Los Angeles liberals Delaney and Kyra Mossbacher lead an ordered sushi-and-recycling existence in a newly gated hilltop community: he a sensitive nature writer, she an obsessive realtor. Mexican illegals Cándido and América Rincón desperately cling to their vision of the American Dream as they fight off starvation in a makeshift camp deep in the ravine. And from the moment a freak accident brings Cándido and Delaney into intimate contact, these four and their opposing worlds gradually intersect in what becomes a tragicomedy of error and misunderstanding.

    Chayo, the flower seller, and her husband Candelario, the salad maker, are finally blessed with the child they thought they would never have. Their cause for happiness, however, triggers a chain of events that impact the lives of everyone in their world. The hopes, triumphs, failures, and shortcomings of the novel’s enchanting array of characters create a graceful picture of life that is both a universal portrait and an insider’s look at life in Latin America.

    Isn't it full of regressive views? Didn't it condone slavery? Why look to the Bible for guidance on how to have a more just society? But Timothy Keller sees it another way. In Generous Justice, Keller explores a life of justice empowered by an experience of grace: a generous, gracious justice. Here is a book for believers who find the Bible a trustworthy guide as well as those who suspect that Christianity is a regressive influence in the world.Keller's church, founded in the eighties with fewer than one hundred congregants, is now exponentially larger. More than five thousand people regularly attend Sunday services, and another twenty-five thousand download Keller's sermons each week. A recent profile in New York magazine described his typical sermon as "a mix of biblical scholarship, pop culture, and whatever might have caught his eye in The New York Review of Books or on Salon.com that week." In short, Timothy Keller speaks a language that many thousands of people yearn to comprehend. In Generous Justice, he offers them a new understanding of modern justice and human rights.

    No one in this story was a ghost. This was not a story.”When Marcelo Hernandez Castillo was five years old and his family was preparing to cross the border between Mexico and the United States, he suffered temporary, stress-induced blindness. Castillo regained his vision, but quickly understood that he had to move into a threshold of invisibility before settling in California with his parents and siblings. Thus began a new life of hiding in plain sight and of paying extraordinarily careful attention at all times for fear of being truly seen. Before Castillo was one of the most celebrated poets of a generation, he was a boy who perfected his English in the hopes that he might never seem extraordinary.With beauty, grace, and honesty, Castillo recounts his and his family’s encounters with a system that treats them as criminals for seeking safe, ordinary lives. He writes of the Sunday afternoon when he opened the door to an ICE officer who had one hand on his holster, of the hours he spent making a fake social security card so that he could work to support his family, of his father’s deportation and the decade that he spent waiting to return to his wife and children only to be denied reentry, and of his mother’s heartbreaking decision to leave her children and grandchildren so that she could be reunited with her estranged husband and retire from a life of hard labor.Children of the Land distills the trauma of displacement, illuminates the human lives behind the headlines and serves as a stunning meditation on what it means to be a man and a citizen.

    Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector's items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle's work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern. LaChapelle's images ? of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize ? call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as the Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times. Sumptuously packaged in the trilogy's boxed hardcover format, LaChapelle Heaven to Hell is a must-have for anyone interested in contemporary photography. It is also keenly priced, especially for those who have coveted TASCHEN's limited edition, LaChapelle, Artists & Prostitutes. The artist: Not yet out of high school, DavidLaChapelle was offered his first professional job by Andy Warhol to shoot for Interview magazine. His photography has been showcased in numerous galleries and museums, including Tony Shafrazi Gallery and Deitch Projects in New York, the Fahey-Klein Gallery in California, Camerawork in Germany, Sozzani and Palazzo delle Esposizioni in Italy. His unfettered images of celebrity and contemporary pop culture have appeared on and between the covers of magazines such as Italian Vogue, French Vogue, Vanity Fair, Rolling Stoneand i-D. LaChapelle has also directed music videos for artists such as Moby, Jennifer Lopez, Britney Spears, Christina Aguilera, and The Vines. His burgeoning interest in film saw him make the short documentary Krumped, an award-winner at Sundance from which he developed RIZE, the feature film released worldwide in 2005 to huge critical acclaim. American Photo recently ranked him as one of the top ten ?Most Important People in Photography.?

    The victim happened to be the president of the United States. More than forty years later, the case remains unsolved.Nearly 80 percent of the American people don't believe that John F. Kennedy was killed by a lone gunman, and the House Assassinations Committee has found that the president was "assassinated as the result of a conspiracy." Yet the conspirators have never been identified or brought to justice. Until now.And once you read this book, you'll know who killed JFK.A Simple Act of Murder is the investigation that this case should have had from the beginning. America's most famous detective, Mark Fuhrman -- who has cracked some of the best-known and most puzzling crimes in American history -- cuts through the myths and misinformation to focus on the hard evidence. He examines the ballistics and medical records, scrutinizes photographs from the crime scene and the famous Zapruder film, and weighs the testimony of hundreds of witnesses.Filled with vivid photos, informative diagrams, and original drawings by Fuhrman himself that show the evidence in a new light and make complex forensic matters clear and easily understood, this book is the visual record of the JFK assassination.In this gripping and highly personal account, Fuhrman unveils a major clue that had been ignored for forty years -- a breakthrough that will change the debate over the assassination. Overturning accepted notions about the way the murder occurred, A Simple Act of Murder answers many questions that have plagued the American people ever since that fateful day in Dallas:Was Lee Harvey Oswald the lone gunman, or was there a conspiracy?Could the Magic Bullet have done everything the Warren Commission claimed it did?What evidence was planted, suppressed, or destroyed?What crucial piece of evidence was missed by all the government investigations, and even the independent researchers?And, finally, who killed JFK?The answers may surprise you.

