Resistance, Rebellion and Death displays Camus's rigorous moral intelligence addressing issues that range from colonial warfare in Algeria to the social cancer of capital punishment. But this stirring book is above all a reflection on the problem of freedom, and, as such, belongs in the same tradition as the works that gave Camus his reputation as the conscience of our century: The Stranger, The Rebel and The Myth of Sisyphus.

    Eventually the judge ordered Seale to be bound and gagged for insisting on representing himself. Adding to the theater in the courtroom an array of celebrity witnesses appeared, among them Timothy Leary, Norman Mailer, Arlo Guthrie, Judy Collins, and Allen Ginsberg (who provoked the prosecution by chanting "Om" on the witness stand).This book combines an abridged transcript of the trial with astute commentary by historian and journalist Jon Wiener, and brings to vivid life an extraordinary event which, like Woodstock, came to epitomize the late 1960s and the cause for free speech and the right to protest--causes that are very much alive a half century later. As Wiener writes, "At the end of the sixties, it seemed that all the conflicts in America were distilled and then acted out in the courtroom of the Chicago Conspiracy trial."An afterword by the late Tom Hayden examines the trial's ongoing relevance, and drawings by Jules Feiffer help recreate the electrifying atmosphere of the courtroom.

    Find out which of the six is your spirit animal with the Which Friends Character Are You? quiz; dating advice from Joey Tribbiani; and master the art of the witty comeback with Chandler. There are recipes from Monica, profiles on each of the extraordinary actors who brought these unforgettable characters to life.Full of inspiration, fashion advice, make-up tips, trivia and hilarious quotes direct from Central Perk, this unofficial guide is here to help you discover the secrets to maintaining the lifelong bonds between friends who are more like family.

    As drummer for the British group Captain America, one of the two support bands on Nirvana's Nevermind UK tour, Andy Bollen had a ringside seat at the exact moment that Nirvana went massive. Afforded intimate access, Bollen wrote his own personal diary in Nirvana's dressing room, where he spoke candidly to Cobain—from his fears of losing original fans to his love of the Bay City Rollers. He saw firsthand how Nirvana worked, the relationships that made them tick, and the dynamic that made them one of the great bands. This is a warm, affectionate, funny, and, at times, brutally honest account, written by a guy on the periphery, perfectly positioned to observe. Drawing on the diaries he kept at the time, the book brings to life a pivotal moment in rock history, making it a must-read for Nirvana fans and lovers of iconic rock stories. The author also includes his own photographs which have never been seen before.

    Since then, the popular image of anarchism has been one of violence and terror. But this picture is wildly misleading, and the media has done more to obscure anarchism than to explain it. Focusing on the street fighting and confrontations with police, mainstream commentators are unable to understand what anarchism is or why a philosophy with roots in the nineteenth century has resurfaced with such power at the dawn of the new millennium. To understand anarchism, it is necessary to go beyond the caricature presented by the media. In this new biography of Mikhail Bakunin, Mark Leier traces the life and ideas of anarchism's first major thinker, and in the process revealing the origins of the movement.             There was little in Bakunin's background to suggest that he would grow up to be anything other than a loyal subject of the Russian Empire. Instead, he became one the most notorious radicals of the nineteenth century, devoting his life to the destruction of the tsar and feudalism, capitalism, the state, even God. In the process, he became a historical actor and political thinker whose ideas continue to influence world events.            Bakunin is of keen interest these days, though the attention paid to his image continues to obscure the man and his ideas. Using archival sources and the most recent scholarship, Leier corrects many of the popular misconceptions about Bakunin and his ideas, offering a fresh interpretation of Bakunin's life and thoughts of use to those interested in understanding anarchism and social change. Arguing for the relevance and importance of anarchism to our present world, Leier sheds light on the nineteenth century, as well as on today's headlines, as he examines a political philosophy that has inspired mass movements and contemporary social critics.              Mark Leier shows that the "passion for destruction" is a call to build a new world free of oppression, not a cult of violence. He argues that anarchism is a philosophy of morality and solidarity, based not on wishful thinking or naïve beliefs about the goodness of humanity but on a practical, radical critique of wealth and power. By studying Bakunin, we can learn a great deal about our own time and begin to recover a world of possibility and promise. It is often said that we are all anarchists at heart. This book explains why.

    Published in early 1968, it both kindled and colored the May 1968 upheavals in France, which captured the attention of the world. Naming and defining the alienating features of everyday life in consumer society: survival rather than living in full, the call to sacrifice, the cultivation of false needs, the dictatorship of the commodity, subjection to social roles, and the replacement of God by the economy, the book argues that the countervailing impulses that exist within deep alienation - creativity, spontaneity, poetry present an authentic alternative to nilhilistic consumerism. This carefully edited new translation marks the first North American publication of this important work and includes a new preface by the author.

