As he struggled to find the right Christian stance toward big social issues such as the civil rights movement and the Vietnam War, Mouw discovered Kuyper’s Lectures on Calvinism — and, with it, a robust vision of active Christian involvement in public life that has guided him ever since. In this “short and personal introduction” Mouw sets forth Kuyper’s main ideas on Christian cultural discipleship, including his views on sphere sovereignty, the antithesis, common grace, and more. Mouw looks at ways to update — and, in some places, even correct — Kuyper’s thought as he applies it to such twenty-first-century issues as religious and cultural pluralism, technology, and the challenge of Islam.

    Stafford's advice to beginning poets has become a favorite text in writing programs

    Leading her quest is a desire to understand the source of the writer’s inspiration—do subjects haunt those that might bring them back to life until the writer submits? Or does something “happen” to us, a sudden ignition of a burning flame? Can the appearance of a muse-like Other bring about a writer’s best work?In Soul at the White Heat, Oates deploys her keenest critical faculties, conjuring contemporary and past voices whose work she deftly and creatively dissects for clues to these elusive questions. Virginia Woolf, John Updike, Emily Dickinson, Henry James, J.M. Coetzee, Margaret Atwood, Joan Didion, Zadie Smith and many others appear as predecessors and peers—material through which Oates sifts in acting as literary detective, philosopher, and student. The book is at its most thrilling when watching the writer herself at work, and Oates provides rare insight into her own process, in candid, self-aware dispatches from the author’s own writing room. The New York Times Book Review has raved, “who better than Joyce Carol Oates . . . to explicate the craft of writing?” Longtime admirers of Joyce Carol Oates’s novels as well as her prose will discover much to be inspired by and obsess upon themselves in this inventive collection from an American master.

    Kael called movies "the most total and encompassing art form we have," and she made her reviews a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. To read The Age of Movies, the first new selection in more than a generation, is to be swept up into an endlessly revealing and entertaining dialogue with Kael at her witty, exhilarating, and opinionated best. Her ability to evoke the essence of a great artist-an Orson Welles or a Robert Altman-or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here in this career spanning collection are her appraisals of the films that defined an era-among them Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville-along with many others, some awaiting rediscovery, all providing the occasion for masterpieces of observation and insight, alive on every page.

    The book has that indescribable quality, charm." (B-O-T Editorial Review Board)

    In 1654, twenty-three Jewish families arrived in New Amsterdam (now New York) aboard a French privateer. They were the Sephardim, members of a proud orthodox sect that had served as royal advisors and honored professionals under Moorish rule in Spain and Portugal but were then exiled from their homeland by intolerant monarchs. A small, closed, and intensely private community, the Sephardim soon established themselves as businessmen and financiers, earning great wealth. They became powerful forces in society, with some, like banker Haym Salomon, even providing financial support to George Washington’s army during the American Revolution.   Yet despite its major role in the birth and growth of America, this extraordinary group has remained virtually impenetrable and unknowable to outsiders. From author of “Our Crowd” Stephen Birmingham, The Grandees delves into the lives of the Sephardim and their historic accomplishments, illuminating the insulated world of these early Americans. Birmingham reveals how these families, with descendants including poet Emma Lazarus, Barnard College founder Annie Nathan Meyer, and Supreme Court Justice Benjamin N. Cardozo, influenced—and continue to influence—American society.

    Poems: Rossetti contains a full selection of Rossetti's work, including her lyric poems, dramatic and narrative poems, rhymes and riddles, sonnet sequences, prayers and meditations, and an index of first lines.

    Carefully chosen selections from Frye, Benjamin, Lévi-Strauss, Lukács, Bakhtin, and other prominent theorists explore the historical significance of the novel as a genre, from its early beginnings to its modern variations in the postmodern novel and postcolonial novel.Offering a generous selection of key theoretical texts for students and scholars alike, Theory of the Novel also presents a provocative argument for studying the genre. In his introduction to the volume and in headnotes to each section, McKeon argues that genre theory and history provide the best approach to understanding the novel. All the selections in this anthology date from the twentieth century—most from the last forty years—and represent the attempts of different theorists, and different theoretical schools, to describe the historical stages of the genre's formal development.

