YouTube and Facebook dominate the web. In Reality Hunger: A Manifesto, his landmark new book, David Shields (author of the New York Times best seller The Thing About Life Is That One Day You’ll Be Dead) argues that our culture is obsessed with “reality” precisely because we experience hardly any.Most artistic movements are attempts to figure out a way to smuggle more of what the artist thinks is reality into the work of art. So, too, every artistic movement or moment needs a credo, from Horace’s Ars Poetica to Lars von Trier’s “Vow of Chastity.” Shields has written the ars poetica for a burgeoning group of interrelated but unconnected artists in a variety of forms and media who, living in an unbearably manufactured and artificial world, are striving to stay open to the possibility of randomness, accident, serendipity, spontaneity; actively courting reader/listener/viewer participation, artistic risk, emotional urgency; breaking larger and larger chunks of “reality” into their work; and, above all, seeking to erase any distinction between fiction and nonfiction.The questions Reality Hunger explores—the bending of form and genre, the lure and blur of the real—play out constantly all around us. Think of the now endless controversy surrounding the provenance and authenticity of the “real”: A Million Little Pieces, the Obama “Hope” poster, the sequel to The Catcher in the Rye, Robert Capa’s “The Falling Soldier” photograph, the boy who wasn’t in the balloon. Reality Hunger is a rigorous and radical attempt to reframe how we think about “truthiness,” literary license, quotation, appropriation.Drawing on myriad sources, Shields takes an audacious stance on issues that are being fought over now and will be fought over far into the future. People will either love or hate this book. Its converts will see it as a rallying cry; its detractors will view it as an occasion for defending the status quo. It is certain to be one of the most controversial and talked-about books of the year.

    Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." - from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism - she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor" and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

    The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate.

    But behind the six-pack is also a snotty, complaining, can't-get-out-of-bed-today girl who, in her own way, is still searching for true happiness. Not conditional, materialistic, transactional happiness, but just happiness. So has she cracked it yet? Mandira says 'No'. But she genuinely believes that she's headed in the right direction. In her own chaotic way, she seems to have discovered some kind of non-scientific, non-spiritual and as-yet-non-existent formula for finding peace in everything. Just being happy-for no reason. This book is about that.

    Book #1 [1NS-002]: ~ The Virgin and the Playboy ~Julie, accidental virgin, has waited longer than she ever planned to lose her virginity and join everyone else she knows in dating reality. Embarrassed at her plight, she has made arrangements with 1NightStand.com to meet with a handsome stranger for one night of no commitment required sexuality, without having to admit she'd never made love before. Mark is the one single guy left in his group of friends. As such, he is known for the bevy of lovelies he dates, and his stories of wild exploits between the sheets. His participation in 1NightStand.com is on a dare, and he has no idea that his date is...less experienced than he is used to. And so much more... When they enter the penthouse suite in Las Vegas, they enter a chamber designed for luxury and booked for a 1NightStand . . .*-*Book #2 [1NS-142]: ~ The Virgin and the Best Man ~Mark and Julia from The Virgin and the Playboy have set the date! They are to be married at The Castillo Las Vegas, where they met on their 1Night Stand. All their family and friends are invited and they have planned a special surprise for their maid of honor and best man.Karin, Julia’s cousin, a small town librarian, chose family obligations over her dreams of the stars. She loves them all, but wonders when it will be her turn to live as she wishes…if it isn’t too late.Ray, commercial pilot, is every bit as much a playboy as his brother Mark used to be. He isn’t opposed to finding The One, but fears his brother has collected the only perfect jewel.What more appropriate gift for these two than a 1Night Stand with a date personally selected for them by Madame Evangeline . . .*-*Book #3 [1NS-154]: ~ Virgin Under Ground ~Doctorate in hand, Jane Ann Summers is ready to return to the South Seas paradise of her youth, when the director of the institute—her mother—drops a bomb. She cannot return until she experiences more of life...a social life.Determined to waste no time, Jane searches for a shortcut and discovers the 1Night Stand dating service. A single night with geologist Dr. Lukas Gerard, and she can go home and get on with her fascinating study of world weather trends. The only question is whether to have sex with him…after all, it would be her first, and maybe only, time. Lukas’s own field of study has shown him some alarming trends. He believes a killer earthquake may rattle the western half of the United States in the near future. In preparation, he converts an abandoned gold mine to a secret bunker, loaded with supplies and all the comforts of home. Only thing he needs now is company in his hideaway. Unsure how to find the right companion, he turns to 1Night Stand, but neither he nor Jane are prepared for the sudden impact of one of Madame Eve’s connections. One night teaches them there is more to life than science…for both of them . . .

    This provocative book tackles some of the enduring 'sacred truths' surrounding the high cultural status of the live event.

    The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

    Recent years have seen a panic over "online red-light districts," which supposedly seduce vulnerable young women into a life of degradation, and New York Times columnist Nicholas Kristof's live tweeting of a Cambodian brothel raid. The current trend for writing about and describing actual experiences of sex work fuels a culture obsessed with the behaviour of sex workers. Rarely do these fearful dispatches come from sex workers themselves, and they never seem to deviate from the position that sex workers must be rescued from their condition, and the industry simply abolished—a position common among feminists and conservatives alike. In Playing the Whore, journalist Melissa Gira Grant turns these pieties on their head, arguing for an overhaul in the way we think about sex work. Based on ten years of writing and reporting on the sex trade, and grounded in her experience as an organizer, advocate, and former sex worker, Playing the Whore dismantles pervasive myths about sex work, criticizes both conditions within the sex industry and its criminalization, and argues that separating sex work from the "legitimate" economy only harms those who perform sexual labor. In Playing the Whore, sex workers' demands, too long relegated to the margins, take center stage: sex work is work, and sex workers' rights are human rights.

