Yet in 1979, the Amon Carter Museum of Fort Worth, Texas, daringly commissioned him to do just that.The resulting 1985 exhibition and book, In the American West, was a milestone in American photography and Avedon's most important body of work. His unflinching portraits of oilfield and slaughterhouse workers, miners, waitresses, drifters, mental patients, teenagers, and others captured the unknown and often-ignored people who work at hard, uncelebrated jobs. Making no apologies for shattering stereotypes of the West and Westerners, Avedon said, "I'm looking for a new definition of a photographic portrait. I'm looking for people who are surprising—heartbreaking—or beautiful in a terrifying way. Beauty that might scare you to death until you acknowledge it as part of yourself."Photographer Laura Wilson worked with Avedon during the six years he was making In the American West. In Avedon at Work, she presents a unique photographic record of his creation of this masterwork—the first time a major photographer has been documented in great depth over an extended period of time. She combines images she made during the photographic sessions with entries from her journal to show Avedon's working methods, his choice of subjects, his creative process, and even his experiments and failures. Also included are a number of Avedon's finished portraits, as well as his own comments and letters from some of the subjects.Avedon at Work adds a new dimension to our understanding of one of the twentieth century's most significant series of portraits. For everyone interested in the creative process it confirms that, in Laura Wilson's words, "much as all these photographs may appear to be moments that just occurred, they are finally, in varying degrees, works of the imagination."

    The scuttlers were the hooligans of their day and for thirty years they held the streets of Manchester and Salford in a grip of fear. The Gangs of Manchester traces the history of the scuttlers from the Rochdale Road War of 1870-1, through the antics of such infamous fighters as the Bellis brothers of Salford and John Hillier, the King of the Scuttlers, until the demise of the gangs at the turn of the century.

    Do you look up the lyrics and wonder what they mean or if there is a story behind them? What on earth does “In-A-Gadda-Da-Vida” mean, anyway? We’ve got those answers for you in The Great Book of Rock Music! This book contains hundreds of riveting facts about your favorite rock songs. Do you want to know how your favorite group got together and who is really the brains behind the band? Whether you’re interested in what your favorite musicians like to do in their spare time, where they get the ideas for their music, or which artist had an exorcism in his home, you’re in for a treat. This book will satisfy your curiosity and help you impress your friends with your rock and roll knowledge. As easy to follow as a good drummer, this book will take you through the early years of rock and its development through the hippie era, the synthesizer-filled eighties, and the grunge age. You’ll read about dramatic, absolutely hilarious, and downright odd moments during the concerts that shaped music history and defined generations. Whether you’re a passive listener of your friend’s rock playlists or a connoisseur of guitar riffs, you’re sure to learn something new that will increase your enjoyment of your favorite music. For an extra challenge, try the quizzes at the end of each chapter. So go ahead, open the cover and enter the world of rock!

    The unflinchingly observant narrator of this memoir reveals his missionary parents’ struggles in a sometimes hostile country. Sent reluctantly to boarding school in the capital, young Tim finds that beyond the gates enclosing that peculiar, isolated world, conflict roils Ethiopian society. When secret riot drills at school are followed with an attack by rampaging students near his parents' mission station, Tim witnesses the disintegration of his family’s African idyll as Haile Selassie’s empire begins to crumble.Like Alexandra Fuller’s Don’t Let’s Go to the Dogs Tonight, Chameleon Days chronicles social upheaval through the keen yet naive eyes of a child. Bascom offers readers a fascinating glimpse of missionary life, much as Barbara Kingsolver did in The Poisonwood Bible.

    

    Best known as one of the world's greatest painters, he sketched the foundations for inventions that would not come to fruition for centuries. Born a bastard in a hillside village in northern Italy, Leonardo became the protégé of princes, popes, and kings. He mastered so many branches of science that scholars still debate whether he was greater as an anatomist, botanist, cartographer, engineer, geographer, or naturalist. Nevertheless, he died unhappy, believing he had failed to work the miracles of which he had dreamed. Here, from New York Times bestselling author Anna Abraham, is his extraordinary story.

    Over 100 additional new images are integrated into Volume I, and appear online as full size digital images with discussions written by the author. These bonus images are complemented by groundbreaking media support for students including video study tools and a robust eBook.

