Get married. Buy a house. Cut off your hands and replace them with gardening tools. Dig a hole. Can you hear the worms calling? Keep digging.

    David Glum decides to quit everything, move back home, and grow a beard before embarking on a surreal cross-country trip that might have something to do with saving the world.

    Zits cover his entire body; his skin is aflame with bright red, pus-filled sores. He has become an outcast in his school and the other kids call him Toad.But what they don't know is the pus leaking from Kip's acne is actually a powerful narcotic that produces strong psychedelic effects. Soon, everyone in school will want a taste of his hallucinogenic cream and this former-loser will become the most popular kid in school. But once you lick the Toad, there's no going back to normal drugs. His classmates just can't get enough. And as their addiction grows, they will stop at nothing to get it...In the spirit of Street Trash and Class of Nukem' High comes a novel about growing up, finding yourself, and tripping on bodily fluids. Shane McKenzie and Eraserhead Press present a bizarro high school drama drenched in Technicolor-splatter!

    The elves are way too obsessed with playing Dungeons and Dragons, Frosty has a Hitler mustache made of coal, the reindeer have a tendency of exploding for no apparent reason, and Santa is a piratey mutant with a body made of sausages.

    Shipp's fiction will be familiar with his minimalist, breakneck pacing, his surreal forays into political satire, and his seamless blending of science fiction, fantasy, and horror. Now, in his fourth book, the Bram Stoker Award finalist expands on what many critics and fans alike have long considered the most compelling aspect of his work-relationships. This story collection explores how a person's desire can infect their every action and interaction with others. The desire to protect. The desire to hurt. The desire to be desired. Fungus of the Heart explores what happens between people when society breaks down and the rules go out the window. Haunting and heartbreaking, pithy and potent, the quirky inhabitants of Shipp's bizarro world will carve an indelible line from your funnybone to your spleen to your emotional core.

    Trapped in a remote Alaskan forest, pinned under his own SUV, gnawed upon by nature's finest predators, Marv Pushkin -- Corporate Warrior, Positive Thinker, Esquire subscriber -- waits impatiently for an ambulance and explains in detail the many reasons why this unfolding tragedy is everyone's fault but his own.

    He’s also a vampire. He lives alone and avoids the other vampires in L.A., but Pete’s simple life goes haywire when he falls for Angie, the cute bartender at a Sunset Strip dive -- and when sinister vampire lord Carson Fitzgerald returns to claim his children, Pete learns that nothing's ever easy for a creature of the night.

    After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanising sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies of this book, and try not to kill every rude sonofabitch that gets in their way. Lullaby is a comedy/drama/tragedy. In that order. It may also be Chuck Palahniuk's best book yet.

    But how does it reflect on your teaching skills when your doppleganger murders the whole class? Follow the Dystopian Duo (Dr. Blah Blah Blah and his robot Dr. Identity) on a killing spree of epic proportions through the irreal postapocalyptic city of Bliptown where time ticks sideways, artificial Bug-Eyed Monsters punish citizens for consumer-capitalist lethargy, and ultraviolence is as essential as a daily multivitamin.

    Follow Kip, Rock and Steady, as they struggle to survive and stay completely shit-faced in the face of certain undead doom. These three unlikely heroes hold the key to humanity's salvation, but will they succeed being inebriated as they are? Not everyone who saves the world is a rocket scientist, a super hero, or a handsome actor turned politician. Sometimes people who save the world... they're fucking idiots.

    A wall. Sometimes love blooms in the strangest of places... What would happen if a woman, tired of previous broken relationships, instead fell in love with her wall? Would she be spurned yet again, or would it be a match made in heaven? Gina Ranalli is the author of Suicide Girls in the Afterlife, 13 Thorns (with outsider artist Gus Fink) and Chemical Gardens.

    It is Gaston Glew's sixteenth Sad Day - the sixteenth anniversary of the saddest day of his life: his day of birth - and his parents have just committed suicide. Fed up with the sadness of Pickled Planet, Gaston Glew builds a rocket ship and blasts off into outer space, hoping to escape his briny fate. Meanwhile, on Pancake Island, Fanny Fod, the most beautiful pancake girl in the world, nurses a secret sadness as she guards the origin of all happiness: the mysterious Cuddlywumpus. When Gaston's rocket ship crash-lands in the sea of maple syrup that surrounds Pancake Island, nothing will ever be the same for him, or for Fanny Fod. Captain Pickle says: "Unchain yourself from this briny fate, oh pickled prisoner, and read Cameron Pierce's The Pickled Apocalypse of Pancake Island: A Tragedy for People Who Eat Food!"

    A deadbeat dad gains employment as a lady-in-waiting in a fairytale bromance where every character looks exactly like someone else from John Carpenter’s The Thing. The unknowing victim of a cruel prank, a simpleton spends his entire life waiting on a park bench for the hottest girl in school. Using only his twenty-sided die and good old-fashioned D&D magic, a man must continually resurrect the neighborhood kid regularly murdered on his own front lawn. An aging slaughterhouse worker and the iconic figure from Edvard Munch’s The Scream hit the clubs every weekend in a vain attempt to get laid.These and many more absurdities await in Clown Tear Junkies, the debut collection from Douglas Hackle.

     The red flag was that he said he was Satan. But the deal was good: Listen to Satan’s story in exchange for some donuts. And Doug only half-fulfilled his part of the bargain. But maybe he should have listened better, because during his friend Bryce’s next scheme (theft with light to moderate treason—the usual), Doug and the rest of his friends—Lulu (the fun one) and Charlene (the not fun one)—end up with a powerful artifact, a small metal cube with world-ending power that Lulu decorated with bunnies. And now everyone wants the bunny cube, which means Doug, Bryce, Lulu, and Charlene are being pursued by an insane supermodel general, an army of sadists, a vast criminal organization, a smaller, more-in-startup-mode criminal organization, and an unstoppable killing machine—the worst kind of killing machine. Doug and his friends may be a bunch of losers who aren’t particularly smart or good at anything, but they have one thing going for them: a really cool name for their mercenary group. And now it’s up to Hellbender to save the world—well, what’s left of it. It’s pretty ruined and war-torn already. But, you know, they live there, so they kind of need it. It’s a mess, but that’s what you get for listening to Satan. Or half-listening.

    What else can you say?" - SCOTT MCCLANAHAN, author of Hill William and CrapalachiaAs teenagers, two lovers, Rollo and Ingrid, escape the world as it is known to live underground in a sprawling pillow fort that mirrors the structure of the human brain. Construction of the fort takes 25 years and once complete, their life exists to honor the fort in all it requires. Basal Ganglia begins countless years after they have become enslaved to the fort process. Rollo and Ingrid have lost any connection to their pasts and each other. Nothing exists beyond the patterns required by the fort. In an effort to become more than stasis, Ingrid expresses her desire to have a baby. Not wanting to subject another human to their strange world, she decides she will knit the baby using materials Rollo gathers from the fort. The emergence of this baby leads to paranoia between Rollo and Ingrid with both believing the other means the child harm. Within the confines of their cloistered world, the two engage in psychological warfare, desperately searching for a conclusion they don't understand. As a result, they will find connection with their past, each other and the true nature of their identities.