    You own Pride and Prejudice. You love Sense and Sensibility. But do you know all there is to know about Jane Austen? Find answers to questions such as: Who was the Irishman who stole her heart? Why was their affair doomed? Which Austen heroine most resembled Jane? Who were the real Elizabeth Bennet and Mr. Darcy? Why did Jane never marry?These fascinating secrets and much more are revealed in 101 Things You Didn't Know about Jane Austen. Romantic. Tragic. Mysterious. And you thought Austen's heroines led intriguing lives.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness.In twenty short chapters, each of which explores a question prompted by Austen's novels, Mullan illuminates the themes that matter most in her beloved fiction. Readers will discover when Austen's characters had their meals and what shops they went to; how vicars got good livings; and how wealth was inherited. What Matters in Jane Austen? illuminates the rituals and conventions of her fictional world in order to reveal her technical virtuosity and daring as a novelist. It uses telling passages from Austen's letters and details from her own life to explain episodes in her novels: readers will find out, for example, what novels she read, how much money she had to live on, and what she saw at the theater.Written with flair and based on a lifetime's study, What Matters in Jane Austen? will allow readers to appreciate Jane Austen's work in greater depth than ever before.

     Journalist, writer, and translator Vincent Balmer moves to Lisbon to escape from a failing affair. During his first assignment there, he teams up with Antonio—a photographer who has just returned to the city after a ten-year absence—to report for a French newspaper on an infamous serial killer’s trial. While walking around the city together to take notes and photos for the article, they visit the places of Antonio’s childhood, swap stories from their pasts, and confide in each other. But the more they learn about each other, the more their lives become inextricably intertwined. With a structure that parallels Homer’s Odyssey, Eléctrico W recounts their nine days together and the adventures that proliferate to form a constellation of successive ephemeral connections and relationships.

    'An exemplary biography of its kind - detailed, meticulous and sympathetic.' Peter Ackroyd, The Times'Larkin lived a quietly noble and exemplary version of the writer's life; Motion - affectionate but undeceived about the man's frailties, a diligent researcher and a deft reader of poetry - has written an equally exemplary 'Life' of him.' Peter Conrad, Observer'Honest but not prurient, critical but also compassionate, Motion's book could not be bettered.' Alan Bennett, London Review of Books'There will be other lives of Larkin, but Motion's, like Forster's of Dickens, will always have a special place.' John Carey, Sunday Times

    He has made me view the whole Elizabethan world afresh. The plays glow with new life, exciting and real, infused with the soul of a man too long denied his inheritance." - Sir Derek Jacobi "This is a book for anyone who loves Shakespeare. No matter who you think may have created the works of Shakespeare, the Earl of Oxford's mysterious life, and that of his Queen, must be near the heart and source of the creation. Three cheers for Mr. Beauclerk's daring to explore one of the most scandalous and potentially revolutionary theories about the authorship of these immortal works." - Mark Rylance "An intriguing book that proposes another forceful argument in this age old debate. Beauclerk's detailed exploration divides the mythical notions from the historical truths. You will have a hard time putting this book down." - Roland Emmerich "An extraordinary and controversial interpretation of Shakespeare's origins, which certainly provokes much thought. A radical analysis of Shakespeare's text, leading to a conclusion which is bound to amaze the reader and the scholar. Who was Shakespeare? - Steven Berkoff "A riveting narrative filled with learned insights into Renaissance England, Shakespeare's Lost Kingdom is a soulful meditation on the timeless words of those masterworks at the centre of our cultural heritage." - Professor James Norwood "An amazing work of scholarship-so eloquent, yet written in an immediately 'popular' style. I cannot recommend it too highly." - Tony Palmer "Beauclerk has not only scandalized professors throughout the English departments of the world's schools and universities, he has thrown down the gauntlet to historians as well... and he has garnered supporters in this long-simmering debate." - Boston Globe Who was the man behind Hamlet, Romeo, Falstaff and Lear? And why did he write, 'I, once gone, to all the world must die'? In this ground-breaking work Charles Beauclerk moves beyond the narrow confines of traditional Shakespearean scholarship to explore the political milieu in which Shakespeare lived and worked and the life-and-death struggle he underwent in the name of his 'cause'. In doing so, he humanizes the bard who for centuries has remained beyond our grasp. The story revealed is one of betrayal and sacrifice at the heart of government, with Shakespeare forced to fight both for the survival of his works-and his very identity. The official history, that of a barely educated genius writing in isolation and a virginal queen married to her country, is exposed as artful propaganda. Shakespeare's Lost Kingdom delves deep into the conflicts and personalities of Elizabethan England, and the plays themselves, to cast new light on the greatest and most mysterious artist the world has known.

    First performed by the American Repertory Theatre to critical acclaim, this translation by Gideon Lester is set on a contemporary battlefield of the sexes, with the performers going at one another with wit and passion.