The stories are distortions. They were created to keep the Church of Midnight hidden from the world. Every October 31st a gateway opens to a hostile land of sacrificial magic and chaos. Since the beginning of civilization the Church of Midnight has attempted to open the gateway and unite with its other half, the Church of Morning. Each year they've come closer, waiting for the ideal sacrifice to open the gateway permanently.This year that sacrifice has come. And only two can protect it. Martin and Teresa are the nomads, battle-hardened people who lack identity and are forever road-bound on an endless mission to guard the sacrifice. Their only direction is from notes left from a mysterious person called the Messenger. Endowed with a strange telekinetic power, the nomads will use everything at their disposal to make it through the night alive. But matters have become even more complicated this year. Teresa has quickly lost ground battling cancer, while Martin has spiraled into a panic over being left alone. His mind may no longer be on the fight when it matters most... because ever on their heels is the insidious physical representation of a united church: Chaplain Cloth.***BRAM STOKER AWARD WINNER, Superior Achievement in First Novel***

    Escaping their lives in Manhattan, former college buddies Matt and Davis take off to the Netherlands and find themselves thrown into a bizarre love triangle with a beautiful young prostitute named Christina. But the romance they find in Europe is eventually overshadowed by the truth they discover at home. Written with an unflinching poetic beauty, Red Light Winter is a play of sexual intrigue that explores the myriad and misguided ways we seek to fill the empty spaces inside us.

    An Alien has been detected on board a space station orbiting Earth, and a crack extermination team sets out to destroy it. The success of their mission depends on one man's sinister secret. The story is presented in the traditional text format accompanied by full-page color paintings by Dorman. This book also features a dust jacket illustrated by Dorman.

    He is the author of such classics as Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes. Bradbury has once again pulled together a stellar group of stories sure to delight readers young and old, old and new. In One More For The Road we are treated to the best this talented writer has to offer : the eerie and strange, nostalgic and bittersweet, searching and speculative. Here are a father's regrets, a lover's last embrace, a child's dreams of the future 栬l delivered with the trademark Bradbury wit and style.First day --Heart transplant --Quid pro quo --After the ball --In memoriam --Tete-a-tete --Dragon danced at midnight --Nineteenth --Beasts --Autumn afternoon --Where all is emptiness there is room to move --One-woman show --Laurel and Hardy alpha centauri farewell tour --Leftovers --One more for the road --Tangerine --With smiles as wide as summer --Time intervening --Enemy in the wheat --Fore! --My son, Max --F. Scott/Tolstoy/Ahab accumulator --Well, what do you have to say for yourself? --Diane de Foret --Cricket on the hearth --Afterword: Metaphors, the breakfast of champions

    Time, that big boss that runs the white world. Time, which pushes you hither and yon like dust in front of a broom. Yet you are insensitive to the larger grander motions of time made by the natural world—whether the tide is in or out, the moon new or full, when cows are calving, when ice rims the creeks, when willows are green and supple…most of all you know nothing of timelessness. I say this with a shamed face. I have lived that way myself.”Before he was born, Joseph was chosen to carry the sacred ways of his Sioux people. But, instead of walking the good, Red Road of his people, or even the thorny Black Road, he put his feet on the White Road of basketball and booze, women and the blues.Awaking at nearly forty, a man who has lost himself, Joseph seeks redemption. He sets out again on the path of the sweat lodge, the vision quest, and the sacred pipe. The journey delivers him to Wounded Knee, where is must relive the trials of his ancestors, and through his visions understand the past and heal the present.“Historical detail serves a charming treasure.”- Kirkus Reviews”Blue finds himself, but the reader finds even more in Blevins's tales of Lakota lore and his reexamination of one of the darkest episodes in American history. Blevins's prose is razor-sharp, his characters are clearly defined, and his heart, like so many, is at Wounded Knee. An outstanding novel."--Booklist“RavenShadow has the impact of a hurled war lance."--Dee Brown, author of Bury My Heart at Wounded Knee

    Coyote is on a murderous hunt, leaving behind a trail of carnage. The shape-shifter is determined to kill the human representatives to the Great Council in Galun’lati, eliminating the rule of mankind in the New World. But Raven has overheard the Trickster’s evil plan, and will do anything to protect Luther Watie and his daughter, Sarah Reynolds, even if it means turning his skin inside out. The forces of evil are aligning in two very different worlds. Can mankind be saved, or will creatures of fur and fangs once again reign supreme? Cover art by Ben Baldwin “OWL GOINGBACK UNDERSTANDS WHAT MAKES HORROR FICTION TICK.” --The Arizona Republic “THE SUSPENSE OF A CLIVE BARKER OR DEAN KOONTZ.” --Kirkus Reviews

    The Hugo-winning short story about diners, bored teenagers, and parallel worlds.

