit?" Sometimes there's more mystery in the why or how. And although we usually know the unhealthy fates of both victim and perpetrator, what of those clever few who plan and carry out the perfect crime? The ones who aren't brought down even though they're found out? And what about those who do the finding out who witness a murder or who identify the murderer but keep the information to themselves? These are some of the mysteries that we follow through those six stories as we are drawn into the thinking, the memories, the emotional machinations, the rationalizations, the dreams and desires behind murderous cause and effect.

    This is the first time all Lee Child's shorter fiction featuring Jack Reacher has been collected into one volume.A brand-new novella, Too Much Time, is included, as are those previously only published in ebook form: Second Son, James Penney's New Identity, Guy Walks Into a Bar, Deep Down, High Heat, Not a Drill and Small Wars. Added to these is every other Reacher short story that Child has written: Everyone Talks, Maybe They Have a Tradition, No Room at the Motel and The Picture of the Lonely Diner. Read together, these twelve stories shed new light on Reacher’s past, illuminating how he grew up and developed into the wandering avenger who has captured the imagination of millions around the world.

    It feels like a fairy tale when Alberta ”Bert” Monte receives a letter addressed to “Countess Alberta Montebianco” at her Hudson Valley, New York, home that claims she’s inherited a noble title, money, and a castle in Italy. While Bert is more than a little skeptical, the mystery of her aristocratic family’s past, and the chance to escape her stressful life for a luxury holiday in Italy, is too good to pass up.At first, her inheritance seems like a dream come true: a champagne-drenched trip on a private jet to Turin, Italy; lawyers with lists of artwork and jewels bequeathed to Bert; a helicopter ride to an ancestral castle nestled in the Italian Alps below Mont Blanc; a portrait gallery of ancestors Bert never knew existed; and a cellar of expensive vintage wine for Bert to drink.But her ancestry has a dark side, and Bert soon learns that her family history is particularly complicated. As Bert begins to unravel the Montebianco secrets, she begins to realize her true inheritance lies not in a legacy of ancestral treasures, but in her very genes.

    Who lives, who dies? You decide.When someone hacks into the systems of eight self-drive cars, their passengers are set on a fatal collision course.The passengers are: a TV star, a pregnant young woman, a disabled war hero, an abused wife fleeing her husband, an illegal immigrant, a husband and wife - and parents of two - who are travelling in separate vehicles and a suicidal man. Now the public have to judge who should survive but are the passengers all that they first seem?

    And something the author of these stories knows that you are scared to admit is that reality and fantasy have flip‑flopped. They have switched places. The stories that scare you today are the ones about rapists and thugs, psychos who will carve you for a dollar and hypes who will bust your head to get fixed. Glenn Ford’s world was yesterday, and Bronson’s is today. And in the stalking midnight of this book, one of America’s top writers, Harlan Ellison, invades the shadows of both!

    Occult detectives. Ghost hunters. Monster fighters. Humans who unravel uncanny crimes and solve psychic puzzles; sleuths with supernatural powers of their own who provide services far beyond those normal gumshoes, shamuses, and Sherlocks can. When vampires, werewolves, and things that go "bump" in the night are part of your world, criminals can be as inhuman as the crimes they commit, and magic can seep into the mundane - those who solve the mysteries, bring justice, or even save the world itself, might utter spells, wield wands as well as firearms, or simply use their powers of deduction. Some of the best tales of the last decade from top authors of the 21st century's most popular genres take you down mean streets and into strange crime scenes in this fantastic compilation.Contents (alphabetical by author):“Cryptic Coloration” by Elizabeth Bear“The Key” by Ilsa J. Blick“Mortal Bait” Richard Bowes“Star of David” by Patricia Briggs“Love Hurts” by Jim Butcher“Swing Shift” by Dana Cameron“The Necromancer’s Apprentice” by Lillian Stewart Carl“Sherlock Holmes and the Diving Bell” by Simon Clark“The Adakian Eagle” by Bradley Denton“Hecate’s Golden Eye” by P.N. Elrod“The Case of Death and Honey” by Neil Gaiman“The Nightside, Needless to Say” by Simon R. Green“Deal Breaker” by Justin Gustainis“Death by Dahlia” by Charlaine Harris“See Me” by Tanya Huff“Signatures of the Dead” by Faith Hunter“The Maltese Unicorn” by Caitlín R. Kiernan“The Case of the Stalking Shadow” by Joe R. Lansdale“Like a Part of the Family” by Jonathan Maberry“The Beast of Glamis” by William Meikle“Fox Tails” by Richard Parks“Imposters” by Sarah Monette“Defining Shadows” by Carrie Vaughn

    again.It is meant to be a celebration but it ends in tragedy. As fireworks explode overhead, Evelyn Hardcastle, the young and beautiful daughter of the house, is killed.But Evelyn will not die just once. Until Aiden – one of the guests summoned to Blackheath for the party – can solve her murder, the day will repeat itself, over and over again. Every time ending with the fateful pistol shot. The only way to break this cycle is to identify the killer. But each time the day begins again, Aiden wakes in the body of a different guest. And someone is determined to prevent him ever escaping Blackheath...

