Maybe this will help him get back on track and apply to college the way he and Tally always planned.But as the group travels across the country, Tally realizes her plan might not be working, and that her brother might not be the only one with a lot on his mind. When a new relationship gets complicated in the face of her own anxiety-about her future, her sexual and romantic identity, and her place within the Jewish diaspora-Tally must grapple not only with the past, but also with what life will be like when they get back home.Debut author Haley Neil offers a relatable and deeply felt story about identity on the cusp of adulthood.

    Raised a Catholic in California, "New York Times"journalist Doreen Carvajal is shocked when she discovers that her background may actually be connected to "conversos" in Inquisition-era Spain, Jews who were forced to renounce their faith and convert to Christianity or face torture and death. With vivid childhood memories of Sunday sermons, catechism, and the rosary, Carvajal travels tothesouth ofSpain, to the centuries-old Andalucian town of Arcos de la Frontera, to investigate her lineage andrecover her family s original religious heritage. In Arcos, Carvajal is struck by thewhite pueblo'sancient beauty and the difficulty she encounters in probing the town's own secret history of the Inquisition. She comes to realize that fear remains a legacy of the Inquisition along with the cryptic messages left by its victims. Back at her childhood home in California, Carvajal uncovers papers documenting a family of Carvajals who were burned at the stake in the 16th-century territory of Mexico. Could the author sfamily history be linked to the hidden history of Arcos? And could the unfortunate Carvajals have been her ancestors? As she strives to find proof that her family had been forced to convert to Christianity six-hundred years ago, Carvajal comes to understand that the past flows like a river through time and that while the truth might be submerged, it isnever truly lost."

    The New RabbiThe center of this compelling chronicle is Har Zion Temple on Philadelphia’s Main Line, which for the last seventy-five years has been one of the largest and most influential congregations in America. For thirty years Rabbi Gerald Wolpe has been its spiritual leader, a brilliant sermonizer of wide renown--but now he has announced his retirement. It is the start of a remarkable nationwide search process largely unknown to the lay world--and of much more. For at this dramatic moment Wolpe agrees to give extraordinary access to Fried, inviting him--and the reader—into the intense personal and professional life of the clergy and the complex behind-the-scenes life of a major Conservative congregation. These riveting pages bring us a unique view of Judaism in practice: from Har Zion’s strong-willed leaders and influential families to the young bar and bat mitzvahs just beginning their Jewish lives; from the three-days-a-year synagogue goers to the hard core of devout attendees. We are touched by their times of joy and times of grief, intrigued by congregational politics, moved by the search for faith. We witness the conflicts between generations about issues of belief, observance, and the pressures of secular life. We meet Wolpe’s vigorous-minded ailing wife and his sons, one of whom has become a celebrity rabbi in Los Angeles. And we follow the author’s own moving search for meaning as he reconnects with the religion of his youth. We also have a front-row seat at the usually clandestine process of choosing a new rabbi, as what was expected to be a simple one-year search for Rabbi Wolpe’s successor extends to two years and then three. Dozens of résumés are rejected, a parade of prospects come to interview, the chosen successor changes his mind at the last minute, and a confrontation erupts between the synagogue and the New York–based Conservative rabbis’ “union” that governs the process. As the time comes for Wolpe to depart, a venerated house of worship is being torn apart. And thrust onto the pulpit is Wolpe’s young assistant, Rabbi Jacob Herber, in his first job out of rabbinical school, facing the nearly impossible situation of taking over despite being technically ineligible for the position--and finding himself on trial with the congregation and at odds with his mentor. Rich in anecdote and scenes of wonderful immediacy, this is a riveting book about the search for personal faith, about the tension between secular concerns and ancient tradition in affluent America, and about what Wolpe himself has called “the retail business of religion.” Stephen Fried brings all these elements to vivid life with the passion and energy of a superbly gifted storyteller.

    All the strata of this complex society were populated by powerfully individual personalities, and the whole community pulsated with life and vitality. The affairs of the patriarchal Meshulam Moskat and the unworldly Asa Heshel Bannet provide the center of the book, but its real focus is the civilization that was destroyed forever in the gas chambers of the Second World War.