    It includes solid advice, from professionals of every publishing level, on how to improve one's writing skills. The volume edited by Michael Knost includes contributions by a dream-team of nationally known authors and storytellers, many Bram Stoker Award winners. Contributors to this work include#58; Clive Barker, Joe R. Lansdale, F. Paul Wilson, Ramsey Campbell, Thomas F. Monteleone, Deborah LeBlanc, Gary A. Braunbeck, Brian Keene, Elizabeth Massie, Tom Piccirilli, Jonathan Maberry, Tim Waggoner, Mort Castle, G. Cameron Fuller, Rick Hautala, Scott Nicholson, Michael A. Arnzen, J.F. Gonzalez, Michael Laimo, Lucy A. Snyder, Jeff Strand, Lisa Morton, Jack Haringa, Gary Frank, Jason Sizemore, Robert N. Lee, Tim Deal, Brian Yount, Brian J. Hatcher, and others. Here is what certain industry publications have already said about this exceptional project#58; "A veritable treasure trove of information for aspiring writers--straight from the mouths of today's top horror scribes!" --Rue Morgue Magazine. "Packing more knowledge and sound advice than four years' worth of college courses . . . It's focused on the root of your evil, the writing itself." --Fangoria Magazine.

    But Paul has a dark past, and a dark inheritance. The ghost of Martin Henninger has returned to make sure his son, Paul, delivers on his apocalyptic charge, the result of Martin's black magic, and he’s killing everyone in his path. With his two worlds colliding, and the body count stacking up, Paul soon finds himself the lead suspect in a series of grisly cult-style killings, and in an emotional standoff between duty, the truth, his wife, and his dead family. Meanwhile, Keith Anderson, San Antonio's best homicide detective, is hot on Paul's heels. His investigation takes him deep into the secrets of Paul's family. But what he finds there just might kill them both.“When I started reading Inheritance, my first reaction was one word—WOW! I kept reading, and I was blown away. Police procedural? Yeah. Horror novel? That, too. But most importantly—one helluva novel. Joe tells a roaring good tale, and when you finish it, you’ll have a lot to say, but WOW will be the first word out of your mouth.”—Rick Hautala, author of Glimpses and Indian Summer“An artful haunting with the gloomy quality of a Terrance Malick crime drama”—Weston Ochse, author of SEAL Team 666“With Inheritance, Joe McKinney delivers a first-rate supernatural thriller with edge-of-your-seat suspense, a high-octane plot, and pitch-black horror. Add to this mix strong characterization and an insider’s knowledge of law enforcement, and you have one of the best novels I’ve read in ages. I loved it!”—Tim Waggoner, author of The Harmony Society and Like Death“Joe McKinney has proven, yet again, that he is a true literary genius. Inheritance is a breath-taking thrill ride masterfully crafted to grip the reader, pulling them deep into the nightmares of its characters with a level of suspense that steals the breath from your lungs. Brilliant!”— Gabrielle Faust, author of Revenge and Eternal Vigilance“Joe McKinney delivers. Inheritance is a brisk, wry and deliriously creepy tale of family secrets and black magic that is guaranteed to get your goat!”—Harry Shannon, author of Dead and Gone and The Hungry

    Includes the first collaboration between father/son Stephen King and Joe Hill. Also includes work by Whitley Strieber, F. Paul Wilson, Joe Lansdale, John Shirley as well as a collaboration between Matheson and the late Charles Beaumont ("Conjure Wife").

    

    At the time it seems like the perfect place to do it, so quiet, so secluded. But they have no way of knowing that they've moved into what was once a sacred site of an old religion. And that the old god is not dead--only waiting. Already the god's dark power has begun to spread, changing and polluting all that it touches. A hideous evil pervades the small town. Soon the dead no longer stay dead. When the power awakens the rotting crew of a ship that sank decades earlier, a nightmare of bloodshed and violence begins for the Stainforths, a nightmare that can end only with the ultimate sacrifice--death.

    How far will you go to save someone you love and trust when they’ve kept a dangerous secret for years? That’s the question facing Lance Kingston, a successful Houston magazine executive whose recent marriage to beautiful, high-powered attorney Tia Jiles seemed to promise a bright future for both of them. But under the surface, a fierce and frightening storm was brewing. That’s because Tia never revealed to Lance what she and her family have known since Tia was seventeen—she has an illness that takes over her mind, transforming her into a raging, violent woman hell-bent on destruction. Bipolar disorder. Schizophrenia. Or crazy, as Lance’s grandmother continually reminds him. “Crazy leaves clues,” she told him point-blank, and perhaps Lance should have listened. Tia’s mother tries to pray the problem away . . . and Tia’s doctors can’t help her if she won’t do what they advise. Now there’s more than their marriage and Tia’s survival at stake: Tia is pregnant, and Lance will stop at nothing to keep his troubled wife and unborn daughter safe. But at what price?

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    She knows about pain and how to inflict it, she knows about guilt and she knows about survival. And because of her own experiences, she knows what these things can do to a child. So when she and a nine-year-old boy are the only ones left alive in a freezing Glasgow tenement after a Special Branch undercover operation she was spearheading has gone disastrously wrong, there's no way Orla McLeod's going to hand Jamie Buchanan over to social services. Not when Jamie's the sole witness to Tord Svensen committing an act of savagery so awful it's rapidly turning him into one of the most feared criminals in Europe. Especially since Svensen knows a lot about survival too.