The stories within are mined with depth charges, explosions of meaning and illumination that will keep you thinking and feeling long after you have finished reading.Contents11 • The Island of Doctor Death and Other Stories • [Archipelago] • (1970) • shortstory by Gene Wolfe26 • Alien Stones • (1972) • novelette by Gene Wolfe55 • La Befana • (1973) • shortstory by Gene Wolfe60 • The Hero as Werwolf • (1975) • shortstory by Gene Wolfe74 • Three Fingers • (1976) • shortstory by Gene Wolfe80 • The Death of Dr. Island • [Archipelago] • (1973) • novella by Gene Wolfe131 • Feather Tigers • (1973) • shortstory by Gene Wolfe138 • Hour of Trust • (1973) • novelette by Gene Wolfe167 • Tracking Song • (1975) • novella by Gene Wolfe225 • The Toy Theater • (1971) • shortstory by Gene Wolfe232 • The Doctor of Death Island • [Archipelago] • (1978) • novella by Gene Wolfe277 • Cues • (1974) • shortstory by Gene Wolfe281 • The Eyeflash Miracles • (1976) • novella by Gene Wolfe336 • Seven American Nights • (1978) • novella by Gene Wolfe

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    For instance:AND I AWOKE AND FOUND ME HERE ON THE COLD HILL'S SIDEMan seeks to get into bed with anything new and different, or die trying. But when the new and different was not human...would he die trying?THE MAN WHO WALKED HOME - The first-time astronaut, stuck in the far future, slid ever so slowly toward a present whose past was his future and whose future was his past...I'M TOO BIG BUT I LOVE TO PLAY - If genuine aliens are to communicate meaningfully, one must make himself into an analogue of the other. But how can you tell the difference between what is human - and what is merely identical?Contents:And I Awoke and Found Me Here on the Cold Hill's Side (1972)The Snows Are Melted, the Snows Are Gone (1969)The Peacefulness of Vivyan (1971)Mamma Come Home (1968)Help (1968)Painwise (1972)Faithful to Thee, Terra, in Our Fashion (1969)The Man Doors Said Hello To (1970)The Man Who Walked Home (1972)Forever to a Hudson Bay Blanket (1972)I'll Be Waiting for You When the Swimming Pool Is Empty (1971)I'm Too Big but I Love to Play (1970)Birth of a Salesman (1968)Mother in the Sky with Diamonds (1971)Beam Us Home (1969)

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)

    They present a wide spectrum of comic and serious themes and a variety of techniques. (His short novels, available in another Norton volume, Seven Short Novels by Chekhov, have been omitted.) Two of the stories have been translated for this edition by Professor Matlaw; the other translations, by Constance Garnett, Ivy Litvinov, and Marian Fell, have been revised in accordance with contemporary usage. Footnotes have been supplied wherever necessary to explain peculiarities of Russian life and the historical era in which Chekhov lived and wrote."Backgrounds" includes a rich selection of Chekhov's letters, in new translations by Professor Matlaw, and Gorky's celebrated essay on Chekhov, translated by Ivy Litvinov. The critical essays offer general views of Chekhov's art and achievement and detailed analyses of particular stories. The critics are D. S. Mirsky, A. B. Derman (whose essay has been translated from the Russian especially for this edition), Renato Poggioli, Gleb Struve, Donald Rayfield, Karl Kramer, Virginia Llewellyn Smith, and Nils Ake Nilsson.A Selected Bibliography directs readers to resources for further study.Chameleon (1884) --Oysters (1884) --A living chronology (1885) --The huntsman (1885) --Misery (1886) --The requiem (1886) --Anyuta (1886) --Agatha (1886) --Grisha (1886) --A gentleman friend (1886) --The chorus girl (1886)--Dreams (1886) --Vanka (1886)--At home (1887) --The siren's song (1887) --Sleepy (1888) --The grasshopper (1892) --In exile --Rothschild's fiddle (1894) --The student (1894) --The teacher of literature (1889-94) --Whitebrow (1895) --Anna on the neck (1895) --The house with the mansard (1896) --The pecheneg (1898)--A journey by cart (1897) --The man in a case (1898) --Gooseberries (1898) --About love (1898) --A doctor's visit (1902) --The darling (1899) --The lady with the dog (1899) --The bishop (1902) --The betrothed (1903).

    Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here are masterpieces of insight, depth, drama and humanity, acutely rendered by a modern master.'A textbook for anyone who ever wanted to write a story, and a treasure for anyone who loves to read them' Madison Smartt Bell'Extraordinary... Mr. Trevor's sheer intensity of entry into the lives of his people...proceeds to uncover new layers of yearning and pain, new angles of vision and credible thought' The New York Times Book Review

    A woman who can change into a leopard is pursued by a hunter who is more than human. Occult detective Diana Tregarde trails a very unusual vampire. Four SKitty stories, and more!ContentsIntroduction --Werehunter --SKitty --A tail of two SKitties --SCat --A better mousetrap --The last of the season --Satanic, Versus --Nightside --Wet wings --Stolen silver --Roadkill --Operation Desert Fox --Grey --Grey's ghost.

    Lawrence and something of a rival of Virginia Woolf, her stories suggest someone writing in a different era and in a vastly different English. Her language is as transparent as clean glass, yet hovers on the edge of poetry. Her characters are passionate men and women swaddled in English reserve -- and sometimes briefly breaking through. And her genius is to pinpoint those unacknowledged and almost imperceptible moments in which those people's relationships -- with one another and themselves -- change forever. This collection [of 28 stories] includes such masterpieces as "Prelude," "At the Bay" "Bliss," "The Man Without a Temperament" and "The Garden Party" and has a new introduction by Jeffrey Meyers.Introduction / Jeffrey Meyers --Tiredness of Rosabell (written 1908; published 1924) --Baron (1910) --Modern (1911) --Woman at the store (1912) --Ole underwood (1913) --Little governess (1915) --Prelude (1918) --At the bay (1922) --Psychology (1920) --Bliss (1918) --Je ne Parle Pas Francais (1920) --Sun and moon (1920) --This flower (1924) --Man with a temperament (1920) --Revelations (1920) --Young girl (1920) --Stranger (1921) --Daughters of the late Colonel (1921) --Life of Ma parker 91921) --Singing lesson (1921) --Voyage(1921) --Garden-party (1922) --Miss Brill(1920) --Marriage a la mode (1921) --Doll's house (1922) --Doves' nest t(1923) --Six years after (1923) --Fly (1923).

    What if the prophecies of Revelation hit today? What sort of craziness and evil would ensue? With this list of excellent authors contributing, it’s sure to be a Hell of a read! Wrath James White Sam West The Sisters of Slaughter Jeff Strand K Trap Jones C Derick Miller Christine Morgan Patrick C. Harrison III John Wayne Comunale Hyäne Sawbones Delphine Quinn James Watts Wile E. Young Chris Miller Mark Deloy Richard Raven

    From the author of anonymous and pseudonymous tales comes a collection on nine newly discovered stories uncovered by tireless literary detective work.

    Now this former editor of The Harvard Lampoon and current writer for Saturday Night Live has returned to mine more comedy from our hopelessly terrifying world.In the nostalgic opening chapter, Rich recalls his fear of the Tooth Fairy (“Is there a face fairy?â€) and his initial reaction to the “Got-your-nose†game (“Please just kill me. Better to die than to live the rest of my life as a monsterâ€). He goes on to present Count Dracula’s desperate Match.com profile (“I am normal human looking for human woman to come to castle. I am normal, regular humanâ€). Later, he gets inside the heads of two firehouse Dalmatians who can’t understand their masters’ compulsion to drive off to horrible fires every day. And in the final chapter, he tackles some of life’s biggest questions: Does God really have a plan for us? Yes, it turns out. Now if only He could remember what it was. . . . Praise for Simon Rich’s Ant Farm “Ant Farm has an imaginative power that can trigger snort-fests. . . . Ferociously creative, this book is for readers craving both smart humor and belly laughs.â€â€“People (four stars)“Savagely funny.â€â€“The New York Times“Hilarious. Open this book anywhere, begin reading, and you will laugh.â€â€“Jon Stewart“Ant Farm is what all humor books should be: full of brief, high-concept musings that you wish you’d thought of yourself.â€â€“Time Out New York“A satirical salmagundi that bites back . . . Imaginative premises abound. . . . As unpredictable as YouTube, as in your face as MySpace.â€â€“Publishers Weekly

