Pithy, provocative, poignant advice on a variety of self-help topics—in four well-chosen words.

    Among the talents that emerged in those years-writing, criticizing, drinking, and debating in the classrooms and barrooms of Iowa City-were the younger versions of writers who became John Irving, Jane Smiley, T. C. Boyle, Michelle Huneven, Allan Gurganus, Sandra Cisneros, Jayne Anne Phillips, Jennie Fields, Joy Harjo, Joe Haldeman, and many others. It is chock full of insights and a treasure trove of inspiration for all writers, readers, history lovers, and anyone who ever "wanted to be a writer." Jane Smiley on the Iowa writers' workshop: "In that period, the teachers tended to be men of a certain age, with the idea that competition was somehow the key-the Norman Mailer period. The story was that if you disagreed with Norman, or gave him a bad review, he'd punch you in the nose. You were supposed to get in fights in restaurants." T.C. Boyle on his short story "Drowning": "I got $25 for it, which was wonderful . . . You know, getting $25 for the product of your own brain? You could buy a lot of beer in Iowa City back then for that."

    You know the soaring creativity of the Creator and the serious discipline of the artisan. And you feel the impulse to excel in each. So grab a steaming mug of your favorite hot drink and come learn the art and craft of Christian fiction from one of its master teachers. You'll learn: How to find your story amidst all your ideas How to bring your characters onstage the first time How to convert your telling into showing How to handle profane characters in Christian fiction How to use the dumb puppet trick How to write for the (approving) audience of One The Art & Craft of Writing Christian Fiction is the complete school of fiction from Jeff Gerke, popular writer's conference teacher, professional book doctor, and Christian novelist. It includes and expands upon his influential Fiction Writing Tip of the Week column at WhereTheMapEnds.com. ** Christy Award-winning editor Jeff Gerke entered the Christian fiction publishing industry as a novelist. Under the pen name Jefferson Scott, Jeff has had six of his Christian novels published. He has served on the editorial staff of Multnomah, Strang Communications, and NavPress. Novels that Jeff has edited or acquired have won multiple Book of the Year awards. He is the founder and publisher of Marcher Lord Press.

    Janet Malcolm brings her shrewd intelligence to bear on the legend of Sylvia Plath and the wildly productive industry of Plath biographies. Features a new Afterword by Malcolm.

    That's the classic credo of the funnyman. And that's just what Georgia's favorite son -- and one of America's best-loved humorists -- has done right here. Whether he's taking pointed potshots at blood-stealing orderlies, guffawing in the face of mortality, or talking poignantly about family, friends, and lovers, Lewis Grizzard makes his exit with neither a bang nor a whimper, but a poke in the ribs, a slap on the back, and a promise that his irresistible sense of humor and humanity will always keep on tickin'."Imagine Andy Rooney with a Georgia accent . . . and a sense of humor." -- The Houston Post"A natural-born storyteller with a deft hand for reducing everyday occurrences into uproarious nuggets of prose." -- The Orlando SentinelFrom the Paperback edition.

     In her late twenties, M.E. Evans hops on a plane to Italy on a mission to change her life and that’s exactly what happens. Unfortunately, personal growth isn’t always easy. In Naked, bestselling author, M.E. Evans tackles the dysfunctional family narrative and travel memoir in a way that is refreshingly honest, painfully vulnerable, and wildly entertaining. If you’ve ever set foot in a foreign country or picked up a travel memoir you probably think you already know what Naked is about: a dreamy personal account of the life-altering beauty that is Italy. And sure, that’s in there, nestled somewhere between the profound grief, bruised ego, debilitating anxiety, chronic depression, vagina paintings, a boyfriend with billowing chest hair and a mother-in-law who forcibly irons your underwear. Evans’ dream of a magical life abroad is marred by forbidden love, the death of her younger brother, and a batshit crazy family, yet she skillfully merges tragedy and humor for a wild emotional journey exploring what it means to be human–flaws and all. Evans’ wit, compassion, and vulnerability make reading this book a rarely authentic and relatable experience. You’ll cry, you’ll cackle, and you’ll want Evans to be your best friend.

    I am a soldier. I am a wife. I am a mother. This is my story. There are many like it but this one is mine. In 2009, Army second lieutenant Jessica Scott deployed to Iraq as part of Operation Iraqi Freedom and Operation New Dawn. It was a year of many firsts. This is the first person journey through a combat tour in Iraq, through being a woman in the army and learning to be an officer in the unforgiving environment of a brigade combat team. This is the journey of a writer, learning to find her voice. This is the journey of a mother, confronting the emotions of leaving her children. This is the story of an inexperienced lieutenant, growing into a leader. This is the journey as it happened, without commentary.This is her blog. There are many blogs from the Iraq war, but this one is hers.364 KB

    Good writing, she says, slow you down, opens your heart and teaches you who you are. Good writing arrives through your fingers, knowing what. But you must endure terrible first drafts and use short assignments to get there, word by word.