    Contents:· The Rose · na Authentic #31 ’53 · The Chessplayers · ss F&SF Oct ’53 · The New Reality · nv Thrilling Wonder Stories Dec ’50

    She endured a catastrophic set of physical calamities as a child and young woman, was an active member of the Communist Party, and survived a tempestuous marriage to the artist Diego Rivera. This book includes many photographs of her life alongside her extraordinary paintings, and presents commentary by leading Mexican art historians, stunning reproductions of her most seminal works -- some never before reproduced, and nine gate-folds allowing the reader to examine in detail aspects of her larger works.

    Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through governance by credit and management of pedagogy. Working from and within the social poesis of life in the undercommons Moten and Harney develop and expand an array of concepts: study, debt, surround, planning, and the shipped. On the fugitive path of an historical and global blackness, the essays in this volume unsettle and invite the reader to the self-organised ensembles of social life that are launched every day and every night amid the general antagonism of the undercommons.

    What followed was a whirlwind childhood spent among art and artists in the heyday of Abstract Expressionism. Gabrielle grew up in a home full of the most celebrated artists of the day: Rothko, de Kooning, Tinguely, Giacometti, and Christo, among others.Poignant and candid, Unstill Life is a daughter’s memoir of the art world and a larger-than-life father known to the world as Mr. Modern Art. Selz offers a unique window into the glamour and destruction of the times: the gallery openings, wild parties and affairs that defined one of the most celebrated periods in American art history. Like the art he loved, Selz’s father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on family life. When her father left MoMA and his family to direct his own museum in California, marrying four more times, Selz’s mother, the writer Thalia Selz, moved with her children into the utopian artist community Westbeth. Her parents continued a tumultuous affair that would last forty years.Weaving her family narrative into the larger story of twentieth-century art and culture, Selz paints an unforgettable portrait of a charismatic man, the generation of modern artists he championed and the daughter whose life he shaped.

    Leonora Carrington, an artist of the Surrealist Movement, here joins fiction with autobiography in a collection of work including accounts of her life before and after she met Max Ernst as well as short stories, a novella and original artwork.

    But Rosemary has a secret, and he’s lying comatose in a hospital only a few miles away. Should she let him live, or let him go? Into the midst of Rosemary’s dilemma comes bohemian artist, Ben. His abstract pictures and fixation with painting God disturb Rosemary, and yet she finds herself unable to keep away. As summer passes and an unlikely friendship develops, it becomes clear that Rosemary is not the only one with something to hide. Nor is she the only one battling the ghosts of the past. Rosemary and Ben must decide whether to trust each other, choosing between the madness of admitting the truth and the insanity of maintaining their lies. With their lives unravelling around them, can they help each other to confront the past, or are there some secrets too terrible to be told?

    She finds out that over his long career Matisse made paintings, sculpture, books, costumes, and her favorite—his cut-outs, or what Matisse called “drawing with scissors.” The report is filled with about 20 of Matisse’s masterpieces as well as artwork that Keesia has created in his “style” (cut-out leaves, drawings through windows, fauvist animals). As she follows Matisse through his life she discovers why he is considered one of the greatest artists of the twentieth century.

    There will be a lot of times when you need to get something done in Lightroom, but you have no idea where Adobe hid that feature, or what the “secret handshake” is to do that thing you need now so you can get back to working on your images. That’s why this book was created: to get you to the technique, the shortcut, or exactly the right setting, right now. Here’s how it works: When you need to know how to do a particular thing, you turn to the chapter where it would be found (Print, Slideshow, Organizing, Importing, etc.), find the thing you need to do (it’s easy-each page covers just one single topic), and Scott tells you exactly how to do it just like he was sitting there beside you, using the same casual style as if he were telling a friend. That way, you get back to editing your images fast.This isn’t a book of theory, full of confusing jargon and detailed multi-step concepts. This is a book on which button to click, which setting to use, and exactly how and when to use it, so you’re never “stuck” in Lightroom again. This will be your “go to” book that sits within reach any time you’re working in Lightroom, and you are going to love having this type of help right at your fingertips.

    More than painting an appealing landscape, it's about making your viewer feel the wind, experience the dance of shadows and sunlight, and admire the wondrous intermingling of colors that attracted you to your subject in the first place.In this gorgeously illustrated book, Bob Rohm shows you how to see the world from a painterly perspective and translate it into expressive, poetic paintings that elicit an emotional response from your viewer.Clearly illustrates how to choreograph color, value, composition, texture and other fundamental elements to achieve those elusive qualities of mood and emotionFeatures 9 step-by-step demonstrations (in oil, pastel and acrylic) on capturing a vivid sense of time and placeCovers brushstrokes, painting with a palette knife, edge control, shadows and other advanced art techniquesThis book focuses primarily on landscape painting but offers valuable lessons for approaching any subject in a personal and engaging way.