    But how, exactly, do you find your purpose? And, once you find it, how can you be sure that it’s “safe” to follow that path in life? This book answers those two life-changing questions. Written as an inspirational fable in the style of previous Sports for the Soul books, Life to the Fullest reveals a powerful five-step process for finding your purpose while also dealing with the questions we all have about whether it’s “safe” to follow the dreams in our hearts. In a story that pays homage to the holiday classics, It’s a Wonderful Life and A Christmas Carol, John Callahan is a man who has spent his life listening to his heart and following his passion as a high school football coach just like his legendary father. But his dream life is suddenly being crushed. Just days before the state championship game, John receives news that his beloved school is declaring bankruptcy and will be shutting down at the end of the year. Everything John has worked his whole life for—his team, his community, his pension—is being taken away from him. John now finds himself angry at his long-deceased father for advising him to follow his heart and he’s angry at himself for not taking “better” opportunities when they came along. When all hope seems lost, John receives a miraculous visit from his father on the eve of his team’s final game. John is given the opportunity to revisit past moments in his life and to see how things would’ve turned out differently if he had chosen more “practical” opportunities. This is a story about fathers and sons. It’s a story about faith, family, and community. Most of all, it’s a story about having the courage to follow your heart and live your true purpose. As this story plays out, you will find the answers to two of life’s most important questions: How do I find my life’s purpose and is it safe to follow that purpose once I find it?

    

    Presents practical, Buddhist-based guidelines to achieving happiness in romantic relationships through a series of inspirational quotes complemented by thematic watercolors and divided into three sections that explore the concepts of illusion, reality, and life.

     McCall is persuaded to investigate Ruby's disappearance. But he is drawn into a dangerous conspiracy of spies, double agents and corrupt politicians whose intrigues will have him running for his life. The Convenience of Lies is both a love story and a taut, literary thriller. It is a follow up to the author's acclaimed debut novel, A Place of Strangers - a book which one American reviewer said put him "...in the line of successors to Le Carré." Praise for Geoffrey Seed 'Seed is a brilliant Writer.' - Valerie Byron. Geoffrey Seed is an ex-Daily Mail journalist who later specialised in producing major TV investigations for programmes such as BBC Panorama and Granada's World in Action.

    Plus special BONUS material at the end. What are the characters up to? Save money by buying the bundle instead of individually! Tied Together Includes: Tied to the Boss Set to be Tied Wickedly Tied Tied in Knots Tied Down Special Bonus Material Tied to the Boss Want to taste the forbidden? Victoria Carson does. She's had a crush on her boss since he hired her five years ago. Her promotion to be his personal secretary fuels her fantasies. But she's not familiar with his sexual appetite. Her boss introduces her to a whole new world of sexual desires, enticingly different from her vanilla lifestyle. She's unsure at first, but Dominic Nox takes the reins. A true dom, Dominic can't take it anymore; he wants his sweet little secretary. With the help of his smoldering hot colleague, Raphael Silver, he leads Victoria in the right direction. His direction. And he'll do everything to ensure she's tied to the boss. Set to be Tied Set up for pleasure. Jessica Coleman, numb and distraught from her job, is forced to take a vacation to recoup. So she gets in her car with an unknown destination. She meets hot-as-hell entrepreneur Raymond Silver who is looking for someone to fill his needs. When he spies her. But when Jess refuses his blunt offer, Ray does whatever it takes to show her how ignitable their passion can really be. Little does Jessica know that she is set to be tied. Wickedly Tied She’s tied. Timid librarian Michelle has one night with gorgeous Raphael Silver. A hero in her eyes, he saved her friend Vicki from getting date raped. He’s wicked. Dominant Raphael can’t resist showing his shy little mouse a taste of his world. With just giving her a taste, he forces himself to let her go. He changes his mind in taking her fully into his world because he can’t taint something so pure. When her best friend’s wedding day arrives, can they avoid each other without going up in flames? Michelle appears as if she has moved on, but has Raphael? Or are they both wickedly tied? Tied in Knots Victoria Carson has lived under gorgeous CEO Dominic Nox’s dominant reign for a full year. They have a true dominant/submissive relationship. All of her friends have tied the knot, but Dom hasn’t even said the three words she longs to hear. Tired of his incomprehensible attitude, Vicki takes the reins into her own hands, but is Dom too dominant to relinquish control? Will he realize the full extent of his feelings or will Vicki have to let go? She’s simply tied in knots. Tied Down She's a free spirit. After having a one night stand with a powerful man, Katrina Day flees. Both parties agreed to have no-strings sex, but Kat feels the need to sneak out anyways while his back is turned. She never wants to tie herself to a man like her friends. She's too independent to give up control. He's in his prime. Cristoff Rivera, owner of Rivera Inc. finds he's intrigued by young Kat. She's not like the women he's dated. After their night, he is furious that she's escaped and will do anything to tie her down, if only temporally so he can get her out of his system. Both players. Neither wants to settle, but they both find themselves tied down.

    In so doing, novelist/essayist Maurice Blanchot and philosopher Michel Foucault develop a new perspective on the relationship between subjectivity, fiction, and the will to truth. The two texts present reflections on writing, language, and representation that question the status of the author/subject and explore the notion of a “neutral” voice that arises from the realm of the “outside.” This book is crucial not only to an understanding of these two thinkers, but also to any overview of recent French thought.

    In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity.Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.