    A must for all Rollins fans.

    "-Genesis 1:1 One of the most commonly held beliefs among Christians and non Christians alike is that science and Scripture absolutely and irreconcilably contradict each other about the age of the earth. While most scientists affirm an "old universe" theory, many Christians favor a "young universe" interpretation and somewhere in between, million of devout Christian who respect scientific finding are deeply and painfully torn."How can we love the Lord our God with all our heart, soul, mind, and strength if we must separate our minds from our faith? " asks Dr. Hugh Ross, an astrophysicist and a Bible-believing Christian. "Such a separation violates the very meaning of faith."In Creation and Time, Dr. Ross provides a solution to the creation-date controversy that requires no compromise by either the scientist trusting in the facts of nature or the Christian holding to the inerrancy of Scripture."Dr. Ross graciously examines the scientific merits of a young-earth creation and its biblical foundation. He not only demonstrates the more likely age of the universe, but also celebrates the greatness and majesty of its Creator. Creation and Time is a valuable gift to the Christian community."-Chuck Smith, Jr. , senior pastor, Capo Beach Calvary Church, Capo Beach, CA"This is a most important book that should be taught in every church and in the every school to stop the unwarranted war between science and religion."-Allan Sandage, Ph.D. , astronomer, Observatories of the Carnegie Institution of Washington, recipient of the Crafoord Prize"Creation and Time is the best book on this topic in print. It is a must for anyone interested in the conflict between science and Scripture. Dr. Ross' pleas to overzealous 'young earthers' not to make the age of the earth a test of orthodoxy is long overdue. "-Norman L. Geisler, dean of Southern Evangelical Seminary"This is a book whose time has come. Never has there been a more urgent moment to staighten out this deep misundertanding in the evangelical community." -Ralph D. Winter, general director of the U.S. Center for World Missions

    Each major field of philosophic inquiry comprises a separate chapter for greater accessibility. Includes Plato, Descartes, Spinoza, Kant, Hegel, Dewey, Sartre, and many others.

    Seeking to address the various challenges of off-camera lighting, professional photographers and advanced amateurs alike will find a range of confidence-building instruction, beginning with basic how’s and why’s of lighting for creative effect, the types of equipment available and instruction about their proper use, clear definitions of various technical concepts such as managing shutter speed and controlling flash exposure, using ambient light as well as natural sunlight during a shoot, and incorporating off-camera flash into a portrait session. Concluding this lesson plan is a look at five different real-life photo sessions, each employing a different flash technique. Here, photographers get a deeper understanding of each concept put into practice, marrying the elements of lighting with the natural elements presented by the shoot.

    Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This lively monograph presents the infamous Surrealist in full color and in his own words. His provocative imagery is all here, from the soft watches to the notorious burning giraffe. A friend of the artist for over thirty years, privy to the reality behind Dali's public image, author Robert Descharnes is uniquely qualified to analyze Dali - both the man and the myth.

    Drawing from street culture, high art, and traditional Japanese painting, Murakami takes the contemporary art trend of mixing high and low to an unprecedented level (critics call him the new Warhol), producing original paintings and sculptures as well as mass-produced consumer objects such as toys, books, and most famously, a line of handbags for Louis Vuitton. A committed supporter and spokesperson for Japanese artists and a powerful commentator on postwar culture and society, Murakami has organized influential exhibitions of Japanese art as well as a biannual art fair in Tokyo. Murakami has positioned himself as a new type of artist for the twenty-first century: a hybrid of creator, entrepreneur, and cultural ambassador.In conjunction with the first major retrospective of his work, Murakami traces Murakami’s global impact socially, culturally, and art historically. Essays focus on Murakami’s early works, which were based on a social critique of Japan’s rampant consumerism; the development of his characters; his work with anime, fantasy; otaku culture; and his engagement with global pop culture. Representing output from original works of art to mass-produced multiples, the catalogue also considers the implications of Murakami’s working methods within the tradition of the Western avant-garde.

    Contains more than 400 letters and poems written to family, creditors, debtors, and bankers.

    This monograph follows Van Gogh between 1886 and 1890, from Holland to Paris, where his palette was brightened with impressionistic colour, to Arles and his still-mysterious friendship with Gauguin.