Even all by themselves, the titles of Patricia Lockwood's poems reveal the sort of surreal, enigmatic, rhetorically-elongated world her sensibility inhabits effortlessly: "When We Move Away From Here, You'll See A Clean Square of Paper Where His Picture Hung," "The Cartoon's Mother Builds a House in Hammerspace," "The Front Half and the Back Half of a Horse in Conversation," "Children With Lamps Pouring Out of Their Foreheads," and the inimitable "Killed With an Apple Corer, She Asks What Does That Make Me."

     With the slicing wit and piercing insight that have characterized all her work, Pamela Geller here recounts her unlikely journey from New York City career girl to indomitably fearless human rights activist, reviled by the enemies of freedom the world over. 'I assumed my freedom,' she writes. 'Never for one moment did I think that it could be taken from me. But all that changed on one day.' That day was September 11, 2001, when on a beautiful, bright blue sunny morning, the global jihad struck in America with terrifying and murderous force. The United States of America and the free world as a whole would never be the same again. Neither would Pamela Geller. In this book, Geller tells the whole extraordinary story of how she began chronicling her take on news events at her groundbreaking website Atlas Shrugs, then moved into activism, at first on behalf of Muslim girls who were being brutalized and victimized at home for not following the misogynistic rules of Islamic law, and then to stand against the advance of jihad and sharia on numerous fronts -- above all for the freedom of speech, which is increasingly embattled in this age of jihad. It's all here: Geller recounts the battle to defeat the sinister Ground Zero mosque project; the ISIS attack at Geller's Mohammed Art Exhibit and Cartoon Contest in Garland, Texas; the fatwa issued to her and plot to behead her; and much more including the relentless vilification from a mainstream media hell-bent on defaming and destroying everyone who stands for freedom against jihad terror and sharia oppression. Pamela Geller writes: 'Any lover of freedom would have been tarred the same way I was, and many have been. I am but a proxy in this terrible, long war. What has happened to me is what happens, in small and large ways, to every American who stands for freedom.' Yet, as shown in this book, she has prevailed. Without Pamela Geller, there would be a 16-story mega-mosque at Ground Zero today. Without Pamela Geller, untold numbers of young women who are living free today instead would have been victims of honor killings. Without Pamela Geller, countless numbers of indefatigable fighters for freedom would have been cowed and intimidated into silence by an increasingly violent and authoritarian left-wing agenda. If this book is proof of anything, it's that one person can make a difference. And what a remarkable difference Pamela Geller has made. At last, in Fatwa: Hunted In America, she tells her story.

    The poet has said of himself and his work: "I am not an experimentalist or an inventor, but a derivative poet, drawing my art from the resources given by a generation of masters––Stein, Williams, Pound; back of that by the generations of poets that have likewise been dreamers of the Cosmos as Creation and Man as Creative Spirit; and by the work of contemporaries: Zukofsky, Olson, Creeley and Denise Levertov."

    This small collection of poems explores how time influences loving another, loving yourself and loving the life you own. This quick but fulfilling read, explores these topics in three sections: the head, the heart and the lungs.

    The poems take us back to the womb, and from there on to childhood, to a searing sexual awakening, to the shock of childbirth, to the wonder and humor of parenthood--and, finally, to the depths of adult love.Always bold, musical, honest, these poems plunge us into the essence of experience. This is a highly charged, beautifully organized collection from one of the finest poets writing today.

    Laird boldly engages with topics ranging from fatherhood and marriage to mass destruction and the cosmos. Go Giants is a brash, brave, and wildly imaginative new collection.From Go Giants:Go in peace to love and serve the.Go and get help. Go directly to jail.Go down in flames. Go up in smoke.Go for broke. Go tell Aunt Rhody.Go tell the Spartans. Go to hell.Go into detail. Go for the throat.

    52 laws of love by Himanshu Goel (author of A Rational Boy in Love) is a journey of love in 52 poems through all its aspects, from the honeymoon, to the sacrifices, to the bitter end and forever after.

    . .--from "The Window"Lynda Hull's Collected Poems brings together her three collections--long unavailable--with a new introduction by Yusef Komunyakaa, and allows, for the first time, the full scale of her achievement to be seen. Edited with Hull's husband, David Wojahn, this book contains all the poems Hull published in her lifetime, before her untimely death in 1994.Collected Poems is the first book in the Graywolf Poetry Re/View Series, which brings essential books of contemporary American poetry back into print. Each volume--chosen by series editor Mark Doty--is introduced by a poet who brings to the work a passionate admiration. The Graywolf Poetry Re/View Series brings all-but-lost masterworks of recent American poetry into the hands of a new generation of readers.

    The late Kenneth Rexroth ( 1905-1982) is surely one of the most readable of this century's great American poets. He is also one of the most sophisticated.

    

    Like a literal road atlas, the poems carry lines and themes from one to the next. Like Atlas holding up the world, they hold patterns of all kinds aloft with an attention that transforms. The poems also are an atlas of the known world, capturing the way events repeat across time and place, as in one poem that links the image of her sister, pausing in her work as housekeeper, with the contours of a maid in a Vermeer painting and a woman just "made over" on that day's episode of Oprah. Vandenberg's poems use family artifacts, memory, and imagination to plot the intersections of love, death, history, art, and desire. In the first section, "Trade Routes," about connections, each poem moves back one generation to investigate the ways events reverberate across time. The second section, "The Red Fields of Lisse (A Love Story)," focuses on a former partner, a hemophiliac with AIDS, and tulips. The third section, "Catalog of Want," contains poems about desire in various guises. The last section, "A Place Ten Years Away," reexamines the themes of the first three sections.

    

    Bilel is the French right-hand man of the most dangerous militant in the world, Abu Bakr al-Baghdadi, the Caliph of Islamic State. He offers Mélodie a way to fill the boredom in her young life: he cares about her, offers beautiful things, spiritual purpose and, in less an idyllic life. Bilel’s seduction is honey-tongued and forceful – and all Mélodie must do is join him and ISIS in their Syrian jihad. Every day he gives more detail, telling her how he drives a jeep filled with guns and bottles of the chocolate milk he loves for hundreds of miles on murderous missions of execution. Every night he lures, seduces and manipulates this vulnerable young woman.A riveting page-turner In the Skin of a Jihadist is a shocking inquiry into how technology is spreading radicalism, the lure of ISIS propaganda, and the factors that motivate young people – including many British teenagers – to join extremist wars in Syria and elsewhere.

    Mohi symbolises ""the hurting"" and Kabir is all about ""the healing"" that comes after it. A book written and illustrated by author,which is for everyone. for those who believe in love and compassion and for those who don't. Those who have healed and those who are still in process. Those who aren't able to move on and those who have successfully done it. It is for feminists, the activists, the believers, the gender norm shatterers.It is a gift, a book on its journey to make difference in it's reader's life.

    But Vinia is tragically already married to Dryden's employer, Joe, manager of the Black Prince coal pit. Joe's jealousy over the growing connection between his wife and Dryden, sends Dryden into the arms of the beautiful and fiery Roberta Grant. But can Dryden ever truly forget Vinia?