We call them ghosts and demons. She calls them living nightmares.When she was five, she had her own ghost. A good ghost. She swore to never leave his side, but over time, he scared her. She pushed him away. She broke her promise.Now well into her twenties, Mel meets her old ghost again. And this time, he’s brought the darkness with him to prove his point……you don’t break a promise with a ghost.

     Bringing you festive treats and Yuletide chills: Mark Tufo, Amy Cross, Mark Allan Gunnells, Mark Cassell, Lex H. Jones, Chris Miller, Steven Stacy, James Matthew Byers & Kevin J. Kennedy We hope your Christmas is both wonderful and terrifying.

    For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

    Steinway · ss Fantastic Apr ’54 113 · The Past Master · nv Bluebook Jan ’55 141 · I Like Blondes · ss Playboy Jan ’56 153 · All on a Golden Afternoon · nv F&SF Jun ’56 185 · Broomstick Ride · ss Super Science Fiction Dec ’57 197 · Daybroke · ss Star Science Fiction Magazine Jan ’58 209 · Sleeping Beauty [“The Sleeping Redheads”] · ss Swank Mar ’58 225 · Word of Honor · ss Playboy Aug ’58 237 · The World-Timer · nv Fantastic Aug ’60 271 · That Hell-Bound Train · ss F&SF Sep ’58 289 · The Funnel of God · nv Fantastic Jan ’60 319 · Beelzebub · ss Playboy Dec ’63 329 · The Plot Is the Thing · ss F&SF Jul ’66 337 · How Like a God · ss Galaxy Apr ’69 355 · The Movie People · ss F&SF Oct ’69 269 · The Oracle · ss Penthouse May ’71 377 · The Learning Maze · ss The Learning Maze, ed. Roger Elwood, Messner, 1974 393 · Author’s Afterword: “Will the Real Robert Bloch Please Stand Up?” · aw

    But it was neither the first nor the last. This anthology presents 23 rare vampire stories written between 1867 & 1940. B&W illus.

    Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    The anthology contains 45 illustrations by Glenn Chadbourne, over 20 stories by the likes of Stephen King, Jack Ketchum, Ramsey Campbell, Gary A. Braunbeck, Mort Castle, Josh Malerman, Scott Edelman, Richard Thomas, Richard Chizmar and Gene O’Neill, and with 20 intertwined poems by the likes of Elizabeth Massie, Marge Simon, Bruce Boston, Erik T. Johnson, Stephanie M. Wytovich, and also includes an introduction by the extraordinary Chuck Palahniuk.

    If that's not enough to make you scream with delight, we're also adding a special color section featuring the two Creepy stories that helped re-launch Dark Horse Presents on MySpace You'll get all of this tantalizing terror for under twenty bucks - it's a killer deal

    From sinister feline mummies to ravenous zombified cars and any and all things in-between, the living dead have returned from their graves, junkyards, and even the war torn skies to haunt the lands of the living. With stories horrific, funny, and weird, Strange Afterlives has a little something for everyone who has ever wondered what terrible secrets could be lurking in that rotting tree or broken toy.Stories included in this anthology:Mouse Trouble by A. Lee MartinezAfter the Invasion by Russell C. ConnorSeated Woman with Child by Rosemary Clement-MooreRoots by Brooke FosseyThe Late Mrs. Buttons by Sally HamiltonAn Undercover Haunting by Kristi HutsonGImme Shelter by David C. Whiteman01001110 by Nik HolmanThe Runner by John BartellNight Witch by Shawn ScarberThe Scavenger Hunt by John Sanders Jr.Strange Afterlives will terrify and amuse. You may never look at a rusted automobile the same way again.

    They’ve been known to burrow themselves into a reader’s imagination and are capable of warping dreams into twisted, unspeakable nightmares.Just a little…Unique – These aren’t your standard horror stories. Don’t think this collection will include tales of haunted mansions, or blood sucking vampires. Expect one-of-a-kind takes on every gothic ghoul and hideous monster you read about in this book.Just a little…Frightening – Prepare yourself for some of the most chilling flash fiction ever penned. The mad genius, Vincent V. Cava, has done it again with the latest entry in his creepy catalogue. Do yourself a favor and leave the lights on when you read it.Just A Little…Terrible

