Clarke. It is the startling realism of his vision that has made classics of his novels, such as CHILDHOOD'S END and 2001: A SPACE ODYSSEY. It has also made Clarke himself one of the genre's most successful writers. The trade paperback was published to commemorate the arrival of the year 2001, one of the most notable dates in science fiction history. THE SENTINEL is a brilliant collection of Clarke's highest calibre short fiction.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    If you break the rules, you get three warnings. If you exceed your limit, what happens is absolutely terrifying. Reissue.

    Bob gets called out on account of a monster program called SATAN STARE, that ties back into some past work for the Laundry and others.He has to recruit, quickly, a pretty with it cop, and she helps him combat the beast, and the odd zombie.

    Ajax Penumbra seeks a book--the single surviving copy of the Techne Tycheon, a mysterious volume that has brought and lost great fortune for anyone who has owned it. Late one night, after another day of dispiriting dead ends, he stumbles across a 24-hour bookstore, and the possibilities before him expand exponentially.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    Strange light fixtures. Mutant cockroaches. There are some odd things about Nate’s new apartment.Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much.At least, not until he meets Mandy, his neighbour across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s. Because every room in this old Los Angeles brownstone has a mystery or two. Mysteries that stretch back over a hundred years. Some of them are in plain sight. Some are behind locked doors. And all together these mysteries could mean the end of Nate and his friends. Or the end of everything...

    Except the minor non-player character in the world Riley is building makes her own impossible decision—veering wildly off course and exploring the boundaries of the map. When the curious Riley extracts her code for closer examination, an emotional relationship develops between them. Soon Riley has all new plans for her spontaneous AI, including bringing Max into the real world. But what if Max has real-world plans of her own?Blake Crouch’s Summer Frost is part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Lovecraft's Cthulhu Mythos. Ranging from Lovecraft's own tales (including classics such as the novel At the Mountains of Madness, The Shadow Over Innsmouth, and The Colour Out of Space) to works by his friends and contemporaries (Clark Ashton Smith, Robert E. Howard, Frank Belknap Long, and Robert Bloch), to later followers (Henry Kuttner, Lin Carter, Brian McNaughton), and contemporary afficianados (Brian Stableford, Mark McLaughlin, Adrian Cole) -- and many more. This is one collection no Lovecraft fan can afford to miss! Included are: At the Mountains of Madness, by H. P. Lovecraft The Events at Poroth Farm, by T.E.D. Klein The Return of the Sorcerer, by Clark Ashton Smith Worms of the Earth, by Robert E. Howard Envy, the Gardens of Ynath, and the Sin of Cain, by Darrell Schweitzer Drawn from Life, by John Glasby In the Haunted Darkness, by Michael R. Collings The Innsmouth Heritage, by Brian Stableford The Doom That Came to Innsmouth, by Brian McNaughton The Shadow Over Innsmouth, by H. P. Lovecraft The Nameless Offspring, by Clark Ashton Smith The Hounds of Tindalos, by Frank Belknap Long The Faceless God, by Robert Bloch The Children of Burma, by Stephen Mark Rainey The Call of Cthulhu, by H.P. Lovecraft The Old One, by John Glasby The Holiness of Azedarac, by Clark Ashton Smith Those of the Air, by Darrell Schweitzer and Jason Van Hollander The Graveyard Rats, by Henry Kuttner Toadface, by Mark McLaughlin The Whisperer in Darkness, by H. P. Lovecraft The Eater of Hours, by Darrell Schweitzer Ubbo-Sathla, by Clark Ashton Smith The Space-Eaters, by Frank Belknap Long The Fire of Asshurbanipal, by Robert E. Howard Beyond the Wall of Sleep, by H.P. Lovecraft Something in the Moonlight, by Lin Carter The Salem Horror, by Henry Kuttner Down in Limbo, by Robert M. Price The Dweller in the Gulf, by Clark Ashton Smith Azathoth, by H.P. Lovecraft Pickmans Modem, by Lawrence Watt-Evans The Hunters from Beyond, by Clark Ashton Smith Ghoulmaster, by Brian McNaughton The Spawn of Dagon, by Henry Kuttner Dark Destroyer, by Adrian Cole The Dunwich Horror, by H. P. Lovecraft The Dark Boatman, by John Glasby Dagon and Jill, by John P. McCannAnd don't forget to search this ebook store for more entries in the Megapack series -- collections covering Fantasy, Horror, Science Fiction, Mystery, Adventure ... and many more!"

    

    In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

    An image of humankind escaping into space. An image of human merchants trading and cheating, of human tyrants capturing the Varvax, Tenasi, and Hommar. Images of wars, of fighting, of a paradise destroyed."Oddly enough, the ones who made first contact were an outdated, nearly bankrupt phone company. Second contact was made by the United Governments Military when they accidentally shot down a Tenasi ambassadorial vessel. The Phone Company negotiated Earth out of danger following the Tenasi incident. The Phone Company had brought FTL communication to humankind.And Phone Company operative Jason Write has sworn to keep the galaxy safe from the barbaric humans who would ruin the Elysium that the galactic races currently enjoy.