In Can't Find My Way Home, journalist and filmmaker Martin Torgoff chronicles what a long strange trip it's been as the American Century became the Great Stoned Age. Weaving together first-person accounts and historical background, Can't Find My Way Home is a narrative vast in scope yet rich in intimate detail. Torgoff tells the stories of those whose lives became synonymous with the drug culture, from Charlie Parker, Allen Ginsberg, Timothy Leary, and John Belushi to ordinary people who felt their consciousness "expanded" or who plumbed the depths of addiction. He also examines the broader impact of drugs on society and politics, from the war on drugs to the recovery movement, and the continuing debate over drug policy. A vivid work of cultural history that neither demonizes nor romanticizes its subject, Can't Find My Way Home is a provocative and fascinating look at how drugs have entered the American mainstream.

    He has seen children murdered for sport in Gaza and petty thugs elevated into war heroes in the Balkans. Hedges, who is also a former divinity student, has seen war at its worst and knows too well that to those who pass through it, war can be exhilarating and even addictive: "It gives us purpose, meaning, a reason for living."Drawing on his own experience and on the literature of combat from Homer to Michael Herr, Hedges shows how war seduces not just those on the front lines but entire societies, corrupting politics, destroying culture, and perverting the most basic human desires. Mixing hard-nosed realism with profound moral and philosophical insight, War Is a Force That Gives Us Meaning is a work of terrible power and redemptive clarity whose truths have never been more necessary.Listening Length: 6 hours and 27 minutes

    Here they are again. It is a queer experience, lying in the dark and listening to the zoom of a hornet, which may at any moment sting you to death. It is a sound that interrupts cool and consecutive thinking about peace.

    Mistero Buffo, or The Comic Mysteries, is based on research into mediaeval mystery plays; The Accidental Death of an Anarchist concerns the "accidental" (or not) death of an anarchist railwork who "fell" (or was pushed) to his death from a police headquarters window in 1969; Trumpets and Raspberries is "A deeply subversive farce" (The Guardian) in which the boss of Italy's biggest car manufacturer FIAT, is mistaken for a left wing terrorist.

    Having no permanent bonds, the denizen of our liquid modern society must tie whatever bonds they can to engage with others, using their own wits, skill and dedication. But none of these bonds are guaranteed to last. Moreover, they must be tied loosely so that they can be untied again, quickly and as effortlessly as possible, when circumstances change - as they surely will in our liquid modern society, over and over again. The uncanny frailty of human bonds, the feeling of insecurity that frailty inspires, and the conflicting desires to tighten the bonds yet keep them loose, are the principal themes of this important new book by Zygmunt Bauman, one of the most original and influential social thinkers of our time. It will be of great interest to students and scholars in sociology and in the social sciences and humanities generally, and it will appeal to anyone interested in the changing nature of human relationships.

    -Invited to lecture as part of the prestigious Lannan -Foundation series on the first anniversary of the unconscionable attacks of September 11, 2001, Roy challenged those who equate dissent with being "anti-American." Her previous essays on globalization and dissent have led many to see Roy as "India's most impassioned critic of globalization and American influence" (New York Times).War Talk collects new essays by this prolific writer. Her work highlights the global rise of religious and racial violence. From the horrific pogroms against Muslims in Gujarat, India, to U.S. demands for a war on Iraq, Roy confronts the call to militarism. Desperately working against the backdrop of the nuclear recklessness between her homeland and Pakistan, she calls into question the equation of nation and ethnicity. And throughout her essays, Roy interrogates her own roles as "writer" and "activist.""If [Roy] continues to upset the globalization applecart like a Tom Paine pamphleteer, she will either be greatly honored or thrown in jail," wrote Pawl Hawken in Wired Magazine. In fact she was jailed in March 2002, when -India's Supreme Court found Roy in contempt of the court after months of attempting to silence her criticism of the government.Fully annotated versions of all Roy's most recent -essays, including her acclaimed Lannan Foundation -lecture from September 2002, are included in War Talk. Arundhati Roy is the winner of the Lannan Foundation’s Prize for Cultural Freedom, 2002, and will be returning to the U.S. in association with the Lannan Foundation in 2003. Roy’s most recent collection of essays, Power Politics, now in its second edition, sold over 25,000 copies in its first 12 months.

    This long out-of-paint autobiography provides insight into the genesis of Bunuel's films and conveys his frank opinions on dwarves, Catholicism, the Marquis de Sade, food, and smoking, not to mention his recipe for a good dry martini!

    Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.

    Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.School Letting Out(Fourth or Fifth Grade)The afternoons of going home from schoolPast the young fruit trees and the winter flowers.The schoolyard cries fading behind you then,And small boys running to catch up, as thoughIt were an honor somehow to be near—All is forgiven now, even the dogs,Who, straining at their tethers, used to bark,Not from anger but some secret joy.From the Hardcover edition.

