A survey of the myths, legends and religious beliefs of the ancient Anglo-Saxons.

    Gods disguised as beggars and beasts, animals enacting Machiavellian intrigues, sagacious jesters and magical storytellers, wise counselors and foolish kings--all inhabit a fabular world, yet one that is also firmly grounded in everyday life. Here is an indispensable guide to India's ageless folklore tradition.With black-and-white illustrations throughoutPart of the Pantheon Fairy Tale and Folklore Library

    In Anam Cara, Gaelic for soul friend, the ancient teachings, stories, and blessings of Celtic wisdom provide such profound insights on the universal themes of friendship, solitude, love, and death as: Light is generous The human heart is never completely born Love as ancient recognitionThe body is the angel of the soul Solitude is luminous Beauty likes neglected places The passionate heart never ages To benatural is to be holy Silence is the sister of the divine Death as an invitation to freedom

    But at the centre of their cosmos stands a gnarled old ash tree from which all distances and times are measured. When the old tree creaks, Ragnarok - the end of the world and of the gods themselves - is at hand. It is from this tree that Odin, father of the gods, hanged himself in search of the wisdom of the dead: a disturbing image of divine sacrifice far removed from the feasting and fighting of his otherworld home, Valhalla. This is the first book to show how the Norse myths have resonated from era to era: from Viking-age stories of ice and fire to the epic poetry of Beowulf; and from Wagner's Ring to Marvel Comics' Mighty Thor. Heather O'Donoghue considers the wider contexts of Norse mythology, including its origins, medieval expression and reception in post-medieval societies right up to the present. From Asgard to Valhalla is a book that will intrigue and delight anyone with an interest in how the Norse myths have so profoundly shaped the western cultural heritage.

    It dramatizes a 13th century view of the past, from the pagan anarchy of the Viking age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society.

    Her name is Wild Woman, but she is an endangered species. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller shows how women's vitality can be restored through what she calls "psychic archeological digs" into the ruins of the female unconsious. Using multicultural myths, fairy tales, folk tales, and stories, Dr. Estes helps women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype.Dr. Estes has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

    Explored are the many tales of an ancient race said to have lived in the Arctic regions, such as Thule and Hyperborea. Progressing onward, the book looks at modern polar legends: including the survival of Hitler, German bases in Antarctica, UFOs, the hollow earth, and the hidden kingdoms of Agartha and Shambhala. Chapters include: Prologue in Hyperborea; The Golden Age; The Imperishable Sacred Land; The Northern Lights; The Arctic Homeland; The Aryan Myth; The Thule Society; The Black Order; The Hidden Lands; Agartha and the Polaires; Shambhala; The Hole at the Pole; Antarctica; Arcadia Regained; The Symbolic Pole; Polar and Solar Traditions; The Spiritual Pole; The Catastrophists; The Uniformitarians; Polar Wandering; more.

    Here, Frank MacEowen explains this intuitive way of seeing by retelling a traditional Irish story, "The Settling of the Manor of Tara." The story is essential because it introduced to Irish culture the concept of the four directions — north, south, east, and west. For the Irish, just as for Native Americans, the directions act as guides and protectors. Once seekers learn to “see” the directions, spirituality becomes a living thing, making each seeker not just an observer but a participant. After retelling the ancient story in beautiful, prose evocative of ancient Ireland, MacEowen then places its wisdom in contemporary terms, and shares exercises and practices that help readers incorporate the teachings into daily life.

    In Lost Goddesses of Early Greece, Charlene Spretnak recreates, the original, goddess-centered myths and illuminates the contemporary emergence of a spirituality based on our embeddedness in nature.

    In The Old Magic of Christmas you'll find a Christmas bestiary and a White Witch's herbal, as well as tips for delving more deeply into your relationship with the unseen. Bring the festivities into your home with cookie recipes and ornament making while brushing elbows with veiled spirits and discovering the true perils of elves. Rife with the more frightful characters from folklore and the season's most petulant ghosts, this book takes you on a spooky sleigh ride from the silvered firs of a winter forest to the mirrored halls of the Snow Queen.

    It contains the earliest and most comprehensive collection of Fenian stories and poetry, intermingling the contemporary Christian world of Saint Patrick with his scribes; clerics; occasional angels and souls rescued from Hell; the earlier pagan world of the ancient, giant Fenians and Irish kings; and the parallel, timeless Otherworld (peopled by ever-young, shape-shifting fairies). This readable, lucid new translation is based on existing manuscript sources and is richly annotated, complete with an Introduction discussing the place of the Acallam in Irish tradition and the impact of the Fenian or Ossianic tradition on English and European literature."

    Set against the backdrop of post-colonial South Africa, Zulu Shaman relays the first-person accounts of an African healer and reveals the cosmology of the Zulu. Mutwa begins with the compelling story of his personal journey as an English-trained Christian schoolteacher who receives a calling to follow in his grandfather’s footsteps as a shaman and keeper of folklore. He then tells the stories of his ancestors, including creation myths; how evil came to the world; the adventures of the trickster god Kintu; and Zulu relations with the “fiery visitors,” whom he likens to extraterrestrials. In an attempt to preserve the knowledge of his ancestors and encourage his vision of a world united in peace and harmony, Mutwa also shares previously guarded secrets of Zulu healing and spiritual practices: including the curing power of the sangoma and the psychic powers of his people.

    Interspersed with spotlight features on faery folklore, including fascinating quotes drawn from medieval manuscripts and both written and oral folklore, these tales cover faery morals, elvish misdemeanors, the spells cast by goblins, and the sightings of the creatures, as well as their dealings with mortals. The enchanting stories, rewritten to engage a new generation, are each attributed to a British region. With charming illustrations from favorite illustrators throughout, this book reminds readers of the enduring appeal of folklore and mystery for all generations.

    350 full-color photos, paintings & illustrations.

    But how do these images compare with the evidence revealed by the excavator's trowel? Recent archaeological research has transformed our understanding of the period. Reflecting this new generation of scholarship, Professor Barry Raftery presents the most convincing and up-to-date account yet published of Ireland in the millennium before the coming of Christianity.The transition from Bronze Age to Iron Age in Ireland brought many changes, not least the proliferation of imposing hillforts. Did these have a purely defensive role, or were they built for ceremonial or commercial purposes? When did the Celtic character of early Ireland emerge? New findings indicate that the construction of the country's great royal centers, such as Tara and Emain Macha, coincides with the first appearance in Ireland of the material culture of the European Celts - so-called La Tene artifacts. The author argues that these were the portable trappings of a rising aristocratic elite, which expressed its power by building highly visible monuments.Professor Raftery also discusses the significant advances that took place in travel and transport, including the creation of the largest roadway in prehistoric Europe; the elusive lives of the common people; the idiosyncratic genius of the local metalsmiths; and the complex religious beliefs exemplified by standing stones, and offerings in rivers and lakes. He presents fascinating new material about Ireland's contacts with the Roman world, and in a final chapter he reviewsthe whole question of whether La Tene culture spread to Ireland through invasion or peaceful diffusion. Pagan Celtic Ireland is the definitive statement of what we currently know about the country's shadowy, Celtic origins. Generously illustrated throughout, it will be read avidly