Individual parts won the Pulitzer Prize and the National Book Award, and the entire poem, when it was collected into one volume in 1982, won the National Book Critics Circle Award. It is now an American classic, here in a definitive new hardcover edition that includes Voices from Sandover, Merrill’s recasting of the poem for the stage. The book carries us to the scene of Merrill’s Ouija board sessions with his partner, David Jackson—the candlelit Stonington dining room with its flame-colored walls and the famous Willowware cup they used as a pointer in their occult travels. In a shimmering interplay of verse forms, Merrill set down their extended conversations with their familiar and guide, Ephraim (a first-century Greek Jew), W. H. Auden, W. B. Yeats, Plato, a brilliant peacock named Mirabell, and other old friends who had passed to the other side. JM (whom the spirits call “scribe”) and DJ (“hand”) are also introduced to the lonely eminence God B (“God Biology”), his sister Mother Nature, and a host of angels and lesser residents of the empyrean who are variously involved in the ways of this world.The laughter, the missteps, and the schoolroom frustrations of the earthly pair’s gradual enlightenment make this otherworldly journey, finally, an utterly human one. A unique exploration of the writer’s role in a postatomic, postreligious age, Sandover has been compared to the work of Yeats, Proust, Milton, and Blake. Merrill’s tale of the joys and tragedies of man’s powers, and his message about the importance of our endangered efforts to make a good life on earth, will stand as one of the most profound experiences available to readers of poetry.

    Volume 1 includes Evenings on a Farm near Dikanka, the early Ukrainian folktales that first brought Gogol fame, as well as "Nevsky Prospekt" and "Diary of a Madman.""It is good to have a complete collection of Gogol's tales in paperback. . . . Professor Kent has thoroughly revised Mrs. Garnett's conscientious and skillful translation, eliminating the Victorianisms of her style, correcting mistakes and pruderies of diction, and making the whole translation sound much more contemporary and alive. But he has avoided the whimsicality and 'curliness' in which some recent translators indulged, and he has not changed or suppressed anything material. He has also supplied helpful notes which are often the first annotation in English, and he has written an introduction which steers the correct middle course between making Gogol an irresponsible artist of the grotesque and proving him a documentary historian of backward Russia."—René Wellek, Yale University

    Set in a posh hotel in nineteenth-century Dublin, Albert Nobbs is the story of an unassuming waiter hiding a shocking secret. Forced one night to share his bed with an out-of-town laborer, Albert Nobbs' carefully constructed facade nearly implodes when the stranger disovers his true identity-that he's actually a woman. Forced by this revelation to look himself in the mirror, Albert sets off in a desperate pursuit of companionship and love, a search he's unwilling to abandon so long as he's able to preserve his fragile persona at the same time. A tale of longing and romance, Albert Nobbs is a moving and startlingly frank gender-bending tale about the risks of being true to oneself. With a foreword by Glenn Close.

    Ordered by profession, these short-short stories range from the hilarious to the somber, the absurd to the revelatory. Using real people as the springboard, VanderMeer has created a rich blend of the factual and the imaginary in which everyone gets the secret life they deserve. A luminous little book meant for dipping into one secret life at a time.

    In this reissue of her collected stories--twenty years after its first publication--with a new introduction by renowned author and devoted Berriault advocate Peter Orner--we see the deft hand of this well-loved master of the short story at its best.Berriault employs her vital sensibility--sometimes subtly ironic and sometimes achingly raw--to touch on the inevitability of suffering and the nature of individuality, daring to see into the essence of our predicaments. What moves us? What dictates our behavior? What alters us? Her writing is spare, evanescent, pulsing with life and shimmering with life's strange hope. Her stories illustrate the depth of her emotional understanding.-Half the women in the world are right now in bed, theirs or somebody else's, whether it's night or day, whether they want to be or not...- With Women in Their Beds, Berriault's prose--moving, honest, and wise--achieves a mastery of the short story form that was in evidence every step of her long career. She was a completely modern writer, blessed with an exquisite sense of the potency of words and the ability to create moments of empathy that are both disturbing and mysteriously amusing.

    But with a hideous birthmark on his cheek, a Jonah to those he loved, and only the simple life of a fisherman to offer, how could he hope to win Maeve? The white-capped waves and a great old black boat brought the answer. A dramatic story set amongst a fishing community in the west of Ireland, a classic in Irish fiction.