    Shirer was a correspondent for six years in Nazi Germany-and had a front-row seat for Hitler's rise to power. His most definitive work on the subject, The Rise and Fall of the Third Reich, is a riveting account defined by first-person experience interviewing Hitler, watching his impassioned speeches, and living in a country transformed by war and dictatorship.William Shirer was originally commissioned to write The Rise and Fall of Adolf Hitler for a young adult audience. This account loses none of the immediacy of The Rise and Fall of the Third Reich-capturing Hitler's rise from obscurity, the horror of Nazi Germany's mass killings, and the paranoia and insanity that marked Hitler's downfall. This book is by no means simplified-and is sure to appeal to adults as well as young people with an interest in World War II history.

    It addresses itself to the central lacuna of 20th-century thought: the indulgence of Communism by the intellectuals of the West. In between the personal beginnings and the personal ending, Amis gives us perhaps the best one-hundred pages ever written about Stalin: Koba the Dread, Iosif the Terrible.The author’s father, Kingsley Amis, though later reactionary in tendency, was a “Comintern dogsbody” (as he would come to put it) from 1941 to 1956. His second-closest, and then his closest friend (after the death of the poet Philip Larkin), was Robert Conquest, our leading Sovietologist whose book of 1968, The Great Terror, was second only to Solzhenitsyn’s The Gulag Archipelago in undermining the USSR. The present memoir explores these connections.Stalin said that the death of one person was tragic, the death of a million a mere “statistic.” Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin’s aphorism.From the Hardcover edition.

    Dan compares the way the modern world sees Adolf Hitler with the way history views Alexander the Great and wonders if the two men weren’t more alike than different.

    

    Churchill felt contributed to the course of the world in which he lived. The central theme is a group of British statesmen who shone in the late 1800s and early in this century--Blafour, Chamberlain, Rosebery, Morley, Asquith and Curzon.Others whose acquaintance we make through Churchill's eyes include George Bernard Shaw, Hindenburg, Lawrence of Arabia, Marshall Foch, Leon Trotsky, Phillip Snowden, Clemenceaus and King George V.Churchill's long acquaintance with world leaders gave him a unique perspective from which to view actors on the international stage. His assessments sparkle, as do his own qualities, which glow warmly out from these portraits." (Publisher's Source)

    As a critic, she became the most provocative and influential voice of her time. More than a commentator on her era, she helped shape it. This volume brings together four essential works of the 1960s and 70s, books whose intelligence and brilliant style confirm her credo that “the highest duty of a writer is to write well—to leave the language in better rather than worse shape after one’s passage…Language is the body, and also the soul, of consciousness.”With the publication of her first collection of critical essays, Against Interpretation (1966), Sontag took her place at the forefront of a period of cultural and political transformation. “What is important now,” she wrote, “is to recover our senses…In place of a hermeneutics we need an erotics of art.” Against Interpretation’s treatment of an astonishing range of subjects—camp sensibility, the films of Robert Bresson and Alain Resnais, the aesthetics of science-fiction and “happenings,” the work of such modern thinkers as Simone Weil and Antonin Artaud, Michel Leiris and Claude Lévi-Strauss—reveals Sontag as a catalyzing figure who opened provocative perspectives on every subject she addressed.In Styles of Radical Will (1969), Sontag collected two of her longest and most ambitious essays, “The Aesthetics of Silence” and “The Pornographic Imagination,” along with penetrating studies of Ingmar Bergman, Jean-Luc Godard, and the Romanian philosopher E. M. Cioran (one of many important modern writers Sontag introduced to American readers), and “Trip to Hanoi,” the record of a journey made at the height of the Vietnam War, reflecting both her deepening political involvement and the relentless analysis of her own motives that accompanied it.On Photography (1977) began as a review of an exhibit of Diane Arbus photographs and quickly evolved into an extended meditation on the premises and implications of photography as an art. Dazzlingly suggestive on every page, restlessly refusing to fall back on easy resolutions, it shows Sontag at the peak of her ability to connect disparate fields of thought and action, bringing aesthetics, history, politics, and philosophy into a common vision.Sontag’s own medical crisis led her to write Illness as Metaphor (1978), undoubtedly the most influential of her writings. Her precise delineation of the stereotypes and fantasies attached to illnesses—here, tuberculosis and cancer—played a major part in realizing her stated goal: “an elucidation of those metaphors, and a liberation from them.” The courage and clarity of her writing, her impatience with lazy assumptions and inherited biases, are evident on every page.This volume also includes six previously uncollected essays—studies of William S. Burroughs and the painter Francis Bacon, and a series of reflections on beauty, aging, and the emerging feminist movement—along with a chronology of Sontag’s life and explanatory notes.