The Bourgeois Gentleman, Moliere's classic treatment of snobbery, presents Monsieur Jordain's obsessive desire to move up out of the ranks of the middle class and associate with the gentry.

    Ensnared by the trappings of affluence, adrift in the emptiness of American prosperity, his characters find themselves in the midst of dramas that, however comic, pose profound questions about conformity and class, pleasure and propriety, and the conduct and meaning of an individual life. At the same time, the stories reveal their author to be a master whose prose is at once precise and sensuous, in which a shrewd eye for social detail is paired with a lyric sensitivity to the world at large. “The constants that I look for,” he wrote in the preface to The Stories of John Cheever, “are a love of light and a determination to trace some moral chain of being.”Cheever’s superlative gifts as a storyteller are evident even in his first published work, “Expelled” (1930), which appeared in The New Republic when he was only 18: “I felt that I was hearing for the first time the voice of a new generation,” said Malcolm Cowley, then an editor at the magazine. Moving to Manhattan from his native Massachusetts, Cheever began publishing stories in The New Yorker in the 1930s, establishing a crucial if sometimes contentious relationship that would last for much of his career. His debut collection, The Way Some People Live (1943), was a book that he effectively disowned, regarding it as apprentice work; the best stories in the volume, as selected by editor Blake Bailey, are here restored to print for the first time, offering—along with seven other stories that Cheever never collected—an intriguing glimpse into his early development. By the late 1940s Cheever had come into his own as a writer, achieving a breakthrough in 1947 with the Kafkaesque tale “The Enormous Radio.” It was soon followed by works of startling fluency and power, such as the unsettling “Torch Song,” with its suggestion of menace and the uncanny, as well as the searing, beautiful treatment of fraternal conflict, “Goodbye, My Brother.”Finally, when Cheever and his family moved to Westchester County in the 1950s, he began writing about the disappointments of postwar suburbia in such definitive classics as “The Sorrows of Gin,” “The Five-Forty-Eight,” “The Country Husband,” and “The Swimmer.”This volume, published to coincide with Blake Bailey’s groundbreaking biography, is the largest collection of Cheever’s stories ever published, and celebrates his indelible achievement by gathering the complete Stories of John Cheever (1978), as well as seven stories from The Way Some People Live and seven additional stories first published in periodicals between 1930 and 1953. Also included are several short essays on writers and writing, including a previously unpublished speech on Saul Bellow.Blake Bailey, volume editor, is the author of A Tragic Honesty: The Life and Work of Richard Yates. His biography of John Cheever won the National Book Critics Circle Award.

    S. Eliot's last play, drafted originally in 1955 but not completed until three years later. Lord Claverton, an eminent former cabinet minister and banker, is helped to confront his past by the love of his daughter, his Antigone.The dialogue in The Elder Statesman, the love scenes in particular, contain some of Eliot's most tender and expressive writing for the theatre. The play was first performed at the Edinburgh Festival in 1958.

    In that small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the men though he is just as desperate to convince White of the power of faith as White is desperate to deny it. Their aim is no less than this: to discover the meaning of life. Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted, consistently thought-provoking, and deceptively intimate work by one of the most insightful writers of our time.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

     Each book will also include an A+ Essay; an actual literary essay written about the Spark-ed book, to show students how an essay should be written.

    Reprint.

    This edition contains all the material in the original volumes of George, Don't Do That and Stately as a Galleon, including the bloodthirsty 'Ethel' and the unforgettable nursery school monologues.

    The main body of the work consists of an alphabetical glossary of all words and phrases used in a sexual or scatological sense, with full explanations and cross-references.

    Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.

    This landmark collection brings together the best of his verse, including many pieces that have never before appeared in English.   These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls. The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic.

    Moliere's farcical, tragic, anarchic Don Juan (1665) is the inspiration for Patrick Marber's new play in which the action of the original is relocated to present day Soho, London.Whereas Moliere condemned his anti-hero to a literal Hell, Marber condemns him to a hell of his own making.Don Juan in Soho premiered at the Donmar Warehouse in December 2006.

    She becomes addicted to diet pills in her obsessive quest, while her junkie son, Harry, along with his girlfriend, Marion, and his best friend, Tyrone, have devised an illicit shortcut to wealth and leisure by scoring a pound of uncut heroin. Entranced by the gleaming visions of their futures, these four convince themselves that unexpected setbacks are only temporary. Even as their lives slowly deteriorate around them, they cling to their delusions and become utterly consumed in the spiral of drugs and addiction, refusing to see that they have instead created their own worst nightmares."Selby's place is in the front rank of American novelists. HIs work has the power, the intimacy with suffering and morality, the honesty and moral urgency of Doestoevsky's. To understand Selby's work is to understand the anguish of America." - The New York Times Book Review

    Alice, now twenty-one years old, is determined to find her father who left home when she was just a baby, despite a warning from her mother that she should not look for him. Her mother's secretiveness over the subject is because of the guilt she feels about keeping the truth from Alice. It will take all of Alice's courage to persevere in her search. There are doubts and uncertainties at every turn. Coincidences is a story about following your dreams and staying on the path no matter how difficult the circumstances may become.

    But what’s the real purpose behind their visit?