    Of the poet's persona Octavio Paz declares, "his words strike us as truths from another age, that age in which everything was the same." "The Keeper of Sheep" is appears here in its original Portuguese beside its first English translation.bilingual ed, poetry tr Edwin Honig & Susan Brown

    His first affections move from a young kitchen girl in the Jewish ghetto who fills his glass tall with scarce milk to a restless married woman, an undercover spy, and a frail woman who can't escape her past suffering. It is Ivan Kl

    Cast off as a ward of the Irish state, Carmel enters adulthood a broken woman. Yearning for a sense of belonging and in desperation to find her place in the world, Carmel agrees to a marriage of convenience, and resigns herself to a quiet and unfulfilled life. Her private confinement is upended, however, when she receives a mysterious letter out of the blue. Who could possibly be looking for Carmel? Who else knows she is out there? In lieu of answers, Carmel is faced with a choice: change her life forever—or not—the future is up to her. Get swept away in this novella, the mystery of an unlived life and follow Carmel’s journey from longing to understanding in Letters of Freedom.

    . . and sometimes we cannot shake off the shackles of decisions made by others in the past.Kate Flynn has spent her whole life running away. She reckons the best decision she ever made was to leave Ireland the day after she finished school. Having seldom returned since, she would be perfectly happy if she never had to go back there. She is happy in London where she runs a successful photography gallery with her best friend Nat, though their relationship is going through a rocky patch since Nat began an affair with a married man. When Kate becomes pregnant and her partner Ben persuades her to make the trip home, she is forced to confront everything she left behind and memories of Eva, the mother she feels betrayed her. Kate finds it impossible to forgive Eva who chose to refuse cancer treatment while pregnant and died, leaving a young family motherless. Do some wounds go too deep to ever heal? Must Eva's Choice forever deny Kate real happiness?The Last Goodbye is a powerful story of love and loss, forgiveness and new beginnings - a heart-wrenching and emotional page-turner for mothers and daughters everywhere.

    Vollmann's growing reputation as the American writer whose books tower over the work of his contemporaries by virtue of their enormous range, huge ambition, stylistic daring, wide learning, audacious innovation, and sardonic wit (Washington Post Book World). All these qualities are in evidence in this collection in which the character of the writer and that of some of his intimates - both real and imaginary - surface and resurface in a series of extraordinary situations and encounters. Two astonishing stories frame this collection. The first, The Ghost of Magnetism, tells about a young man leaving San Francisco to become a sort of literary hobo living on his freeze-dried memories. The last, The Grave of Lost Stories, describes the death of Poe in a fungus-encrusted tomb somewhere deep in the earth. Here is the colorful and disreputable group of people familiar to us from Vollmann's earlier fiction - pimps, tramps, pornographers, witch doctors and massage-parlor girls. Within these stories, Vollmann gives us one of the most searching, bizarre, and subversive views of America today.

    A once-popular singer, desperate to make a comeback, turning from the one certainty in his life . . . A man whose unerring taste in music is the only thing his closest friends value in him . . . A struggling singer-songwriter unwittingly involved in the failing marriage of a couple he’s only just met . . . A gifted, underappreciated jazz musician who lets himself believe that plastic surgery will help his career . . . A young cellist whose tutor promises to “unwrap” his talent . . . Passion or necessity—or the often uneasy combination of the two—determines the place of music in each of these lives. And, in one way or another, music delivers each of them to a moment of reckoning: sometimes comic, sometimes tragic, sometimes just eluding their grasp. An exploration of love, need, and the ineluctable force of the past, Nocturnes reveals these individuals to us with extraordinary precision and subtlety, and with the arresting psychological and emotional detail that has marked all of Kazuo Ishiguro’s acclaimed works of fiction.

    A lonely woman reflects on her failed marriage and the single act of violence, years buried, that brought about its destruction. In these eight beautifully written, achingly poignant, and occasionally heartbreaking stories, the fine line between right and wrong, good and bad, love and violence is walked over and over again.In "Good Girl," a depressed widower is forced to decide between the love of a good woman and the love of his own deeply flawed son. In another part of town and another time, thirteen-year-old Ellen, the central figure of "Theory of Realty," is discovering the menaces of being "at that age": too old for the dolls of her girlhood, too young to understand the weaknesses of the adults who surround her. The linked stories "Parts" and "Proof of God" offer distinct but equally correct versions of a brutal crime--one from the perspective of the victim's mother, one from the killer's.

    Written in 1886, the play's production was forbidden to be produced in Russia until 1902, mainly through the influence of Konstantin Pobedonostsev. In spite of the ban, the play was unofficially produced and read numerous times.

    Dick wrote more than one hundred short stories, each as mind-bending and genre-defining as his longer works. Philip K. Dick’s Electric Dreams collects ten of the best from across his career. In “Autofac,” Dick shows us one of the earliest examples (and warnings) in science fiction of self-replicating machines. “Exhibit Piece” and “The Commuter” feature Dick exploring one of his favorite themes: the shifting nature of reality, and whether it is even possible to really perceive the world as it is. And “The Hanging Stranger” provides a thrilling, dark political allegory as relevant today as it was when it was written at the height of the Cold War.   Strange, funny, and powerful, the stories in this collection highlight a master at work, drawing on his boundless imagination and deep understanding of the human condition.