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    Rather than quibble, Short opts for inclusiveness. Here is a dazzling array: 100s of pieces (under 1250 words) from 24 Western countries, written over five centuries by more than 200 contributors, including major authors of every era. Fables, histories, aphorisms, anecdotes, faux dictionary entries, a faux job application, hint fiction, lists, tableaus, meditations, chants, rants, and much more. Intensely pleasurable.Contributors include: Montaigne, von Kleist, Leopardi, Poe, Baudelaire, Bierce, Chopin, Stein, Jacob, Woolf, Kafka, J. Roth, Toomer, Borges, Queneau, Kunitz, Beckett, Milosz, Cortazar, Paz, Barthes, Calvino, O'Hara, Merwin, Lispector, Transtromer, Sanchez, Edson, Simic, Atwood, Valenzuela, Wideman, L. Davis, Komunyakaa, A. Carson, Forche, Harjo, Hempel, Wenderoth, Keret, B. Marcus, A. Bender, Eggers, B. Lerner, T. Brimhall.

    So begins William Broyles, Jr.'s fascinating introduction, written exclusively for this book, about the process and challenges inherent in writing a screenplay that was not, by design, going to have a lot of dialogue in it, and about his collaboration with two extraordinarily gifted artists, actor Tom Hanks and director Robert Zemeckis.Broyles's introduction shows how a movie and its story evolve, shift, and shape while the creators grapple with all manner of internal and external choices: from developing what was Tom Hanks's idea into a story, and building a narrative structure and thematic threads into a screenplay, to researching the details of the specific—and ironic—situation of a FedEx executive stranded on a desert island.Also included in this unique Newmarket Shooting Script® edition is the complete shooting script, a preface to the script by Academy Award®-winning filmmaker Robert Zemeckis (Forrest Gump, Contact), movie stills, and complete cast and crew credits.

    In these nine stories and essays, he considers holidaymakers and stone monuments, tales of war and blackbirds, and the great pathos of a tiny death: a fly's impossible fight against the grip of flypaper.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    Although Charlotte Brontë's heroine is outwardly plain, she possesses an indomitable spirit, and great courage. Forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order which circumscribes her life when she becomes governess to the daughter of the mysterious, sardonic Mr Rochester.Villette is based on Charlotte Brontë's personal experience as a teacher in Brussels. It is a moving tale of repressed feelings and cruel circumstances borne with heroic fortitude. Rising above the confinement of a rigid social order, it is also a story of a woman's right to love and be loved.Wuthering Heights is Emily Brontë's wild, passionate tale of the intense and almost demonic love between Catherine Earnshaw and Heathcliff, a foundling adopted by Catherine's father. After Mr Earnshaw's death, Heathcliff is bullied and humiliated by Catherine's brother Hindley and, wrongly believing that his love for Catherine is not reciprocated, he leaves Wuthering heights. When he returns years later as a wealthy man, he proceeds to exact a terrible revenge for his former miseries.Agnes Grey, Ann Brontë's deeply personal novel, is a trenchant expose of the frequently isolated, intellectually stagnant and emotionally starved conditions under which many governesses worked in the mid-nineteenth century.The Tenant of Wildfell Hall shows Ann Brontë's bold, naturalistic and passionate style. It is a powerful and sometimes violent novel of expectation, love, oppression, sin and betrayal. It portrays the disintegration of the marriage of Helen Huntingdon, the mysterious 'tenant' of the title, and her dissolute, alcoholic husband.

    In eleven collections over thirty years, Edson has created his own poetic genre, a surreal philosophical fable, easy to enter, but difficult to leave behind. In The Tormented Mirror, Edson continues and refines his form in seventy-three new poems.

    "Fingernails" quickly became a sensation when it was released and has long been a bibliographic rarity and one of the most read texts on the Russian internet.

    2: AmericanThen he saw, an indefinite distance beyond him, burning like red-hot iron through the darkness, a little scarlet or crimson gleam, as of a lighted cigar.

    

    In the O'Henry Award winning "Two Brothers," a minister breaks his leg while his sons watch then refuses to call an ambulance, remaining convinced even unto death that God will arrive to lift him up and make him whole. The self-acclaimed language specialist of "The Polygamy of Language" indiscriminately blends linguistics with murder. "Contagion" is a skewed retelling of the early history of barbed wire, which interweaves metaphysics and the Western genre. "Watson's Boy" shows a boy endlessly wandering the human equivalent of a conditioned response box while the protagonist of "By Halves" finds himself trapped in a relationship that may not exist. Throughout, Evenson's immaculate prose draws us mercilessly up to confront troubled and troubling lives that, astoundingly, are no less human than our own.

