Growing obsessed, David made his way to England to calm his fears -- instead he found an...UNBOUNDED HELL.Colin and his wife were dead -- victims of ghastly violence. Their seemingly serene cottage seethed with an aura of murder, madness, and betrayal. Overpowered by the evil, David soon embarked on a...JOURNEY INTO THE MACABRE.Suffocatingly, the presence grew...grew to a malevolent force trying to kill David's fiancee...grew until David himself was a helpless prisoner of unholy passion!

    For more than 100 years, its citizens have worked far outside the laws of man and nature, hunting down strangers, stealing their money and their lives. But the time has come at last for every one of them to pay for their unspeakable crimes. . . .

    It was one of many rules imposed by her cold, distant father. Now, in a final act of desperation, her father has exorcised his demons. But when Laurie returns to claim the estate with her husband and ten-year-old daughter, it’s as if the past refuses to die. She feels it lurking in the broken moldings, sees it staring from an empty picture frame, hears it laughing in the moldy greenhouse deep in the woods…At first, Laurie thinks she’s imagining things. But when she meets her daughter’s new playmate, Abigail, she can’t help but notice her uncanny resemblance to another little girl who used to live next door. Who died next door. With each passing day, Laurie’s uneasiness grows stronger, her thoughts more disturbing. Like her father, is she slowly losing her mind? Or is something truly unspeakable happening to those sweet little girls?

    Out of the murky sewers they suddenly attacked —snapping, biting, ripping at his flesh. After the first sensationalism had died down, the newspapers lost interest ... the experts dismissed them as no more dangerous than ferrets ... people started to forget.But Matt knew different. All the time they were growing in size and numbers — and they preyed on living flesh!For when they returned — slithering out of village ponds, swimming pools, even bath pipes — the fate of the British population was sealed.And there was no more horrifying way to die ....

    Haunted by violent dreams, Skinner Cade discovers there's a wolf in his heart, and it fights to get out--no matter how much blood must be spilled.

    Precociously bright, they spend their evenings in their parents’ attic discussing the macabre and unexplained, zealously rereading books on folklore, hauntings and the supernatural. In particular, they are obsessed with photographs of ghostly apparitions and the mix of terror and delight they provoke in their otherwise boring and safe childhoods.But when Tim and Abi decide to fake a photo of a ghost to frighten an unpopular school friend, they set in motion a deadly and terrifying chain of events that neither of them could have predicted, and are forced to confront the possibility that what began as a callous prank might well have taken on a malevolent life of its own.

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    Liam is a bachelor professor of folklore and he's incurably superstitious. When people start getting murdered, it seems that Liam's demons are real.

    Possessed of an extraordinary imagination, she has a hard time fitting in at school. It is only when she visits Nigeria for the first time that she makes a friend who understands her: a ragged little girl named TillyTilly. But soon TillyTilly’s visits become more disturbing, until Jess realizes she doesn’t actually know who her friend is at all. Drawing on Nigerian mythology, Helen Oyeyemi presents a striking variation on the classic literary theme of doubles — both real and spiritual — in this lyrical and bold debut.

    He arrives at his friends' house without knowing how he got there. Nor do they. He seems to be having an affair with his secretary which is exciting, but unlikely. Further unsettled by leaps in logic and time, Carl wonders if he's actually reacting to the outside world, or if he's terribly mistaken. So begins a psychological adventure that stretches the boundaries of conciousness.

    'Red' seems to me to be a masterwork. 'Vampire' is a breathtaking work of virtuosity."—Dennis Etchison, from his Introduction"An impressive debut. These stories are all beautifully written and very, very disturbing."—Fangoria"Richard Christian Matheson's prose is elegant, yet spare. He is undoubtedly the master of the contemporary horror short story. His potent, subtle horror sneaks up on the reader and its echoes linger long after the story has ended."—Ellen Datlow, fiction editor, Omni

    Terrified that she is going mad, Rachel experiences phantom sensations of leaves, trees, and finally a hand that grasps hers and pulls a young woman into Rachel's world. She has no idea of who she is, but Rachel can't help but think of the local legend of Oak Mary, the corpse of a woman found hidden in a hollow tree, and who was never identified. Three myths have grown up around the body; was she a spy, a prostitute or a murdered gypsy? Rachel is desperate to learn the truth, but darker forces are at work. For a rule has been broken, and Mary is in a world where she doesn't belong...

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Generations of readers have been enchanted by Dickens’s A Christmas Carol—the most cheerful ghost story ever written, and the unforgettable tale of Ebenezer Scrooge’s moral regeneration. Written in just a few weeks, A Christmas Carol famously recounts the plight of Bob Cratchit, whose family finds joy even in poverty, and the transformation of his miserly boss Scrooge as he is visited by the ghosts of Christmas past, present, and future.From Scrooge’s “Bah!” and “Humbug!” to Tiny Tim’s “God bless us every one!” A Christmas Carol shines with warmth, decency, kindness, humility, and the value of the holidays. But beneath its sentimental surface, A Christmas Carol offers another of Dickens’s sharply critical portraits of a brutal society, and an inspiring celebration of the possibility of spiritual, psychological, and social change.This new volume collects Dickens’s three most renowned “Christmas Books,” including The Chimes, a New Year’s tale, and The Cricket on the Hearth, whose eponymous creature remains silent during sorrow and chirps amid happiness.Katharine Kroeber Wiley, the daughter of a scholar and a sculptor, has a degree in English Literature from Occidental College. Her work has appeared in Boundary Two and the recent book, Lore of the Dolphin. She is currently working on a book on Victorian Christmas writings.

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...