Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field.If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.'One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness'International Herald Tribune

    It is intended to instruct the faithful, and satisfy their pious desires. There might, perhaps, have been some reason to fear, at the very outset, that the mere title of Devotion to the Sacred Heart of Jesus Christ, however it might attract many persons to read this book, might also deter many others. Arrested by the first words, they might be led to form an inaccurate idea of the devotion. To remove this difficulty, it has been thought well to explain in the beginning, what is understood by devotion to the Sacred Heart of Jesus Christ. Experience has proved, that there is no one, who, after seeing in what it consists, does not agree, that it is reasonable, solid, and most useful, for our salvation, as well as for our perfection

    She is barely an adult when the trials of motherhood and marriage put her on an unexpected collision course with Jesus. After finding her faith at a suburban megachurch, Jamie trades in the easy life on the cul-de-sac for the green fields of Costa Rica. There, along with her family, she earnestly hopes to serve God and change lives. But faced with a yawning culture gap and persistent shortcomings in herself and her fellow workers, she soon loses confidence in the missionary enterprise and falls into a funk of cynicism and despair.

Nearly paralyzed by depression, yet still wanting to make a difference, she decides to tell the whole, disenchanted truth: Missionaries suck and our work makes no sense at all! From her sofa in Central America, she launches a renegade blog, Jamie the Very Worst Missionary, and against all odds wins a large and passionate following. Which leads her to see that maybe a "bad" missionary--awkward, doubtful, and vocal—is exactly what the world and the throngs of American do-gooders need.

    "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars.

    A snake-handling preacher by the name of Glendel Buford Summerford has just tried to murder his wife, Darlene, by snakebite. At gunpoint, he forces her to stick her arm in a box of rattlesnakes. She is bitten twice and nearly dies. The trial, which becomes a sensation throughout southern Appalachia, echoes familiar themes from a troubled secular world - marital infidelity, spouse abuse, and alcoholism - but it also raises questions about faith, forgiveness, redemption, and, of course, snakes. Glenn Summerford is convicted of attempted murder and sentenced to ninety-nine years in prison. When Dennis Covington covered the trial of Glenn Summerford for The New York Times, a world far beyond the trial opened up to him. Salvation on Sand Mountain begins with a crime and a trial and then becomes an extraordinary exploration of a place, a people, and an author's descent into himself. The place is southern Appalachia - a country deep and unsettled, where the past and its culture collide with the economic and social realities of the present, leaving a residue of rootlessness, anxiety, and lawlessness. All-night video stores and tanning salons stand next to collapsed chicken farms and fundamentalist churches. The people are poor southern whites. Peculiar and insular, they are hill people of Scotch-Irish descent: religious mystics who cast out demons, speak in tongues, drink strychnine, run blowtorches up their arms, and drape themselves with rattlesnakes. There is Charles McGlocklin, the End-Time Evangelist; Cecil Esslinder, the red headed guitar player with the perpetual grin; Aunt Daisy, the prophetess; Brother Carl Porter; Elvis Presley Saylor;Gracie McAllister; Dewey Chafin; and the legendary Punkin Brown, all of whose faith illuminates these pages. And then there is Dennis Covington, himself Scotch-Irish, whose own family came down off of Sand Mountain two generations ago to work in the steel mills of Birmingham, and

    His new book, What We Talk About When We Talk About God, will continue down this path, helping us with the ultimate big-picture issue: how do we know God? Love Wins was a Sunday Times bestseller that created a media storm, launching Bell as a national religious voice who is reinvigorating what it means to be religious and a Christian today. He is one of the most influential voices in the Christian world, and now his new book, What We Talk About When We Talk About God, is poised to blow open the doors on how we understand God. Bell believes we need to drop our primitive, tribal views of God and instead understand the God who wants us to become who we were designed to be, a God who created a universe of quarks and quantum string dynamics, but who also gives meaning to why new-born babies and stories of heroes and sacrifice inspire in us a deep reverence. What We Talk About When We Talk About God will reveal that God is not in need of repair to catch him up with today's world so much as we need to discover the God who goes before us and beckons us forward. A book full of mystery, controversy, and reverence, What We Talk About When We Talk About God has fans and critics alike anxiously awaiting, and promises not to disappoint.

     When Nate Wilson looks at the world around him, he asks "What is this place? Why is this place? Who approved it? Am I supposed to take it seriously?" What could such an outlandish, fantastical world say about its Creator? In these sparkling chapters, Wilson gives an aesthetic examination of the ways in which humanity has tried to make sense of this overwhelming carnival ride of a world. He takes a whimsical, thought-provoking look at everything from the "magic" of quantum physics, to nature's absurdities, to the problem of evil, evolution and hell. These frequently humorous, and uniquely beautiful portraits express reality unknown to many Christians-the reality of God's story unfolding around and among us. As the author says, "Welcome to His poem. His play. His novel. His comedy. Let the pages flick your thumbs."

    And as we learn to hold questions in one hand and answers in the other, we discover new depths of faith that will remain secure even through the storms of life.

