It included many poems missing from Stevens's Collected Poems, along with Stevens's characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication. A third of the poems and essays in this edition are new to the volume. The resulting book is an invaluable literary document whose language and insights are fresh, startling, and eloquent.

    Hannah Jane Parkinson is a specialist in savouring the small pleasures of life. She revels in her fluffy dressing gown ('like bathing in marshmallow'), finds calm in solo cinema trips, is charmed by the personalities of fonts ('you'll never see Comic Sans on a funeral notice'), celebrates pockets and gleefully abandons a book she isn't enjoying. Parkinson's everyday exaltations - selected from her immensely successful Guardian column - will utterly delight.Features brand-new material

    Krishnamurti; he pinpoints the nature of mental illness with R.D. Laing, and of ecological principles with E.F. Schumacher and Hazel Henderson, while Indira Gandhi stimulates his understanding of feminism in traditional Indian society.All offer rich insight into the iltellectual and artistic environment which helped shape one of this century's most fascinating world views of political, economic and social harmony.Remarkable is the right word... it causes the reader to do some hard thinking on his own. Uncommon Wisdom is certainly worth reading - Frederick Pohl, New ScientistIn the role of interpreter of the philosophy of physics today, Dr Capra has few equals. - John Gribben, Times Educational Supplement

    Illustrations.

    Because transpeople challenge our most fundamental assumptions about the relationship between bodies, desire, and identity, the field is both fascinating and contentious. The Transgender Studies Reader puts between two covers fifty influential texts with new introductions by the editors that, taken together, document the evolution of transgender studies in the English-speaking world. By bringing together the voices and experience of transgender individuals, doctors, psychologists and academically-based theorists, this volume will be a foundational text for the transgender community, transgender studies, and related queer theory.

    Organized in the format of an encyclopedia, each letter of the alphabet includes several poems on the theme of the word that begins with that letter. Emotional and inspiring, Encyclopedia of a Broken Heart will appeal to every modern poetry lover.

    Remarkably few who study it contemplate what came after the armies marched away. Who would care for the tens of thousands of wounded? What happened to the thousands of dead men, horses, and tons of detritus scattered in every direction? How did the civilians cope with their radically changed lives? Gregory Coco's A Strange and Blighted Land. Gettysburg: The Aftermath of a Battle offers a comprehensive account of these and other issues.The late Coco was a park ranger at Gettysburg deeply interested in the battle and what was left in its wake. The Vietnam veteran who wrote well and often about the battle waxes eloquently about the carnage of war, its terrors and pain, its irreplaceable cost in human life and treasure, and the toll it took on the families who lost sons and husbands there.Arranged in a series of topical chapters, A Strange and Blighted Land begins with a tour of the battlefield, mostly through eyewitness accounts, of the death and destruction littering the sprawling landscape. Once the size and scope is exposed to readers, Coco moves on to discuss the dead of Gettysburg, North and South, how their remains were handled, and how and why the Gettysburg National Cemetery was established. The treatment of the wounded, Union and Confederate, was organized chaos. Every house and barn became of hospital or medical station, and the medical and surgical practices of the day were little short of compassionate torture. The author also discusses at length how prisoners were handled and the fate of the thousands of stragglers and deserters left behind once the armies left before concluding with the preservation efforts that culminated in the establishment of the Gettysburg National Military Park in 1895.Coco's prose is gripping, personal, and brutally honest. There is no mistaking where he comes down on the issue: There was nothing pretty or glorious or romantic about a battle--especially once the fighting ended.

    Or maybe they just want to give themselves the best possible chance of having sex with aliens.Whatever the reason, once people are in, it's usually very difficult for them to leave. Cults have ways of making their followers do loopy, dangerous stuff to prove their loyalty, and in return they get a chance to feel secure within the cult's embrace, with an added bonus of being utterly terrified of the outside world. From the tragic JONESTOWN Kool-Aid drinkers to the Australian cult THE FAMILY to the fiery Waco climax of THE BRANCH DAVIDIANS, this book is a wide-sweeping look at cults around the world, from the host of the popular podcast ZEALOT.

    As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.

    Of all the presenters, Clive James was a clear favourite, and now, for the first time, his original pieces - 60 in total - and all new postscripts are collected together in one volume.

    His preferred medium is the spoken word, and his audience has been limited to hard-bitten reporters and hard-core watchers of C-SPAN. Just as The Iliad and The Odyssey were spoken aloud by many bards, in many variations, before Homer captured them on paper, the Rumsfeld improvisations have finally met up with their perfect editor/enabler. Hart Seely, coeditor of O Holy Cow! The Selected Verse of Phil Rizzuto, uncovers the gems hidden within hundreds of hours of Rumsfeld commentary, in the form of Zen verse, haiku, sonnets, lyric poetry, and free verse. In addition, Seely's sharp sleuthing has uncovered two thematic collections: Rumsfeld's Songs of Myself, and Nine Poems on the Media. The result is a hilarious and irreverently revealing book both by and about one of the world's most powerful men.

