A witty and urbane bachelor of the Gilded Age embarks on a high-risk scheme to marry into a fortune; a young writer soon to make his mark turns himself to his craft with harrowing social consequences; an aristocratic British officer during the American Revolution carries on a courtship that leads to murder; and, in Newport's earliest days, a tragically orphaned Quaker girl imagines a way forward for herself and the slave girl she has inherited.In The Maze at Windermere Gregory Blake Smith weaves these intersecting worlds into a brilliant tapestry, charting a voyage across the ages into the maze of the human heart.

    The stock market is certainly rational; one can understand it, study it, capitalists know how to use it, and yet it is completely delirious, it is mad. That's why we say: the rational always is the rationality of an irrational. Marx is fascinated by capitalist mechanisms precisely because the system is demented, yet works very well at the same time. Down below, there are investments of desire that cannot be confused with the investments of interest: all kinds of libidinous-unconscious flows that make up the delirium of this society. The true history is the history of desire."This collection of essays and interviews edited by Sylvere Lotringer and published in 1995, focuses on the French anti-psychiatrist and theorist's work as director of the experimental La Borde clinic ("A Clinic Unlike Any Other") and longtime collaborator with the philosopher Gilles Deleuze."Chaosophy" is a groundbreaking introduction to Guattari's theories on "schizo-analysis" a process meant to replace Freudian interpretation with a more pragmatic, experimental, and collective approach rooted in reality. Unlike Freud, Guattari believes that schizophrenia is an extreme mental state induced by the capitalist system itself, which keeps enforcing neurosis as a way of maintaining normality. Guattari's post-Marxist vision of capitalism provides a new definition not only of mental illness, but also of the micropolitical means of its subversion.This collection contains key essays, such as, "Balance-Sheet Program for Desiring-Machines" and "Capitalism and Schizophrenia," co-signed by Deleuze (with whom he co-authored "Anti-Oedipus" and "A Thousand Plateaus"), and the perennially provocative "Everybody Wants To Be a Fascist.

    Selections by some of the period’s most important thinkers include pieces by Locke, Rousseau, Mary Wortley Montagu, Denis Diderot, and Moses Mendelssohn. She covers the movement’s lengthy evolution in a comprehensive introduction, which establishes the issues central to understanding the documents and provides important background on the political and social debates of the period. All documents are preceded by headnotes, and the volume includes a chronology, 14 illustrations, a bibliography, and an index.

    It takes as its starting point the sudden appearance of biology as a science in the nineteenth century and examines the conditions determining its particular makeup.Canguilhem analyzes the radically new way in which health and disease were defined in the early nineteenth century, showing that the emerging categories of the normal and the pathological were far from objective scientific concepts. He demonstrates how the epistemological foundations of modern biology and medicine were intertwined with political, economic, and technological imperatives.Canguilhem was an important influence on the thought of Michel Foucault and Louis Althusser, among others, in particular for the way in which he poses the problem of how new domains of knowledge come into being and how they are part of a discontinuous history of human thought.

    Starting with the Romans and Ancient Egypt and culminating with the oligarchies of modern Russia and China, it compares and contrasts the rich and powerful down the ages and around the world. What unites them? Have the same instincts of entrepreneurship, ambition, vanity, greed and philanthropy applied throughout? As contemporary politicians, economists and the public wrestle with the inequities of our time - the parallel world inhabited by the ultra-wealthy at a time of broader hardship - it is salutary to look to history for explanations. This book synthesises thousands of years of human behaviour and asks the question: is the development of the globalised super-rich over the past twenty years anything new?

    When he finds a crooked storyteller with the ability to read him back, Dustfinger leaves behind his young apprentice Farid and plunges into the medieval inkscape once more.Distraught, Farid goes in search of Meggie, and before long, both are caught inside the book, too. There they meet Inkheart's author, Fenoglio, now living within his own story. But the tale is much changed, and threatening to evolve in ways none of them would ever have imagined. Will Meggie, Farid, and Fenoglio manage to write the wrongs of a charmed world? Or is their story on the brink of a very bad ending?This book has been split into two volumes. Have you listened to Volume 1?