    What she discovered changed her—and it will change you too.Drawing on the best in recent scholarship and using her well-honed literary expertise, Evans examines some of our favorite Bible stories and possible interpretations, retelling them through memoir, original poetry, short stories, soliloquies, and even a short screenplay. Undaunted by the Bible’s most difficult passages, Evans wrestles through the process of doubting, imagining, and debating Scripture’s mysteries. The Bible, she discovers, is not a static work but is a living, breathing, captivating, and confounding book that is able to equip us to join God’s loving and redemptive work in the world.

     The impact of Christianity on world civilization is almost incalculable, and in exploring this rich heritage, nineteen leading scholars range from the earliest origins to the present day to examine virtually every aspect of the faith. They discuss the apostle Peter and Roman Emperor Constantine, describe the role of Charlemagne in the expansion of the religion, and assess medieval scholasticism and the influence of Thomas Aquinas. The profound changes that occurred during both the Reformation and the Enlightenment are fully treated in chapters that offer revealing portraits of such key figures as Erasmus, Luther, Calvin, Wesley, and Rousseau. Fully one third of the book covers Christianity since 1800--with special studies of the faith as practiced in Britain and Europe, North and South America, Africa, India, and the Far East--offering a compelling continuous narrative filled with insight into the enormously diverse Christian world. In the final chapters, the authors consider questions of contemporary Christian theology, conscience and belief, and explore new concepts of Christian community. Over 350 beautiful illustrations--including 32 full color plates--grace the text, ranging from mosaics, paintings and sculptures, to architecture and modern art. There are also ten maps, a chronology of important events, and an annotated guide to further reading. Throughout, the book reflects the changing world in which Christians have found themselves, and the many ways in which, individually and through the institutions of the church, they in turn have influenced history. Comprehensive, vividly narrated, and exquisitely produced, this magnificent book captures the richness and vitality of Christian thought and culture throughout the ages.

    Mary's Church in Greenville, South Carolina; the Holy Sepulcher in Jerusalem and G.K. Chesterton's favorite pub; the grave of a modern martyr in Warsaw, and the Sistine Chapel. Weaving together insights from history, literature, theology, and music, Weigel uses these touchstones to illuminate the beliefs that have shaped Catholicism for two thousand years.With clarity and conviction, Weigel examines the foundations of Catholic faith and explores the topics of grace, prayer, vocation, sin and forgiveness, suffering, and-most importantly-love. Putting a dramatic face on this invitation to Catholicism, Weigel introduces some of the figures who have shaped his faith and thought-Michelangelo and Fra Angelico; Evelyn Waugh and Cardinal John Henry Newman; Father Jerzy Popieuszko and Pope John Paul II; Edith Stein and Mother Teresa-as he also shares anecdotes from his own Catholic life. To a world that sometimes seems closed and claustrophobic, he suggests, Christian humanism offers a world with windows and doors-and a skylight.In these letters, George Weigel conveys the power of a faith that is at once personal and universal, timely and eternal. His book will inspire not only the young generation of Catholics whose World Youth Day celebrations have launched an era of renewal for the Church, but also the faithful, the doubtful, and the searchers of every age.

    This is the gripping story of how God took a young, half-starved boy from a poor village in Henan province and placed him on the front line for Jesus, in the face of impossible odds. Instead of focusing on the many miracles or experiences of suffering, however, Yun prefers to focus on the character and beauty of Jesus. Interspersed with his personal account are contributions from his wife, Deling, made mostly during her husband's frequent periods of imprisonment. You will remember where you were the first time you read this life story. It's a watershed book that will turn the reader to prayer and praise. It deserves comparison with past classics such as Tortured for Christ by Richard Wurmbrand, or the Life of Watchman Nee.

    In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth - the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains - the Renaissance.

    Readers all over the world have been captivated by the descriptions of excavations, the deciphering of ancient documents & the informed arguments concerning the reliability of the bible. Since the 1st revised edition in 1964, however, new techniques have brought much additional information to light, & fascinating parallels between the Ten Commandments & other ancient documents have been discovered. This 2nd revised edition, published in 1980, includes a new chapter on the Turin Shroud, a postscipt on the accuracy & interpretation of the bible by biblical scholar Joachim Rehork. "A lively blend of drama & reporting that reads like a detective story grafted on a history book."-- Time.Introduction to the New Revised EditionIntroduction to the First EditionDigging up the Old Testament. The coming of the patriarchs: from Abraham to Jacob; In the realm of the pharaohs: from Joseph to Moses; Forty years in the wilderness: from the Nile to the Jordan; The battle for the Promised Land: from Joshua to Saul; When Israel was an empire: from David to Solomon; Two kings--two kingdoms: from Rehoboam to Jehoiachin; From the Exile to the Maccabean Kingdom: from Ezekiel to John Hyrcanus--Digging up the New Testament. Jesus of Nazareth; In the days of the apostlesPostscriptBibliographyGeneral Index

    When he became involved in a conspiracy and was imprisoned in Pavia, it was to the Greek philosophers that he turned. THE CONSOLATION was written in the period leading up to his brutal execution. It is a dialogue of alternating prose and verse between the ailing prisoner and his 'nurse' Philosophy. Her instruction on the nature of fortune and happiness, good and evil, fate and free will, restore his health and bring him to enlightenment. THE CONSOLATION was extremely popular throughout medieval Europe and his ideas were influential on the thought of Chaucer and Dante.