    With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding “Treatise on Meter” provides an illuminating essay for anyone aspiring to read and write poetry. The ABC of Reading emphasizes Pound's ability to discover neglected and unknown genius, distinguish originals from imitations, and open new avenues in literature for our time.

    His incendiary words are beautifully illustrated by the renowned collage artist Freddie Baer. The result is a delightful compilation by two talented artists. A must read for those who have followed their work for years. In this collection of essays, Bey expounds upon his ideas concerning radical social reorganization and the liberation of desire. Immediatism is another lyrical romp through intellectual corridors of spirituality and politics originally set forth in his groundbreaking book, TAZ. A stunning achievement from this prodigious author and scholar."A Blake Angel on Acid."—Robert Anton Wilson"Fascinating..."—William S. Burroughs"Exquisite..."—Allen Ginsberg

    P. Lovecraft is best known for his fiction, but he spent a great portion of his creative energy on his poetry. The Ancient Track collects the complete poetry of one of the twentieth centuries most iconic writers. The great majority of these poems were written between 1914, and 1920, the period of Lovecraft's heaviest concentration on poetry.Lovecraft's poetry may be regarded as the lesser of is literary output, but it merits collection precisely because it is an important ancillary to his other more well known forms of creative endeavor. Prior to the publication of The Ancient Track, Lovecraft's poetry had been scattered across several different volumes whose textual accuracy has not always been exemplary, while several poems had been uncollected."The Ancient Track"By H. P. LovecraftThere was no hand to hold me backThat night I found the ancient trackOver the hill, and strained to seeThe fields that teased my memory.This tree, that wall-I knew them well,And all the roofs and orchards fellFamiliarly upon my mindAs from a past not far behind.I knew what shadows would be castWhen the late moon came up at lastFrom back of Zaman's Hill, and howThe vale would shine three hours from now.And when the path grew steep and high,And seemed to end against the sky,I had no fear of what might restBeyond that silhouetted crest.Straight on I walked, while all the nightGrew pale with phosphorescent light,And wall and farmhouse gable glowedUnearthly by the climbing road.There was the milestone that I knew-"Two miles to Dunwich"-now the viewOf distant spire and roofs would dawnWith ten more upward paces gone. . . .There was no hand to hold me backThat night I found the ancient track,And reached the crest to see outspreadA valley of the lost and dead:And over Zaman's Hill the hornOf a malignant moon was born,To light the weeds and vines that grewOn ruined walls I never knew.The fox-fire glowed in field and bog,And unknown waters spewed a fogWhose curling talons mocked the thoughtThat I had ever known this spot.Too well I saw from the mad sceneThat my loved past had never been-Nor was I now upon the trailDescending to that long-dead vale.Around was fog-ahead, the sprayOf star-streams in the Milky Way. . . .There was no hand to hold me backThat night I found the ancient track.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    YouTube and Facebook dominate the web. In Reality Hunger: A Manifesto, his landmark new book, David Shields (author of the New York Times best seller The Thing About Life Is That One Day You’ll Be Dead) argues that our culture is obsessed with “reality” precisely because we experience hardly any.Most artistic movements are attempts to figure out a way to smuggle more of what the artist thinks is reality into the work of art. So, too, every artistic movement or moment needs a credo, from Horace’s Ars Poetica to Lars von Trier’s “Vow of Chastity.” Shields has written the ars poetica for a burgeoning group of interrelated but unconnected artists in a variety of forms and media who, living in an unbearably manufactured and artificial world, are striving to stay open to the possibility of randomness, accident, serendipity, spontaneity; actively courting reader/listener/viewer participation, artistic risk, emotional urgency; breaking larger and larger chunks of “reality” into their work; and, above all, seeking to erase any distinction between fiction and nonfiction.The questions Reality Hunger explores—the bending of form and genre, the lure and blur of the real—play out constantly all around us. Think of the now endless controversy surrounding the provenance and authenticity of the “real”: A Million Little Pieces, the Obama “Hope” poster, the sequel to The Catcher in the Rye, Robert Capa’s “The Falling Soldier” photograph, the boy who wasn’t in the balloon. Reality Hunger is a rigorous and radical attempt to reframe how we think about “truthiness,” literary license, quotation, appropriation.Drawing on myriad sources, Shields takes an audacious stance on issues that are being fought over now and will be fought over far into the future. People will either love or hate this book. Its converts will see it as a rallying cry; its detractors will view it as an occasion for defending the status quo. It is certain to be one of the most controversial and talked-about books of the year.