    And that's a scary place to be.

    From back-alley gyms and smoke-filled arenas to star-studded casinos and exotic locales, they have chronicled unforgettable stories about determination and dissipation, great champions and punch-drunk has-beens, colorful entourages and outrageous promoters, and, inevitably along the way, have written incisively about race, class, and spectacle in America. Like baseball, boxing has a vivid culture and language all its own, one that has proven irresistible to career sportswriters and literary essayists alike.This gritty and glittering anthology gathers a century of the very best writing about the fights. Here are Jack London on the immortal Jack Johnson; H. L. Mencken and Irvin S. Cobb on Jack Dempsey vs. Georges Carpentier, the first “Fight of the Century” that captivated the world in the 1920s; Richard Wright on Joe Louis’s historic first-round knockout of Max Schmeling; A. J. Liebling’s brilliantly comic portrait of a manager who really identifies with his fighter; Jimmy Cannon on Archie Moore, the greatest fighter of the 1950s; James Baldwin and Gay Talese on Floyd Patterson’s epic tilt with Sonny Liston; George Plimpton on Muhammad Ali and Malcolm X; Norman Mailer on the Rumble in the Jungle; Mark Kram on the Thrilla in Manila; Pete Hamill on legendary trainer and manager Cus D’Amato; Mark Kriegel on Oscar De la Hoya; and David Remnick and Joyce Carol Oates on Mike Tyson. National Book Award–winning novelist Colum McCann (Let the Great World Spin) offers a foreword.

    Over 60,000 sold in small format. The Clothes They Stood Up In, has sold over 200,000 copies as a small novella and was 14 weeks in the Bestseller lists. It is the painful story of what happens to an elderly couple when their flat is stripped completely bare. The Laying on of Hands, a memorial service for a masseur to the famous that goes horribly wrong. Over 100,000 copies sold as a novella. Like everything Alan Bennett does, these stories are playful, witty and painfully observant of ordinary people's foibles. And they all have a brilliant and surprising twist; are immensely funny and profoundly moral.

    Hempel, fiercely admired by writers and reviewers, has a sterling reputation that is based on four very short collections of stories, roughly fifteen thousand stunning sentences, written over a period of nearly three decades. These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With compassion, wit, and the acutest eye, Hempel observes the marriages, minor disasters, and moments of revelation in an uneasy America. When "Reasons to Live, " Hempel's first collection, was published in 1985, readers encountered a pitch-perfect voice in fiction and an unsettling assessment of the culture. That collection includes "San Francisco," which Alan Cheuse in "The Chicago Tribune" called "arguably the finest short story composed by any living writer." In "At the Gates of the Animal Kingdom, " her second collection, frequently compared to the work of Raymond Carver, Hempel refined and developed her unique grace and style and her unerring instinct for the moment that defines a character. Also included here, in their entirety, are the collections "Tumble Home" and "The Dog of the Marriage." As Rick Moody says of the title novella in Tumble Home, "the leap in mastery, in seriousness, and sheer literary purpose was inspiring to behold.... And yet," he continues, ""The Dog of the Marriage, " the fourth collection, is even better than the other three...a triumph, in fact." "The Collected Stories of Amy Hempel" is the perfect opportunity for readers of contemporary American fiction to catch up to one of its masters. Moody's passionate and illuminating introduction celebrates both the appeal and the importance of Hempel's work.