    But we’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. Harry Brod reveals the links between Jews and superheroes in a penetrating investigation of iconic comic book figures. With great wit and compelling arguments, Brod situates superheroes within the course of Jewish- American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for not having saved their families, like Spider-Man; outsiders persecuted for being different, like the X-Men; nice, smart people afraid that nobody will like them when they’re angry, like the Hulk. Brod blends humor with sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators—including Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby— integrated their Jewish identities and their creativity. Brod makes a strong case that these pioneering Jews created New World superheroes using models from Old World traditions. He demonstrates how contemporary characters were inspired by the golem, the mystically created artificial superhuman of Jewish lore. And before Superman was first drawn by Joe Shuster, there were those Jews flying through the air drawn by Marc Chagall. As poignant as it is fascinating, this lively guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. Superman Is Jewish? explores the deeper story of how an immigrant group can use popular entertainment media to influence the larger culture and in the process see itself in new, more empowering ways. Not just for Jewish readers or comic book fans, Superman Is Jewish? is a story of America, and is as poignant as it is fascinating. *** A surprising question, one that takes a certain amount of chutzpah to even raise. To add even a bit more chutzpah, this book considers questions about the Jewishness of more superheroes than just Superman, and offers answers that will surprise many. You mean Spider-Man is Jewish too? Well, actually, yes, but in a very different way than Superman is. And, as we’ll see, the shift between them reflects the evolution of Jewish life in America itself in the generation between the two, the generation that gets us from World War II and the “Golden Age” of comics to the 1960s and the “Silver Age” of comics. The historical turning points of those tumultuous years and others, like the powerful 1950s crusade against comics for supposedly causing juvenile delinquency, turn out to be central to our story because these events, and their great impact on American Jews, appear on comic book pages themselves, and behind the scenes in their production. For it turns out that the history of Jews and comic book superheroes, that very American invention, is the history of Jews and America, particularly the history of Jewish assimilation into the mainstream of American culture.

    In this volume, her first to appear in English, she offers a fascinating window into some of the liveliest and most colorful stories in the Talmud. Calderon rewrites talmudic tales as richly imagined fictions, drawing us into the lives of such characters as the woman who risks her life for a sister suspected of adultery; a humble schoolteacher who rescues his village from drought; and a wife who dresses as a prostitute to seduce her pious husband in their garden. Breathing new life into an ancient text, A Bride for One Night offers a surprising and provocative read, both for anyone already intimate with the Talmud or for anyone interested in one of the most influential works of Jewish literature.

    Course Lecture TitlesWhat is Judaism?The Stages of HistoryThe Jewish LibraryThe Emergence of Rabbinic JudaismJewish WorshipPrayer and the SynagogueThe CalendarA Communal Life-CycleIndividual Life-CyclesGod and Man; God and CommunityPhilosophers and MysticsThe Legal Frameworks of JudaismHalakhaCommon Judaismor a Plurality of Judaisms?Judaism and Others

    It raises important questions about the consequences of our assumptions and beliefs and the ways we, as individuals and as members of a society, make distinctions between us and them, right and wrong, good and evil. These questions are both universal and particular.

    Includes historical and cultural notes.

    Their manager was Bessie Setzer, but every one called her Mother Bagel, and the team grew to love her and even Spencer, Brother Bagel, their coach. Which was fine for everyone but Mark Setzer. For him it made problems. Because with a mother as manager and a brother as coach, he felt he had lost his right to be awful on the field and had gained a lot of sticky situations. Then, in addition to worrying about his performance on the baseball team, be had to worry about his performance at his Bar Mitzvah and about his friend, Hersch, who had moved to another part of town and found another best friend. Practicing in the relative privacy of The Projects, where there were some very good and very interesting players, helped Mark's game. It took more than that to help the rest, though. And there were some tough moments before Mark felt competent to handle the social situations and moral decisions his position demanded of him.

    The Orchard, her eighth book, is considered the most daring and ambitious of her novels. Critics went so far as to call it a cultural phenomenon after it eclipsed the Fifty Shades of Grey trilogy on the Israeli bestseller lists. The novel depicts the beginnings of modern Judaism and Christianity (in the first and second centuries) and the historical circumstances and tumultuous disputes that accompanied their births. The heroes of that generation (such as Rabbi Eliezer, Rabbi Ishmael, Rabban Gamaliel, Paul of Tarsus, and many others) become flesh and blood in this stunning interweaving of biblical and Talmudic lore into a page-turning read. At the heart of the book is Rabbi Akiva and his complicated relationship with his wife, Rachel, who met him when he was a forty-year-old illiterate shepherd, married him against her father's wishes, and compelled him to study the Torah until he became the nation of Israel's greatest sage. His novel method of interpreting Scripture provides his people with a life-giving elixir, but also gives them a lethal injection the Bar Kokhba Revolt (the second rebellion against the Romans), which brought a terrible holocaust upon the nation of Israel that nearly caused its end. The Orchard offers a brilliant narrative solution to the riddle of the Bar Kokhba Revolt by tying the rebellion to one of the most fascinating stories in the Jewish tradition, the story of four sages who entered a metaphysical orchard: one died, one lost his mind, one became a hater of God, and one, Rabbi Akiva, made it out unscathed. Or did he?