    Her goal was modest: to make a living by offering comfortable lodging and southern home cooking served family style in the downstairs dining room. Mrs. Wilkes' reputation was strong and business was brisk from the beginning, but it was the coverage in Esquire and the New York Times, and even a profile on David Brinkley's evening news that brought southern food lovers from all over the world to her doorstep. Sema is now 94 years old, and four generations of Wilkes help her keep the tables laden with platters of her legendary fried chicken, pork ribs, and biscuits, while friends and strangers pass bowls brimming with her sublime butterbeans, collard greens, mashed sweet potatoes, and banana pudding. The line snakes out the front door and down the street, where along with the locals and visitors, it's not uncommon to find Jimmy Carter or Roy Junior Blount, among other familiar faces, waiting for their turn at Mrs. Wilkes' table. With over 300 recipes and culinary historian John T. Edge's colorful telling of Mrs. Wilkes' contribution to Savannah and southern cuisine, the rich volume is a tribute to a way of cooking-and eating-that must not be forgotten.

    But for the last fifty years, the novel’s celebrated author, Harper Lee, has said almost nothing on the record. Journalists have trekked to her hometown of Monroeville, Alabama, where Harper Lee, known to her friends as Nelle, has lived with her sister, Alice, for decades, trying and failing to get an interview with the author. But in 2001, the Lee sisters opened their door to Chicago Tribune journalist Marja Mills. It was the beginning of a long conversation—and a great friendship. In 2004, with the Lees’ blessing, Mills moved into the house next door to the sisters. She spent the next eighteen months there, sharing coffee at McDonalds and trips to the Laundromat with Nelle, feeding the ducks and going out for catfish supper with the sisters, and exploring all over lower Alabama with the Lees’ inner circle of friends. Nelle shared her love of history, literature, and the Southern way of life with Mills, as well as her keen sense of how journalism should be practiced. As the sisters decided to let Mills tell their story, Nelle helped make sure she was getting the story—and the South—right. Alice, the keeper of the Lee family history, shared the stories of their family. The Mockingbird Next Door is the story of Mills’s friendship with the Lee sisters. It is a testament to the great intelligence, sharp wit, and tremendous storytelling power of these two women, especially that of Nelle. Mills was given a rare opportunity to know Nelle Harper Lee, to be part of the Lees’ life in Alabama, and to hear them reflect on their upbringing, their corner of the Deep South, how To Kill a Mockingbird affected their lives, and why Nelle Harper Lee chose to never write another novel.

    Wetherell.

    She said she had two rules she followed absolutely: to tell the truth, and not to do anything she didn't want to do. Her integrity shines throughout If You Want to Write, her best-selling classic on the process of writing that has already inspired thousands to find their own creative center. Carl Sandburg called this book "The best book ever written about how to write." Yet Ueland reminds us that "Whenever I say 'writing' in this book, I also mean anything that you love and want to do or to make." Ueland's writing and her teaching are made compelling by her feisty spirit of independence and joy.

    Whether you're writing a rags-to-riches tell-all memoir or literary journalism, telling true stories well is hard work. In You Can't Make This Stuff Up, Lee Gutkind, the go-to expert for all things creative nonfiction, offers his unvarnished wisdom to help you craft the best writing possible. Frank, to-the-point, and always entertaining, Gutkind describes and illustrates every aspect of the genre. Invaluable tools and exercises illuminate key steps, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding the genre, this practical guidebook will help you thoroughly expand and stylize your work.

    Craft Compelling DialogueWhen should your character talk, what should (or shouldn't) he say, and when should he say it? How do you know when dialogue—or the lack thereof—is dragging down your scene? How do you fix character who speaks with the laconic wit of the Terminator?Write Great Fiction: Dialogue by successful author and instructor Gloria Kempton has the answers to all of these questions and more! It's packed with innovative exercises and instructions designed to teach you how to:•Create dialogue that drives the story•Weave dialogue with narrative and action•Use dialogue to pace your story•Write dialogue that fits specific genres•Avoid the common pitfalls of writing dialogue•Make dialogue unique for each characterAlong with dozens of dialogue excerpts form today's most popular writers, Write Great Fiction: Dialogue gives you the edge you need to make your story stand out from the rest.