"Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

    Victor Hussenot‘s palette is awash with subtle colour, gently carrying the narrative and allowing the reader to envelop themselves in the lyricism of the work. Reminiscent of French New Wave cinema with its clipped dialogue, gentle pacing and departure from a classic narrative structure, The Spectators is an exciting new graphic novel.

    Whether your day-to-day work involves developing plans to build the Death Star, building a rebellion, or simply trying to make the printer work, the leaders of the Star Wars universe offer essential guidance on how to assertively deal with common professional pitfalls.Find out how to get a promotion, beat the competition, manage difficult employees, and move from intern to CEO with top tips from Star Wars: Be More Vader and the most powerful villains in the Star Wars movies.The perfect gift for colleagues and friends alike, Star Wars: Be More Vader is a tongue-in-cheek guide on how to advance your career, featuring favourite moments from the Star Wars series alongside hilarious advice and iconic, inspirational Star Wars quotes.(c) & TM 2018 LUCASFILM LTD. Used Under Authorization.

    A building that eats smog. An inflatable concert hall. A research lab that can walk through snow. We’re entering a new age in architecture—one where we expect our buildings to deliver far more than just shelter. We want buildings that inspire us while helping the environment; buildings that delight our senses while serving the needs of a community; buildings made possible both by new technology and repurposed materials.Like an architectural cabinet of wonders, this book collects the most innovative buildings of today and tomorrow. The buildings hail from all seven continents (to say nothing of other planets), offering a truly global perspective on what lies ahead. Each page captures the soaring confidence, the thoughtful intelligence, the space-age wonder, and at times the sheer whimsy of the world’s most inspired buildings—and the questions they provoke: Can a building breathe? Can a skyscraper be built in a day? Can we 3D-print a house? Can we live on the moon?Filled with gorgeous imagery and witty insight, this book is an essential and delightful guide to the future being built around us—a future that matters more, and to more of us, than ever.

    You read the papers. You look at the television. But you never think it will happen to you. It happened to me one evening.” One summer night in 1978, Hugues de Montalembert returned home to his New York City apartment to find two men robbing him. In a violent struggle, one of the assailants threw paint thinner in Hugues’ face. Within a few hours, he was completely blind.Eloquent and provocative, Invisible moves beyond the horrific events of that night to what happened to Hugues after he lost his sight: his rehabilitation, his solo travels around the world, and the remarkable way he learned to “see” even without the use of his eyes.Without a trace of self-pity, Hugues describes his transition from an up-and-coming painter to a blind man who had to learn to walk with a cane. His status changed in the eyes of other people as their reactions ranged from avoidance to making him their confidant. Hugues traveled to faraway places and learned to trust strangers and find himself at home in any situation.Part philosophy, part autobiography, part inspiration, Invisible will change the way readers understand reality and their place in the world.

    We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world.While holding this to be true of authentic art, the author acknowledges the presence--overwhelming in our media-saturated age--of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival.Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.

    America, Mr. Universe, Mr. Olympia) as their gargantuan physique; whose daily lives are as rigidly defined and regulated by their obsession to mold the ideal body ... only their fellow muscle men know who they are and know the price they have paid to win their incredible bodies. Novelist Charles Gaines and photographer George Butler have spent the last two years trying to capture the essence of this strange, joyful, exotic world.

    Dense urban living has been prescribed as a panacea for the environmental and resource crises of our time. But is it better or worse for our happiness? Are subways, sidewalks and condo towers an improvement on the car-dependence of sprawl?The award-winning journalist Charles Montgomery finds answers to such questions at the intersection between urban design and the emerging science of happiness, during an exhilarating journey through some of the world’s most dynamic cities. He meets the visionary mayor who introduced a “sexy” bus to ease status anxiety in Bogotá; the architect who brought the lessons of medieval Tuscan hill towns to modern-day New York City; the activist who turned Paris’s urban freeways into beaches; and an army of American suburbanites who have hacked the design of their own streets and neighborhoods.Rich with new insights from psychology, neuroscience and Montgomery’s own urban experiments, Happy City reveals how our cities can shape our thoughts as well as our behavior. The message is as surprising as it is hopeful: by retrofitting cities and our own lives for happiness, we can tackle the urgent challenges of our age. The happy city can save the world--and all of us can help build it.

