Through humor and sarcasm (and a handy meter to rank your "holiness" as you progress through the book), readers will be called to find a more biblical understanding of the Christian faith, all while poking fun at the quirks of the modern, American Christian community.

    "Filled with warmth and humor, sadness and tenderness, songs and poems, Lake Wobegon Days is an unforgettable portrait of small-town American life, of why 'we are what we are' and why 'smart doesn't count for much."

    Each lotto number marking the age at which she dumped a tiresome lover. She doesn't know it yet, but the discarded men in JoLayne's life have finally amounted to something.

    Humor/mystery novel by the writer of 59 episodes of The Simpsons.

    The trouble is this doorstopper is a unique thing--a self-help book that actually works--and before Edwin knows it, a chain of events has been started that will have enormous consequences not just for his own life, but for the world at large.

    The characters in Then We Came To The End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks. By day they compete for the best office furniture left behind and try to make sense of the mysterious pro-bono ad campaign that is their only remaining "work."

    He had a solid job. He ran 5Ks for charity. He was living a nice, safe Midwestern existence. And then his wife left him for a handsome paramedic down the street.We’re All Damaged begins after Andy has lost his job, ruined his best friend’s wedding, and moved to New York City, where he lives in a tiny apartment with an angry cat named Jeter that isn’t technically his. But before long he needs to go back to Omaha to say good-bye to his dying grandfather.Back home, Andy is confronted with his past, which includes his ex, his ex’s new boyfriend, his right-wing talk-radio-host mother, his parents’ crumbling marriage, and his still-angry best friend.As if these old problems weren’t enough, Andy encounters an entirely new complication: Daisy. She has fifteen tattoos, no job, and her own difficult past. But she claims she is the only person who can help Andy be happy again, if only she weren’t hiding a huge secret that will mess things up even more. Andy Carter needs a second chance at life, and Daisy—and the person Daisy pushes Andy to become—may be his last chance to set things right.

    The Underminer makes you feel suicidal. But the Underminer is your friend...Mike Albo and Virginia Heffernan do us all a public service by capturing the elusive evils of an age-old archetype. To understand and resist your toxic friend, you need The Underminer.

    “F. Scott Fitzgerald said that there are no second acts in American lives. I have no idea what that means but I believe that in quoting him I appear far more intelligent than I am. I don’t know about second acts, but I do think we get second chances, fifth chances, eighteenth chances. Every day we get a fresh chance to live the way we want.” FINBAR DOLAN is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on forty. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Super Bowl commercial for his diaper account in record time. Fortunately, it gets worse. Fin learns that his long-estranged and once-abusive father has fallen ill. And that neither of his brothers or his sister intend to visit. It’s a wake-up call for Fin to reevaluate the choices he’s made, admit that he’s falling for his coworker Phoebe, question the importance of diapers in his life, and finally tell the truth about his past. Truth in Advertising is debut novelist John Kenney’s wickedly funny, honest, at times sardonic, and ultimately moving story about the absurdity of corporate life, the complications of love, and the meaning of family.

    Then his life takes an unexpected turn when he meets a female Protestant vicar (who also happens to be an atheist), and a homeless receptionist at a former brothel which is now a one-star hotel. The three join forces and concoct an unusual business plan based on Hitman Anders’ skills and his fearsome reputation. The vicar and receptionist will organize jobs for a group of gangsters, and will attract customers using the tabloids’ love of lurid headlines.The perfect plan—if it weren’t for Hitman Anders’ curiosity about the meaning of it all. In conversations with the vicar, he turns to Jesus and, against all odds, Jesus answers him! The vicar can’t believe what’s happening. When Hitman Anders turns to religion, the lucrative business is in danger, and the vicar and the receptionist have to find a new plan, quick.Fast-paced and sparky, the novel follows these bizarre but loveable characters on their quest to create a New Church, with all of Sweden’s gangsters hunting them. Along the way, it explores the consequences of fanaticism, the sensationalist press, the entrepreneurial spirit and straightforward human stupidity—and underlying all of it, the tenuous hope that it’s never too late to start again.