    Francis. National ad/promo.

    Foster care agencies team up with companies to take disability and survivor benefits from abused and neglected children. States and their revenue consultants use illusory schemes to siphon Medicaid funds intended for children and the poor into general state coffers. Child support payments for foster children and families on public assistance are converted into government revenue. And the poverty industry keeps expanding, leaving us with nursing homes and juvenile detention centers that sedate residents to reduce costs and maximize profit, local governments buying nursing homes to take the facilities federal aid while the elderly languish with poor care, and counties hiring companies to mine the poor for additional funds in modern day debtor's prisons.In The Poverty Industry, Daniel L. Hatcher shows us how state governments and their private industry partners are profiting from the social safety net, turning America's most vulnerable populations into sources of revenue. The poverty industry is stealing billions in federal aid and other funds from impoverished families, abused and neglected children, and the disabled and elderly poor. As policy experts across the political spectrum debate how to best structure government assistance programs, a massive siphoning of the safety net is occurring behind the scenes.In the face of these abuses of power, Hatcher offers a road map for reforms to realign the practices of human service agencies with their intended purpose, to prevent the misuse of public taxpayer dollars, and to ensure that government aid truly gets to those in need.

    Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed, became the symbol for all that was hip and style, and just as quickly began to disintegrate.

    Under the yoke of Spanish oppression, the Caribbean island is forced to prepare to wage war with the United States. Up in the mountainous coffee region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their small farm from the creditors. When the Spanish-American War and the great San Ciriaco Hurricane of 1899 bring devastating upheaval, the young couple is lured, along with thousands of other puertorriqueños, to the sugar plantations of Hawaii—another US territory—where they are confronted by the hollowness of America’s promises of prosperity. Writing in the tradition of great Latin American storytelling, Marisel Vera’s The Taste of Sugar is an unforgettable novel of love and endurance, and a timeless portrait of the reasons we leave home.

    Pea is proper, Lou Lou is not!2. Lou Lou loves gardening, Pea prefers art.3. But neither can turn down an adventure...On Friday afternoons, the girls get together in Lou Lou's backyard garden for their PSPP (post-school pre-parents) tea parties. They chat about the school week, discuss Pea's latest fashions, and plot the weekend's activities.But all plans go out the window when a series of small crimes crop up around El Corazón, their quirky neighborhood, right before the Día de los Muertos procession. First, Pea's cousin's quinceañera dress is tragically ruined. Then Lou Lou's beloved camellia bush, Pinky, suffers a serious blow. When clues start to appear in the painted murals around their community, these best friends must join forces - both floral expertise and artistic genius - to solve the mysteries.Debut author Jill Diamond weaves a delightful romp, full of colorful characters and gentle intrigue, while artist Lesley Vamos punctuates the story with black-and-white illustrations throughout. Backmatter includes crafting activities and a glossary of Spanish terms!

    He had a gift for hearing what was in people's hearts, for listening to sand dunes sing and insects whisper. Even as a young boy, acting as an interpreter between his warring Mayan grandmother and his Spanish-speaking mother, he would translate words of spite into words of respect, so that their mutual hatred turned to love. When he grew up, he put his gift to good use in his job as a humble telegraph operator. But now the telegraph lies abandoned, obsolete as a form of communication in the electronic age, and don Júbilo is on his deathbed, mute and estranged from his beloved wife, Lucha, who refuses to speak to him. What tragic event has come between two such sensuous, loving people to cause their seemingly irreparable rift? What mystery lies behind the death of the son no one ever mentions? Can their daughter bring reconciliation to her parents before it is too late, by acting as an interpreter between them, just as Júbilo used to do for other people? Swift as Desire is Laura Esquivel's loving tribute to her father, who worked his own lifelong magic as a telegraph operator. In this enchanting, bittersweet story, touched with graphic earthiness and wit, she shows us how keeping secrets will always lead to unhappiness, and how communication is the key to love.

    Journalists flocked to the region to extract sympathetic profiles of families devastated by poverty, abandoned by establishment politics, and eager to consume cheap campaign promises. What You Are Getting Wrong About Appalachia is a frank assessment of America’s recent fascination with the people and problems of the region. The book analyzes trends in contemporary writing on Appalachia, presents a brief history of Appalachia with an eye toward unpacking Appalachian stereotypes, and provides examples of writing, art, and policy created by Appalachians as opposed to for Appalachians. The book offers a must-needed insider’s perspective on the region.

    She must leave her Garden of Eden, her lush home in the Dominican Republic, when she's sent by her mother to seek out a better life with her brother in New York. As Nina searches for some glimpse of familiarity amid the jarring world of Washington Heights, she must uncover her own strength. She learns to uncover roots within foreign soil and finds a way to grow, just like the orchids that blossom on her fire escape. And when she is confronted by ugly secrets about her brother's business, she comes to understand the realities of life in this new place. But then she meets him-that green-eyed boy- who she can't erase from her thoughts, the one who just might help her learn to see beauty in spite of tragedy.From the acclaimed author of The Color of My Words comes a powerful story about a young girl who must make her way in a new world and find her place within it.

    Back to basics guide to improve your knowledge of and practice of photography.Topics include camera and lens types, lighting, exposure, composition and image editing.