    After finishing school in New York, Rabbi Harvey traveled west in search of adventure and, hopefully, work as a rabbi. His journey took him to Elk Spring, Colorado, a small town in the Rocky Mountains. When he managed to outwit the ruthless gang that had been ruling Elk Spring, the people invited Harvey to stay on as the town's rabbi. In Harvey's adventures in Elk Spring, he settles disputes, tricks criminals into confessing, and offers unsolicited bits of Talmudic insight and Hasidic wisdom. Each story presents Harvey with a unique challenge--from convincing a child that he is not actually a chicken, to retrieving stolen money from a sweet-faced bubbe gone bad. Like any good collection of Jewish folktales, these stories contain layers of humor and timeless wisdom that will entertain, teach and, especially, make you laugh.

    First published in Odessa in 1908-11, it was recognized immediately as a masterwork in its own right, and reprinted numerous times in Israel.The Hebrew poet Hayim Nahman Bialik and the renowned editor Yehoshua Hana Ravnitzky, the architects of this masterful compendium, selected hundreds of texts from the Talmud and midrashic literature and arranged them thematically, in order to provide their contemporaries with easy access to the national literary heritage of the Jewish people -- the texts of Rabbinic Judaism that remain at the heart of Jewish literacy today.Bialik and Ravnitzky chose Aggadah -- the non-legal portions of the Talmud and Midrash -- for their anthology. Loosely translated as "legends", Aggadah includes the genres of biblical exegesis, stories about biblical characters, the lives of the Talmudic era sages and their contemporary history, parables, proverbs, and folklore. A captivating melange of wisdom and piety, fantasy and satire, Aggadah is the expressive medium of the Jewish creative genius.The arrangement of this compendium reflects the theological concerns of the Rabbinic sages: the role of Israel and the nations; God, good and evil; human relations; the world of nature; and the art of healing. Here, the reader who wants to explore traditional Jewish views on a particular subject is treated to a selection of relevant texts at his fingertips but will soon become immersed in a way of thinking, exploring, and questioning that is the hallmark of Jewish inquiry."Whatever the imagination can invent is found in the Aggadah," wrote the historian Leopold Zunz, "its purpose always being to teach man the ways of God." The Book of Legends/Sefer Ha-Aggadah, now available in William Braude's superbly annotated translation, enables modern Jews to experience firsthand the richness and excitement of their cultural inheritance.

    Now, the major books making up the body of Enochian literature are presented to the public in a single volume. Joseph Lumpkin is the author of the best-selling work, "The Lost Book of Enoch." His work on both 1 Enoch and 2 Enoch have met with wide acceptance and plaudits. Now Lumpkin has completed his work on The Third Book of Enoch. 3 Enoch has not been available to the general public for over eighty years. His previous releases of 1 Enoch and 2 Enoch are placed along side The Hebrew Book of Enoch (3 Enoch,) which has been translated using Hebrew source materials and contains "in-text" commentary. This expansive volume contains copious notes and commentaries in all three books, designed to guide the reader through the difficulties of language, theology, and mystical references. It is a necessary resource for those curious about Angels, Demons, Watchers, Nephilim, Melchizedek, the angel Metatron, or the Merkabah (chariot of God). This volume is an indispensable resource for those engaged in the study of religion, religious history, angelology, demonology, mysticism or the Kabbalah.

    His book Lovesong is a beautifully written account of his spiritual journey away from the conventions of his Southern heritage and Methodist upbringing, culminating in his personal self-discovery through a conversion to Judaism.Growing up in the turbulent civil rights era South, Lester was often discouraged by the disconnectedness between the promises of religion and the realities of his life. He used the outlets available to him to try to come to grips with this split and somehow reconcile the injustices he was witnessing with the purity of religion. He became a controversial writer and commentator, siding with neither blacks nor whites in his unconventional viewpoints. He became a luminal figure of the times, outside of the conventional labels of race, religion, politics, or philosophy.Lester’s spiritual quest would take him through the existential landscape of his Southern, Christian upbringing, into his ancestry, winding through some of the holiest places on the planet and into the spiritual depths of the world’s major religious cultures. His odyssey of faith would unexpectedly lead him to discovering Judaism as his true spiritual calling.