Most of the stories feature men who have been disappointed, somehow, by their inability to go on and fulfill the promise of their youth.Contents "Doctor Jack-o'-lantern" "The Best of Everything" "Jody Rolled The Bones" "No Pain Whatsoever" "A Glutton for Punishment" "A Wrestler with Sharks" "Fun with a Stranger" "The B.A.R. Man" "A Really Good Jazz Piano" "Out with the Old" "Builders"

    These collective settlements have been written about extensively over the years: The kibbutz has been the subject of many sociological studies, and has been praised as the only example in world history of entire communities attempting, voluntarily, to live in total equality. But there's a dark side to the kibbutz, which has been criticized in later years, mainly by children who were raised in these communities, as an institution which victimized its offspring for the sake of ideology.In this spare and lucid memoir, Neeman--a child of the kibbutz--draws on the collective memory of hundreds of thousands of Israelis who grew up in a kibbutz during their height and who intimately share their memories with her.We Were the Future is more than merely a compelling personal account of growing up in the kibbutz movement; it is an unstintingly honest examination of the perils of pioneering and a new lens through which to see the history of Israel.

    title The Tales of Jacob)Joseph and His Brothers reinterprets the biblical story as told in the Book of Genesis, employing psychological insight and wide-ranging knowledge of myth, history, and geography.

    This is the startling theme of Philip Roth’s wrenching new book: a wartime polio epidemic in the summer of 1944 and the effect it has on a closely knit, family-oriented Newark community and its children. At the center of Nemesis is a vigorous, dutiful twenty-three-year-old playground director, Bucky Cantor, a javelin thrower and weightlifter, who is devoted to his charges and disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. Focusing on Cantor’s dilemmas as polio begins to ravage his playground—and on the everyday realities he faces—Roth leads us through every inch of emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering, and the pain. Moving between the smoldering, malodorous streets of besieged Newark and Indian Hill, a pristine children’s summer camp high in the Poconos—whose “mountain air was purified of all contaminants”—Roth depicts a decent, energetic man with the best intentions struggling in his own private war against the epidemic. Roth is tenderly exact at every point about Cantor’s passage into personal disaster, and no less exact about the condition of childhood. Through this story runs the dark questions that haunt all four of Roth’s late short novels, Everyman, Indignation, The Humbling, and now Nemesis: What kind of accidental choices fatally shape a life? How does the individual withstand the onslaught of circumstance?

    She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled. A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell’s—1Q84 is Haruki Murakami’s most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers

    First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

    His face tells a tale of epic battles hard-won, stitched together by the jagged scars of combat.England is divided and Christendom struggles to retain its grip on the Holy Land... The code of chivalry chimes in hideous dissonance with massacre and cruelty as Reynauld is determined to raise the stakes of war to their limits. Based on real historical figures and events, Churchmen, barons, knights, courtiers, their wives and mistresses, are seen in sharp outline against a hard, dry, dangerous landscape commanded by huge castles and roamed by mounted soldiers. The Knights of Dark Renown is first in an epic historical series, The Crusader Knights Cycle, perfect for fans of Conn Iggulden, Anthony Riches and Bernard Cornwell. ‘An impressively confident first novel, most readable and refreshingly free from any pseudo-medieval mysticism’ Sunday Telegraph‘The chivalry and the cruelty are finely balanced’ Daily Mirror‘Highly enjoyable. Here we have a wide canvas of characters, almost all based on historical figures... The story is exciting as well as psychologically convincing and thought-provoking’ Financial Times

    Fania, a 16 year old survivor of a program in the Ukraine, arrives in Israel with her uncle, her deranged brother, and her unwanted baby - a product of rape. She meets Yehiel, a 26 year old widower and father of two. Fania moves in with Yehiel and throws herself into the life of a peasant woman, trying to squeeze a living out of the stony ground despite hunger and disease. Wearing Arab robes, she breaks into the male-dominated world of commerce, politics, and even defense.

    Happy are the happy. —Jorge Luis BorgesSchnitzler’s La Ronde gives these twenty short chapters their shape while Borges’s poem gives them their content. As we move from story to story, thrilled to reconnect with an old acquaintance from an earlier scene, we can’t help but admit that we are very much at home in this human comedy that understands all too well the passing thoughts, desires, actions, fears, and mistakes that we have and make day after day, but that we would be incapable of rendering with such acuity and compassion.

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    Smart and precocious, endearing but uncompromising, she fights against ingrained chauvinism to find her place in a world run by lesser men.When Olga falls in love with her neighbor, Herbert, the son of a local aristocrat, her life is irremediably changed. While Herbert indulges his thirst for exploration and adventure, Olga is limited by her gender and circumstance. Her love for Herbert goes against all odds and encounters many obstacles, but even when they are separated, it endures.Unfolding across decades—from the late nineteenth to the early twenty-first century—and across continents—from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west—Olga is an epic romance, and a wrenching tale of a woman’s devotion to a restless man in an age of constant change. Though Olga exists in the shadows of others, she pursues life to the fullest and her magnetic presence shines—revealing a woman complex, fascinating, and unforgettable. Told in three distinct parts, brilliantly shifting from different points of view and narrative formats, Bernhard Schlink’s magnificent novel is a rich, full portrait of a singular woman and her world.Translated from the German by Charlotte Collins

    He becomes a vagabond and philosopher, struggling with mortality and meaning.In the basement of a Boston bookstore, Firmin is born in a shredded copy Finnegans Wake, nurtured on a diet of Zane Grey, Lady Chatterley’s Lover, and Jane Eyre (which tastes a lot like lettuce). While his twelve siblings gnaw these books obliviously, for Firmin the words, thoughts, deeds, and hopes—all the literature he consumes—soon consume him. Emboldened by reading, intoxicated by curiosity, foraging for food, Firmin ventures out of his bookstore sanctuary, carrying with him all the yearnings and failings of humanity itself. It’s a lot to ask of a rat—especially when his home is on the verge of annihilation.A novel that is by turns hilarious, tragic, and hopeful, Firmin is a masterpiece of literary imagination. For here, a tender soul, a vagabond and philosopher, struggles with mortality and meaning—in a tale for anyone who has ever feasted on a book…and then had to turn the final page. First published by Coffee House Press in 2006. Republished by Delta, a division of Random House, in 2009.

    Three long stories that draw the reader into the lives of three women, all past their first youth, all facing unexpected crises.

    Using his network of contacts and his professional expertise, he takes control of her life without ever revealing his identity. Minotaur is a complex and utterly original story about a solitary man driven from one side of Europe to the other by his obsession.

    Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence "their memories no longer match." We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion. Then again, what can we expect of our weak memory? It records only "an insignificant, minuscule particle" of the past, "and no one knows why it's this bit and not any other bit." We live our lives sunk in a vast forgetting, a fact we refuse to recognize. Only those who return after twenty years, like Odysseus returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance firsthand.Milan Kundera is the only author today who can take such dizzying concepts as absence, memory, forgetting, and ignorance, and transform them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.Author Biography: The Franco-Czech novelist Milan Kundera was born in Brno and has lived in France, his second homeland, for more than twenty years. He is the author of the novels The Joke, Life Is Elsewhere, The Farewell Party, The Books of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves, all originally written in Czech. Like Slowness, his two earlier nonfiction works, The Art ofthe Novel and Testaments Betrayed, were originally written in French.