    Dudeism is an authentic religion with over 150,000 ordained "Dudeist Priests." It is inspired mainly by Taoism and the Coen Brothers' 1998 film "The Big Lebowski." This funny and inspiring book of spiritual lessons will help you take it easy and abide in the face of any gutterballs that are thrown your way. Each verse is followed by the original Tao Te Ching (Peter Merel's interpolation) to help show the similarity between Dudeism and Taoism. Please visit Dudeism at http: //www.dudeism.com to find out more. The Dude De Ching is illustrated by award-winning mystery novelist and cartoonist Colin Cotterill.

    When read along with its rigorous textual notes, the book also becomes the richest scholarly treatment of Deleuze's entire philosophical oeuvre available in any language. Finally, the dozens of explicit examples that Brian Massumi furnishes from contemporary artistic, scientific, and popular urban culture make the book an important, perhaps even central text within current debates on postmodern culture and politics.Capitalism and Schizophrenia is the general title for two books published a decade apart. The first, Anti-Oedipus, was a reaction to the events of May/June 1968; it is a critique of state-happy Marxism and school-building strains of psychoanalysis. The second, A Thousand Plateaus, is an attempt at a positive statement of the sort of nomad philosophy Deleuze and Guattari propose as an alternative to state philosophy.

    Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

    

    As a culture we have become less interested in the exploration of the glorious mind, and more interested in creating and mastering technologies that will yield material well-being. But while cultural pessimism is always fashionable, there is still much to give us hope. In The Givenness of Things, the incomparable Marilynne Robinson delivers an impassioned critique of our contemporary society while arguing that reverence must be given to who we are and what we are: creatures of singular interest and value, despite our errors and depredations.Robinson has plumbed the depths of the human spirit in her novels, including the National Book Critics Circle Award-winning Lila and the Pulitzer Prize-winning Gilead, and in her new essay collection she trains her incisive mind on our modern predicament and the mysteries of faith. These seventeen essays examine the ideas that have inspired and provoked one of our finest writers throughout her life. Whether she is investigating how the work of the great thinkers of the past, Calvin, Locke, Bonhoeffer--and Shakespeare--can infuse our lives, or calling attention to the rise of the self-declared elite in American religious and political life, Robinson's peerless prose and boundless humanity are on display. Exquisite and bold, The Givenness of Things is a necessary call for us to find wisdom and guidance in our cultural heritage, and to offer grace to one another.Humanism --Reformation --Grace --Servanthood --Givenness --Awakening --Decline --Fear --Proofs --Memory --Value --Metaphysics --Theology --Experience --Adam --Limitation --Realism

    This dazzling new biography celebrates his extraordinary life.Davidson tells the whole, rich story of Voltaire`s life (1694-1778): his early imprisonment in the Bastille; exile in England and his mastery of English; an obsession with money, of which he made a huge amount; a scandalous love life; his infatuation with Frederick the Great; a long exile on the borders of Switzerland; his passion for watch-making; his human rights campaigns and his triumphant return to Paris to die there as celebrity extraordinaire. Throughout all of this, Voltaire's life was always informed by two things: a belief in the essential value of toleration in the face of fanaticism; and in the right of every man to think and say what he liked. It is rare to have such a vivid portrait of a great man.

    Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself.Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

    Some are the recipients of numerous awards, while others, who are making their first appearance, are quickly making significant contributions to twenty-first-century poetry.The poets include Rick Barot, Joshua Beckman, David Berman, Nick Flynn, Matthea Harvey, Terrance Hayes, Major Jackson, James Kimbrell, D.A. Powell, Spencer Reece, Matthew Rohrer, Rebecca Wolff, Kevin Young, Matthew Zapruder, Andrew Zawacki, and many others.

    S. Byatt’s Possession and Geraldine Brooks’s People of the Book.Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.   As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents’ scribe, the elusive “Aleph.”   Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must make in order reconcile the life of the heart and mind.