    Includes excerpts from Stephen Ambrose's books, screenplay extracts, and commentary by Steven Spielberg, Tom Hanks, Matt Damon, Janusz Kaminski and others. 100 illustrations, 130 color plates.

    Based on her extensive experience in the urban communities of Los Angeles, historian and architect Dolores Hayden proposes new perspectives on gender, race, and ethnicity to broaden the practice of public history and public art, enlarge urban preservation, and reorient the writing of urban history to spatial struggles.

    Subsequent to his father's troubles spilling over into their home-life, he and his mother migrated to the United States when Deon was only six years old. For the two immigrants, making a living in Bedford Stuyvesant, Brooklyn was not an easy task. Suhati, his mother, worked extremely hard trying to sustain a stable lifestyle and shield Deon from all the negativity that surrounded them. After an altercation Deon got into with a bully at school he befriended a neighborhood hustler by the name of Jayson "Jay-Roc" Washington. Jay-Roc familiarized Deon with the street-life and schooled him on the necessary skills needed to survive in the concrete jungle. He taught him that fear equals control and Deon soon adapted to his environment like a chameleon. It didn't take long before Deon became immersed in the exact same lifestyle his mother once tried to shelter him from. He was taking steps in the same shoes his father had previously walked in, down that similar extended road to danger and he was too blind to realize it. When he finally opens his eyes to what life is really about, is it too late? KING is a grimy, heart felt, street tale of lust, envy, and hate. When the pressure is applied, only the strong will subsist and everything done in the shadows will come to light. Love is blind, karma is real, and vengeance is the sweetest joy. How long will it take Deon to learn that jealousy destroys from within? Brace yourself for the ride of your life. He who embraces the crown is considered KING!

    The legwork is done for you. The chapter-by-chapter guides incorporate research-based, high-order reading, writing and thinking activities. (This is NOT the paperback novel.)

    She’s on her way to being great. Having the one person who has always supported her, was making it possible. She feels like there’s nothing that can stop her. What happens when she’s stopped, and lost? Regaining who she is unlocks secrets of epic proportions. What happens when the one who’s always been there for her, hurts her? Will who she once was crash and burn under all the scrutiny and drama surrounding her, or will she rise up and reign supreme? Jahquil Duvall is the one everyone wants. He’s the man who unlocks the realness of a song by placing it in motion. By being one of the biggest choreographers in the industry, his name holds weight. Dancing, and his woman, are his two greatest passions. Tragically, he loses one in the most unbelievable way. Restoring what he felt he’s lost, is the hardest thing, but at the same time, he feels it’s worth it. Fighting to get back what some deems as impossible, is a fight he doesn’t plan on losing. But when there’s an unknown force against him, will he prosper? Or will the damage done be too much to recover from? In this intriguing standalone, trials and tribulations push those to the point to prove whether ‘A Love That Belongs Together,’ is worth the fight.

    Will someone come to her rescue, or will she be left to fend for herself? Meanwhile, Adonis is left enraged at his girlfriend, Teagan, after she admits a truth that had already plagued his thoughts. Will his reaction cost them both their unborn child? Along with their newfound problems, there was still the issue of whether Gi’Dore will continue her blossoming love with Rico—putting the nail in the coffin of her and Achilles’ chaotic yet addictive love. Adonis cut his and Criss’ secret relationship loose, but will she manage to weasel her way back in? Then, there is Achilles... and he was determined to win Gi’Dore back at all cost. Find out what great lengths he’s willing to go to and if it will be enough for him to secure the love of his life.

    Secrets are revealed, breaking bonds and exposing hurt she’d buried a long time ago. The only sure thing in her chaotic life is her blossoming love for Kai. He's everything she needs, and she's everything he's never had. But will Kai's past hinder their growth? Things seem to be finally falling into place for Kenya and Cole. They are both learning to love and trust again. Their only issue is Cole's hot temper and Kenya's rebellious nature. In order for them to work, someone has to be willing to compromise, but who? In this last installment of the I Wanna Love Somebody series, we say goodbye to the characters we have all grown attached to. But before they go, they teach us that love really does conquer all. And even though it can feel like a losing battle most times, we all wanna love somebody.