    • (1926) • short story by Agatha ChristieThe Call of Wings • (1933) • short story by Agatha ChristieThe Fourth Man • (1933) • short story by Agatha ChristieThe Gipsy • (1933) • short story by Agatha ChristieThe Hound of Death • (1933) • short story by Agatha ChristieThe Lamp • (1933) • short story by Agatha ChristieThe Last Séance • (1926) • short story by Agatha ChristieThe Mystery of the Blue Jar • (1924) • short story by Agatha ChristieThe Red Signal • (1924) • short story by Agatha ChristieThe Strange Case of Sir Arthur Carmichael • (1933) • short story by Agatha ChristieThe Witness for the Prosecution • non-genre • (1924) • novelette by Agatha ChristieWireless • (1926) • short story by Agatha Christie

    Kimrean and Z. Kimrean. Private Eyes. Behind the door there is only one desk, one chair, one scrawny androgynous P.I. in a tank top and skimpy waistcoat. A.Z., as they are collectively known, are twin brother and sister. He's pure misanthropic logic, she's wild hedonistic creativity. A.Z. have been locked in mortal battle since they were in utero...which is tricky because they, very literally, share one single body. That's right. One body, two pilots. The mystery and absurdity of how Kimrean functions, and how they subvert every plotline, twist, explosion, and gunshot--and confuse every cop, neckless thug, cartel boss, ninja, and femme fatale--in the book is pure Cantero magic.Someone is murdering the sons of the ruthless drug cartel boss known as the Lyon in the biggest baddest town in California--San Carnal. The notorious A.Z. Kimrean must go to the sin-soaked, palm-tree-lined streets of San Carnal, infiltrate the Lyon's inner circle, and find out who is targeting his heirs, and while they are at it, rescue an undercover cop in too deep, deal with a plucky young stowaway, and stop a major gang war from engulfing California. They'll face every plot device and break every rule Elmore Leonard wrote before they can crack the case, if they don't kill each other (themselves) first.This Body's Not Big Enough for Both of Us is a mind-blowing, gender-bending, genre-smashing romp through the entire pantheon of action and noir. It is also a bold, tautly crafted novel about family, being weird, and claiming your place in your own crazy story, that can only come from the mind of Edgar Cantero.

    This is Koontz's spellbinding collection of takes interconnected by the strange highways of human experience: adventures, terrors, failures and triumphs.

    found in a bottle --Silence-a fable --Berenice --William Wilson --Ligeia --The assignation --The facts in the case of M. Valdemar --The pit and the pendulum --The fall of the house of usher --The cask of amontillado --A descent into the maelström --The tell-tale heart --The black cat --The masque of the red death --The gold-bug --The murders in the rue morgue --The purloined letter.

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    Thousands have disappeared here, and the respectable have fled, leaving behind the killers, thieves, poets, painters, drunks, and those too poor or desperate to leave.It is a hellish landscape, and Gilda Carr proudly calls it home.Slightly built, but with a will of iron, Gilda follows in the footsteps of her late father, a police detective turned private eye. Unlike that larger-than-life man, Gilda solves tiny mysteries: the impossible puzzles that keep us awake at night; the small riddles that destroy us; the questions that spoil marriages, ruin friendships, and curdle joy. Those tiny cases distract her from her grief, and the one impossible question she knows she can’t answer: “How did my father die?”Yet on Gilda’s Westside, tiny mysteries end in blood—even the case of a missing white leather glove. Mrs. Copeland, a well-to-do Eastside housewife, hires Gilda to find it before her irascible merchant husband learns it is gone. When Gilda witnesses Mr. Copeland’s murder at a Westside pier, she finds herself sinking into a mire of bootlegging, smuggling, corruption—and an evil too dark to face.All she wants is to find one dainty ladies’ glove. She doesn’t want to know why this merchant was on the wrong side of town—or why he was murdered in cold blood. But as she begins to see the connection between his murder, her father’s death, and the darkness plaguing the Westside, she faces the hard truth: she must save her city or die with it.Introducing a truly remarkable female detective, Westside is a mystery steeped in the supernatural and shot through with gunfights, rotgut whiskey, and sizzling Dixieland jazz. Full of dazzling color, delightful twists, and truly thrilling action, it announces the arrival of a remarkable talent.

    In ‘The Dead Thing’ Paul Tremblay draws us into the world of a neglected teenage girl and her younger brother and the evil that lurks at the heart of their family. In Gemma Files’ ‘Bulb’ a woman calls in to a podcast to tell the terrifying story of why she has escaped off-grid. And Rio Youers’ ‘The Typewriter’ tells in diary form of the havoc wreaked by a malevolent machine. Infinitely varied and beautifully told, New Fears 2 is an unmissable collection of horror fiction.

    . . but when the storm hits, no one is getting awayIt's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing--maybe even romantic--weekend away. It boasts spacious old rooms with huge woodburning fireplaces, a well-stocked wine cellar, and opportunities for cross-country skiing, snowshoeing, or just curling up with a good murder mystery.So when the weather takes a turn for the worse, and a blizzard cuts off the electricity--and all contact with the outside world--the guests settle in and try to make the best of it.Soon, though, one of the guests turns up dead--it looks like an accident. But when a second guest dies, they start to panic.Within the snowed-in paradise, something--or someone--is picking off the guests one by one. And there's nothing they can do but hunker down and hope they can survive the storm--and one another.