Alban's new priest, fits like a square peg in the conservative Episcopal parish at Millers Kill, New York. She is not just a "lady," she's a tough ex-Army chopper pilot and nobody's fool. Then a newborn infant left at the church door brings her together with the town's Police Chief, Russ Van Alstyne, who's also ex-Army and a cynical good shepherd for the stray sheep of his hometown. Their search for the baby's mother quickly leads them into the secrets that shadow Millers Kill like the ever-present Adirondacks. What they discover is a world of trouble, an attraction to each other--and murder...

    Now many years later, the killer seems to be back. And this time he's after Matt. When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over twenty-five years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life. Then another murder happens, with some of the hallmarks of the old case. Has the killer returned, or is this just a sick copycat determined to ruin Matt's life and reputation?

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    But the more Mattie investigates, the more she realizes how many secrets her hometown holds. And the key may be Cole's daughter, who knows more than she's saying.The murder was just the beginning, and if Mattie isn’t careful, she and Robo could be next. Suspenseful and smart, Killing Trail is a gripping read that will have readers clamoring for more Mattie and Robo for years to come. Fans of Nevada Barr and C.J. Box will love this explosive debut.

    Antoine Verlaque, the charming chief magistrate of Aix, suspects foul play, and when he discovers that Bremont had been a close friend of Marine Bonnet, his on-again off-again girlfriend, Verlaque must turn to her for help.The once idyllic town suddenly seems filled with people who scould have benefited from Bremont's death--including his playboy brother Francois, who's heavily in debt and mixed up with some unsavory characters. But just as Verlaque and Bonnet are narrowing down their list of suspects, another death occurs. And this time, there can be no doubt--it's murder.A lively mystery steeped in the enticing atmosphere of the south of France and seasoned with romance as rich as the French cuisine that inspires it, this first installment in the acclaimed Verlaque & Bonnet Provencal Mystery series is as addictive and captivating as Provence itself.

    On arrival, her friend puts off their meeting and then disappears. After Lara witnesses a brazen robbery of a valuable statue of the ancient Mayan civilization and stumbles on a corpse in a museum of antiquities, she becomes a police suspect. Afraid of the police and unsure whom to trust, Lara follows clues pointing to black marketeers and zealous revolutionaries. This dangerous trail takes her to remote archaeological ruins, lush jungles, and bustling streets filled with revelers. Lara engages in a thrilling battle of wits and courage to unmask a killer and stop a tomb-robber in the shadowy world of Xibalba, the Lords of Death.@71, 330 words

    She quickly busies herself with managing a charming public library that requires all her attention with its severe lack of funds and overabundance of eccentric patrons. The last thing she needs is a new, available neighbor whose charm lures her into trouble.Dancer-turned-teacher and choreographer Richard Muir inherited the farmhouse next door from his great-uncle, Paul Dassin. But town folklore claims the house’s original owner was poisoned by his wife, who was an outsider. It quickly became water under the bridge, until she vanished after her sensational 1925 murder trial. Determined to clear the name of the woman his great-uncle loved, Richard implores Amy to help him investigate the case. Amy is skeptical until their research raises questions about the culpability of the town’s leading families... including her own.When inexplicable murders plunge the quiet town into chaos, Amy and Richard must crack open the books to reveal a cruel conspiracy and lay a turbulent past to rest in A Murder for the Books, the first installment of Victoria Gilbert’s Blue Ridge Library mysteries.

    But when murder joins this curious community, the Bayside Book Writers are there to get the story... Olivia Limoges is the subject of constant gossip. Ever since she came back to town-a return as mysterious as her departure-Olivia has kept to herself, her dog, and her unfinished novel. With a little cajoling from the eminently charming writer Camden Ford, she agrees to join the Bayside Book Writers, break her writer's block, and even make a few friends...But when townspeople start turning up dead with haiku poems left by the bodies, anyone with a flair for language is suddenly suspect. And it's up to Olivia to catch the killer before she meets her own surprise ending.Watch a Video

    . . Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won't be swept off her feet on a trip abroad. Despite her Aunt Millie's best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane's plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can't quite figure out . . .While the Mena House has its share of charming guests, Anna Stainton isn't one of them. The beautiful socialite makes it clear that she won't share the spotlight with anyone--especially Jane. But Jane soon becomes the center of attention when she's the one standing over her unintentional rival's dead body.Now, with her innocence at stake in a foreign country, Jane must determine who can be trusted, and who had motive to commit a brutal murder. Between Aunt Millie's unusual new acquaintances, a smarmy playboy with an off-putting smile, and the enigmatic Mr. Redvers, someone has too many secrets. Can Jane excavate the horrible truth before her future falls to ruin in Cairo . . . and the body count rises like the desert heat?

    He drains his fifth pot of morning tea, and glances outside, where a young, plain woman picks her way between the piles of horse-dung towards his front door.March Middleton is Sidney Grice's ward, and she is determined to help him on his next case. Her guardian thinks women are too feeble for detective work, but when a grisly murder in the slums proves too puzzling for even Sidney Grice's encyclopaedic brain, March Middleton turns out to be rather useful after all...Set in a London still haunted by the spectre of the infamous Spring-heeled Jack, THE MANGLE STREET MURDERS is for those who like their crime original, atmospheric, and very, very funny.

    In the remote backcountry of West Texas, however, she discovers murder and violence. Fellow park ranger Sheila Drury is mysteriously killed, presumably by a mountain lion. But the deep claw marks Anna finds across Drury’s throat and the paw prints surrounding the body are too perfect to be real.

    She doesn't know much about what she's gotten herself into, other than that the work sounds exciting, and that her new boss, Edwin MacAlister, has given her the opportunity of a lifetime. Edwin has promised that she'll be working with "a desk that has seen the likes of kings and queens, paupers and princes," and Delaney can't wait to get started.When she arrives, she meets her new Scottish family; also working at the Cracked Spine are Rosie, perpetually wrapped in scarves, and who always has tiny dog Hector in tow; Hamlet, a nineteen-year-old thespian with a colored past and bright future; and Edwin, who is just as enigmatic and mysterious as Delaney expected. An unexpected bonus is Tom the bartender from across the street, with his piercing eyes, and a rolling brogue -- and it doesn't hurt that he looks awfully good in a kilt.But before she can settle into her new life, a precious artifact -- a previously undiscovered First Folio of Shakespeare's plays -- goes missing, and Edwin's sister is murdered, seemingly in connection to the missing folio. Delaney decides to do some sleuthing of her own, to find out just what the real story is behind the priceless folio, and how it's connected to the tragic death, all without getting harmed herself.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    any longer. Cut loose from her moorings, Ali is summoned back home to Sedona, Arizona, by the death of a childhood friend. Once there she seeks solace in the comforting rhythms of her parents' diner, the Sugarloaf Café, and launches an on-line blog as therapy for others who have been similarly cut loose.But when threatening posts begin appearing, Ali finds out that running a blog is far more up-close and personal than sitting behind a news desk. And far more dangerous. Suddenly something dark and deadly is swirling around her life . . . and a killer may be hunting her next.

    Now it's an authors' getaway, but Cat won't let anyone get away with murder . . . The bed-and-breakfast is open for business, and bestselling author Tom Cook is among its first guests. Cat doesn't know why he came all the way from New York, but she's glad to have him among the quirkier-and far less famous-attendees. Cat's high school sweetheart Seth, who's fixing up the weathered home, brings on mixed emotions for Cat . . . some of them a little overpowering. But it's her uncle, the local police chief, whom she'll call for help when there's a surprise ending for Tom Cook in his cozy guest room. Will a killer have the last word on the new life Cat has barely begun?