Pale Male and his mate built their nest near the top of one of Fifth Avenue’s swankiest apartment buildings. Nine years and 23 chicks later, Pale Male’s fame had grown so large that a CBS newsman named him Father of the Year! But Pale Male was less beloved by the residents of the building, and in 2004 the owners suddenly removed the nest–setting off an international outcry on behalf of the birds.

    With a wealth of information tucked into an engaging story, this informational picture book is a perfect pick for classroom investigations or story time. A chart on photosynthesis and a rub-a-leaf activity are included.

     If there was one thing James loved to do more than anything else, it was to be in the great outdoors watching his beloved feathered friends. In the fall of 1804, he was determined to find out if the birds nesting near his Pennsylvania home would really return the following spring. Through careful observation, James laid the foundation for all that we know about migration patterns today. Capturing the early passion of this bird-obsessed young man as well as the meticulous study and scientific methods behind his research, this lively, gorgeously illustrated biography will leave young readers listening intently for the call of birds large and small near their own home.

    This retelling of a Navajo folktale explains how First Woman tried to write the laws of the land using stars in the sky, only to be thwarted by the trickster Coyote.

    This sweet, authentic story from a Maliseet mother and her Passamaquoddy husband includes backmatter about traditional basket making and a Wabanaki glossary.

    In simple, evocative language, Helen Frost offers a hint at the many tiny creatures around us. And in astonishing close-up photographs, Rick Lieder captures the glint of a katydid's eye, the glow of a firefly, and many more living wonders just awaiting discovery. Fascinating facts about all the creatures pictured may be found at the end.

    Together, Anne Mazer and Steve Johnson have created a woodland paradise that any salamander would love to share with a child.

    Leveraging the natural and universal fascination that children have with animals, the book utilises hints and recognition to build a sense of anticipation on each page, that is resolved on the following page when the identity of the animal is discovered. Young readers are engaged in the process of deduction by drawing on visual prompts and clues such as where an animal may live, what the animal may look like and sounds the animal makes. The effect is that each page presents an engaging yet accessible mini mystery for the child to solve. Accordingly, the young reader's inevitable participation in the process of discovery is ensures the book's enjoyment.

    Not knowing what to do, Awâsis seeks out a variety of other-than-human relatives willing to help. What adventures are in store for Awâsis?The book includes a pronunciation guide and the recipe for Kôhkum’s world-famous bannock.

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.

    Olemaun is eight and knows a lot of things. But she does not know how to read. Ignoring her father’s warnings, she travels far from her Arctic home to the outsiders’ school to learn. The nuns at the school call her Margaret. They cut off her long hair and force her to do menial chores, but she remains undaunted. Her tenacity draws the attention of a black-cloaked nun who tries to break her spirit at every turn. But the young girl is more determined than ever to learn how to read. Based on the true story of Margaret Pokiak-Fenton, and complemented by stunning illustrations, When I Was Eight makes the bestselling Fatty Legs accessible to younger readers. Now they, too, can meet this remarkable girl who reminds us what power we hold when we can read.

    But by 1844, not a single one of these magnificent birds was alive.In this stunningly illustrated non-fiction picture book, award-winning author and illustrator Jan Thornhill tells the tragic story of these birds that “weighed as much as a sack of potatoes and stood as tall as a preteen’s waist.” Their demise came about in part because of their anatomy. They could swim swiftly underwater, but their small wings meant they couldn’t fly and their feet were so far back on their bodies, they couldn’t walk very well. Still the birds managed to escape their predators much of the time … until humans became seafarers.Great Auks were pursued first by Vikings, then by Inuit, Beothuk and finally European hunters. Their numbers rapidly dwindled. They became collectors’ items — their skins were stuffed for museums, to be displayed along with their beautiful eggs. (There are some amazing stories about these stuffed auks — one was stolen from a German museum during WWII by Russian soldiers; another was flown to Iceland and given a red-carpet welcome at the airport.)Although undeniably tragic, the final demise of the Great Auk led to the birth of the conservation movement. Laws were eventually passed to prevent the killing of birds during the nesting season, and similar laws were later extended to other wildlife species.

    Important vocabulary is reinforced with accessible explanation and colorful, clear diagrams showing the parts of plants, the wide variety of seeds, and how they grow.The book includes instructions for a seed-growing project, and a page of interesting facts about plants, seeds, and flowers. A nonfiction classic, and a perfect companion for early science lessons and curious young gardeners.According to The Washington Post, Gail Gibbons has taught more preschoolers and early readers about the world than any other children's writer-illustrator. Ms. Gibbons is the author of more than 100 books for young readers, including the bestselling titles From Seed to Plant and Monarch Butterfly. Her many honors include the Washington Post/Childrens Book Guild Nonfiction Award and the NSTA Outstanding Science Trade Book Award.From Seed to Plant was included in the Common Core State Standards Appendix B.

    You'll discover why it takes a lot of quill power to put down 'How's Inky?'

    We tell stories to track our process of personal and spiritual growth and to honor and respect the journeys we have made. Through stories we are provided with experiences of spiritual empowerment that can lead to transformation.In "Coyote Wisdom, " Lewis Mehl-Madrona explores the healing use of stories passed down from generation to generation in Native American culture and describes how we can apply this wisdom to empower and transform our own lives. A storytelling approach to transformation starts with how we were created and how we can re-create ourselves through the stories we tell. As we explore the archetypal characters and situations that populate the inner world of our stories, we can experience breakthroughs of healing and even miracles of transformation.This approach to healing through stories runs counter to the current model of modern psychology. The stories we tell about ourselves may model our lives, but by introducing new characters and plots, we can come to see ourselves in a new way. The author also draws upon the cultures of other indigenous peoples--the Maori, East Africans, Mongolians, Aborigines, and Laplanders--to illustrate the healing use of stories throughout the world.