    In these nineteen whip-smart essays, Jon Stewart takes on politics, religion, and celebrity with seething irreverent wit, a brilliant sense of timing, and a palate for the absurd -- and these one-of-a-kind forays into his hilarious world will expose you to all it's wickedly naked truths.

    Now the halls are alive with Trekkies, tech nerds, and fantasy gamers in their Viking finery *all of them eager to hail their hero, bestselling fantasy author Appin Dungannon: a diminutive despot whose towering ego more than compensates for his 5' 1" height . . . and whose gleeful disdain for his fawning fans is legendary.Hurling insults and furniture with equal abandon, the terrible, tiny author proceeds to alienate ersatz aliens and make-believe warriors at warp speed. But somewhere between the costume contest and the exhibition Dungeons & Dragons game, Dungannon gets done in. While die-hard fans of Dungannon's seemingly endless sword-and-sorcery series wonder how they'll go on and hucksters wonder how much they can get for the dead man's autograph, a hapless cop wonders, Who would want to kill Appin Dungannon? But the real question, as the harried convention organizers know, is Who wouldn't ?"I loved BIMBOS OF THE DEATH SUN . . . Beautifully observed, funny, nicely constructed, even compassionate." *Robert Silverberg From the Paperback edition.

    Eve will destroy harmful misconceptions about ourselves.From the author of the 25-million copy bestseller The Shack comes a captivating new novel destined to be one of the most important and talked-about books of the decade.When a shipping container washes ashore on an island between our world and the next, John the Collector finds a young woman inside--broken, frozen, and barely alive. With the aid of Healers and Scholars, John oversees her recovery and soon discovers her genetic code connects her to every known human race. She is a girl of prophecy and no one can guess what her survival will mean...No one but Eve, Mother of the Living, who calls her daughter and invites her to witness the truth about her story--indeed, the truth about us all.Eve is a bold, unprecedented exploration of the Creation narrative, true to the original texts and centuries of scholarship, yet with breathtaking discoveries that challenge traditional misconceptions about who we are and how we're made. As The Shack awakened readers to a personal, non-religious understanding of God, Eve will free us from faulty interpretations that have corrupted human relationships since the Garden of Eden.Eve opens a refreshing conversation about the equality of men and women within the context of our beginnings, helping us see each other as our Creator does--complete, unique, and not constrained to cultural rules or limitations.Thoroughly researched and exquisitely written, Eve is a masterpiece that will inspire readers for generations to come.

    But the Campaign for Real Cats sets out to change all that by helping us to recognise a true, unadulterated cat when we see one.For example: real cats have ears that look like they've been trimmed with pinking shears; real cats never wear flea collars . . . or appear on Christmas cards . . . or chase anything with a bell in it; real cats do eat quiche. And giblets. And butter. And anything else left on the table, if they think they can get away with it. Real cats can hear a fridge door opening two rooms away . . .

    Lame of leg but fast of wit, the only reason Apropos doesn't consider chivalry dead is because he's not yet through with it. Herewith, Sir Apropos of Nothing -- his story in the words of the knave himself.Apropos, all too aware of his violent and unseemly beginnings, travels to the court of the good King Runcible, with three goals in mind: to find his father, seek retribution, and line his own pockets. However, Apropos carries the most troublesome burden a would-be harbinger of chaos can bear: He may well be a hero foretold, a young man of destiny. It is not a notion that Apropos finds palatable, having very low regard for such notions as honor, selflessness, or risking one's neck. Yet when Apropos finds himself assigned as squire to the most senile knight in the court -- Sir Umbrage of the Flaming Nether Regions, whose squires tend to have a rather short life span -- Apropos is forced to rise to the occasion lest he be dragged under -- permanently.His difficulties are compounded when a routine mission to escort the King's daughter home after a long absence goes horribly awry. Suddenly Apropos finds himself saddled with trying to survive while dealing with a berserk phoenix, murderous unicorns, mutated harpies, homicidal warrior kings, and -- most problematic of all -- a princess who may or may not be a psychotic arsonist. Featuring a hero cut from cloth similar to that of such entertaining blackguards as Blackadder and Flashman, Sir Apropos of Nothing is a skewed version of classic, mythic adventure that is by turns hilarious and frightening, slapstick and serious, and filled with drop-dead laughs and drop-dead people.