    This collection presents a cross-section of Shaw's most important theater workâ��Mrs. Warren's Profession, Man and Superman, Major Barbara, and Pygmalion. Each play is fully annotated. "Contexts and Criticism" features all-new material on the author and his work, from traditional critical readings to more theorized approaches, among them essays on Shaw's Fabianism and his alleged feminism. Contributors include Leon Hugo, Sally Peters, Tracy C. Davis, John A. Bertolini, Stanley Weintraub, and J. Ellen Gainor. A Chronology and a Selected Bibliography are included.

    Source: Wikipedia. Pages: 20. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Cyberiad (Polish: ) is a series of short stories by Stanisaw Lem. The Polish version was first published in 1967, with an English translation appearing in 1974. The main protagonists of the series are Trurl and Klapaucius, the "constructors." The vast majority of characters are either robots, or intelligent machines. The stories focus on problems of the individual and society, as well as on the vain search for human happiness through technological means. Two of these stories were included in the book The Mind's I. Trurl and Klapaucius are brilliant (robotic) engineers, called "constructors" (because they can construct practically anything at will), capable of almost God-like exploits. For instance, on one occasion Trurl creates an entity capable of extracting accurate information from the random motion of gas particles, which he calls a "Demon of the Second Kind." He describes the "Demon of the First Kind" as a Maxwell's demon. On another, the two constructors re-arrange stars near their home planet in order to advertise. The duo are best friends and rivals. When they are not busy constructing revolutionary mechanisms at home, they travel the universe, aiding those in need. Although the characters are firmly established as good and righteous, they take no shame in accepting handsome rewards for their services. If rewards were promised and not delivered, the constructors may even severely punish those who deceived them. The universe of The Cyberiad is pseudo-Medieval. There are kingdoms, knights, princesses, and even dragons in abundance. Robots are usually anthropomorphic, to the point of being divided into sexes. Love and marriage are possibl...More: http: //booksllc.net/?id=59380

    It was a "big country needing big men and women to live in it." Here are three more of his fine short stories about the West. West of the Tularosa Ruth Kermitt, owner of the Tumbling K ranch, made a deal with old Tom McCracken, owner of the Firebox spread, to buy his ranch. That's why the Tumbling K's foreman, Ward McQueen, and some of the Tumbling K crew have come to take possession. But in a deserted bunkhouse on the Firebox, they find the body of Jimmy McCracken, son of the former owner, who was clearly killed in a gunfight. Then, Sheriff Bill Foster shows up with a posse. Riding with that posse is Neal Webb, who claims that he owns the Firebox and that he's got a transfer deed signed by Jimmy McCracken conveying that ownership. Webb seizes the opportunity to accuse Ward McQueen and his men of killing McCracken in order to claim possession of the Firebox. Despite his innocence, McQueen sees that he will have a tough time staying out of jail long enough to discover who the real killers are. Home in the Valley Steve Mehan had accomplished what many had believed to be impossible. He had taken cattle from the home range in Nevada to California in the dead of winter. Not only that, he had been successful in selling them. Now the money from the sale is on deposit with the Dake & Company bank in Sacramento. That $24,000 will save all five ranches in Paiute Valley that had supplied cattle for the drive. Mehan is feeling good about all of this when, to his shock, he reads in the newspaper that Dake & Company has failed. And there is one nasty hombre who is mighty happy to hear this. He sneeringly tells Mehan that those ranchers have lost out and since they can't pay their debt--and he will become the new owner. But Mehan isn't ready to give up. There is a bank branch in Portland, Oregon, and if Mehan can get to it and withdraw the money before the steamer boat heading for Portland arrives with the news of the bank failure, he wins. To do that, Mehan will have to start out immediately, hoping for stamina, luck, and a long relay of good horses to cover those hundreds of miles. West Is Where the Heart Is Jim London is on his way home. During the four years of the War between the States, he has not been home, seen his wife, Jane, or been able to send word of his whereabouts. For all she knew, he was dead. Fellows have told him she wouldn't have waited for him, but London believes differently. Then, just two hundred miles from home, London comes across a burned-out wagon train. Nine wagons had been hit by the Comanches, and they left only a ruin behind: overturned wagons, dead livestock, ransacked belongings, and dead bodies strewn on the ground. Yet Jim discovers that not everyone is dead. He finds little Betty Jane, a five-year-old who had been able to hide successfully during the attack. The only thing to be done is for him to take her along with him. But during their journey, he discovers that the child knows something that no one else does.

    He had just lost the man he was trailing and then got into a crazy highway chase with a Cadillac. Now he just wanted to get some sleep. But his thoughts of sleep ended when a screaming brunette woke him with her screams and a hand covered in blood. It looked like a murder, but where was the victim? And Lew Archer only had one suspect―an imaginary blonde that nobody seems to have seen.