    The stories are: The Beckoning Fair One, Phantas, Rooum, Benlian, Io, The Accident, The Cigarette Case, & Hic Jacket.Excerpt: ...off!" he ordered me. "I'll send for you again when I want you!" He thrust me out. "An asylum, Mr. Benlian," I thought as I crossed the yard, "is the place for you!" You see, I didn't know him then, and that he wasn't to be judged as an ordinary man is. Just you wait till you see.... And straight away, I found myself vowing that I'd have nothing more to do with him. I found myself resolving that, as if I were making up my mind not to smoke or drink-and (I don't know why) with a similar sense that I was depriving myself of something. But, somehow, I forgot, and within a month he'd been in several times to see me, and once or twice had fetched me in to see his statue. In two months I was in an extraordinary state of mind about him. I was familiar with him in a way, but at the same time I didn't know one scrap more about him. Because I'm a fool (oh, yes, I know quite well, now, what I am) you'll think I'm talking folly if I even begin to tell you what sort of a man he was. I don't mean just his knowledge (though I think he knew everything-sciences, languages, and all that) for it was far more than that. Somehow, when he was there, he had me all restless and uneasy; and when he wasn't there I was (there's only the one word for it) jealous-as jealous as if he'd been a girl! Even yet I can't make it out.... And he knew how unsettled he'd got me; and I'll tell you how I found that out. Straight out one night, when he was sitting up in my place, he asked me: "Do you like me, Pudgie?" (I forgot to say that I'd told him they used to call me Pudgie at home, because I was little and fat; it was odd, the number of things I told him that I wouldn't have told anybody else.) "Do you like me, Pudgie?" he said. As for my answer, I don't know how it spurted out. I was much more surprised than he was, for I really didn't intend it. It was for all the world as if somebody else was talking with my mouth. "I loathe and adore you!" it came; and then I looked round,...

    This anthology brings together 29 of the greatest horror stories of the period from 1816 to 1912, from the British, Irish, American, and European traditions. It ranges widely across the sub-genres to encompass authors whose terror-inducing powers remain unsurpassed. The book includes stories by some of the best writers of the century - Hoffmann, Poe, Balzac, Dickens, Hawthorne, Melville, Zola - as well as established genre classics such as M. R. James, Arthur Machen, Bram Stoker, Algernon Blackwood, Charlotte Perkins Gilman and others. It includes rare and little-known pieces by writers such as William Maginn, Francis Marion Crawford, W. F. Harvey, and William Hope Hodgson, and shows the important role played by periodicals in popularizing the horror story. Wherever possible stories are reprinted in their first published form, with background information about their authors and helpful, contextualizing annotation. Darryl Jones's lively introduction discusses horror's literary evolution and its articulation of cultural preoccupations and anxieties. These are stories guaranteed to freeze the blood, revolt the senses, and keep you awake at night: prepare to be terrified!

    Reginald Harlan, M.A. Of course Archer generally didn't like people whose names started with a single syllable. Harlan hired Lew to find his sister. A respectable school mistress that has run off with a bohemian artist type. But he finds more than what he expected when he has a corpse literally dumped on him!

    The critically acclaimed and award-winning tradition continues with another stunning collection, including stories by M. T. Anderson, Laird Barron, Simon Bestwick, Simon Brown, Stepan Chapman, Douglas Clegg, D. Ellis Dickerson, Terry Dowling, Andy Duncan, Jean Esteve, John Farris, Mélanie Fazi, Jeffrey Ford, Christopher Fowler, Stephen Gallagher, Theodora Goss, Elizabeth Hand, Alice Hoffman, Shelley Jackson, John Kessel, Margo Lanagan, Tanith Lee, Bentley Little, Elizabeth A. Lynn, Gregory Maguire, China Miéville, Richard Mueller, Joyce Carol Oates, Frances Oliver, Chuck Palahniuk, Tina Rath, Philip Raines and Harvey Welles, M. Rickert, Anna Ross, Alison Smith, R.T. Smith, Peter Straub, Lucy Sussex, Catherynne M. Valente, Greg Van Eekhout, and Conrad Williams. Rounding out the volume are the editors’ invaluable overviews of the year in fantasy and horror, and sections on comics, by Charles Vess, on anime and manga, by Joan D. Vinge, on media, by Ed Bryant, and on music, by Charles de Lint. With a long list of Honorable Mentions, this is an indispensable reference as well as the best reading available in fantasy and horror.

    More than three hours of recordings in each collection capture the intimacy of live performance, with stories that are alternately exciting, poignant, and funny, making this the perfect accompaniment to any number of daily activities--driving, cooking, exercising, relaxing, or intently listening. Timeless Classics includes, among others, James Thurber's "The Night the Ghost Got In," read by Isaiah Sheffer; Edith Wharton's "Roman Fever," read by Maria Tucci; Jack London's "Make Westing," read by Steven Gilborn; D. H. Lawrence's "The Rocking Horse Winner," read by John Shea; Shirley Jackson's "The Lottery," read by Marian Seldes; Richard Connell's "The Most Dangerous Game," read by Charles Keating; and Raymond Carver's "Cathedral," read by James Naughton.