Mayhem. Millennials.What was supposed to be a night of hope and change unwittingly launches an adventure into chaos as five friends uncover a dark past, a secret society, and a sinister plan. Leo, Joy, Shane, Clementine, and Nick have known each other since high school, but life has taken each of them in vastly different directions. Our story begins as they all gather together to celebrate the inauguration of President Barack Obama.In Nathan Monk's latest novel he weaves together a story that spans decades set against the backdrop of friendships built around a neighborhood bar. Using his powerful storytelling and immersive characters he transports us through the troubles of the millennial dilemma.The All Saints Hotel and Cocktail Lounge is a stunning story of collective trauma. The book travels through time looking at major events from 9/11 and the Columbine Massacre to the technology boom through the lens of an unsuspecting cast of characters who are simply attempting to survive a world that doesn't seem built for them.This Southern Gothic tale confronts some of the darkest parts of our modern history and takes the reader on a journey through the perils of the Great Recession, the Occupation of Wall Street, and right up the edge of a global pandemic that will transform the world as we know it. Who will survive the unprecedented events that unfold?Not even student debt is as perilous as the adventure you are about to embark on. No amount of cutting back on avocado toast and caramel lattes can save you from the dangers ahead.In his unique style, Nathan creates characters that are at times hard to like but impossible not to love. This tale is full of betrayal, romance, and kitchen grease as this rag-tag group of friends attempt to make the world a better place and are confronted with the question, "Do we even have the power to make any meaningful change at all and if not, is there even hope?"Pull up a barstool, light 'em if you got 'em, and pour yourself a tall glass of suspense and romance masquerading as casual sex as you journey into the seedy halls of the All Saints Hotel and Cocktail Lounge.

    . . He is, quite simply, the one by whom the language lives.' . . . And, yes, as we embark on the third millennium of our so-called Common Era, she is indeed the one by whom the language lives." —Michael Hofmann, London Review of BooksA sublime singer of existential bewilderment, Karen Solie is one of contemporary poetry's most direct and haunting voices. A poet of the in-between places—the purgatory of wayside motels and junkyards, the abandoned Calgary ski jump and the eternal noon of Walmart—her poems stake out startlingly new territory and are songs for our emerging world, an age of uncertainty and melting icebergs. In Solie's new collection, The Road In Is Not the Same Road Out, she restlessly excavates our civilization, the moments of tough luck, casual violence, naked desire, and inchoate menace, pursuing "Beauty and terror / in equal measure" and fixing on the "Intrigue of a boarded-up building. / We want to get in there and find out what's the matter with it." Amplifying the elegant recklessness of her Griffin Poetry Prize–winning collection Pigeon, these poems bear an uncanny poetic intelligence and unflinching vision.

    Suffused with hope yet unafraid to mock his own credulity, Simic's searing metaphors unite the solemn with the absurd. His raindrops listen to each other fall and collect memories; his wildflowers are drunk with kissing the red-hot breezes; and his God is a Mr. Know-it-all, a wheeler-dealer, a wire-puller. In this latest lyrical gathering, Simic continues to startle his fans with the powerful and surprising images that are his trademark-slangy images of the ethereal, fantastic visions of the everyday, foreign scenes of the all-American-and moments full of humor and full of heartache.

    Paul Muldoon, the distinguished poet and international literary eminence, has selected -- from a pool of several thousand published candidates -- the top seventy-five poems of the year. With insightful comments from the poets illuminating their work, and series editor David Lehman's perspicacious foreword, The Best American Poetry 2005 is indispensable for every poetry enthusiast.

    After her mother's death, young Jorie grows up with her two older brothers and a mostly absent physician-father. While her brothers become increasingly wild, Jorie becomes the central force holding the family together. And as they discover more of their father's entangled secret life, Jorie embarks on her own relationships that threaten their strange-but-stable world.

    Some poems read as conversations, some as internal monologues, others as observations, but they all work together to tell one couple's love story.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    Women's Studies. INDICTUS re-imagines various creation myths to bear the invisible and unsaid assaults of women. In doing so, it subverts notions of patriarchal power into a genre that can be demolished and set again. INDICTUS is a Latin word, from which other words like "indict" and "indicate" are born. It translates literally as "to write the unsaid." There is an effort in this book to create the supernatural through the utterance of violence, because jurisdiction fails in real time. That sexual assault can so easily become a science fiction when power is rearranged to serve the victim speaks to the abject lack of control within victims to ever be redeemed. Crimes resolve to misdemeanors. In a world without my abusers, how can I soon become myself? Combining the mythological and autobiographical, this book attempts to indict us, so that the wounded might one day be free.

    Gazingnowhere in particular, the slenderThunderer surrounded by thunder,Fire zigzag in his grasp, labeled "SpiritOf Communication"---unhistorical,Pure, the merciless messenger.--from "A Phonebook Cover Hermes of the Nineteen-forties"Innovative, engaging poems from a leading American poet.Stone wheel that sharpens the blade that mows the grain,Wheel of the sunflower turning, wheel that turnsThe spiral press that squeezes the oil expressedFrom shale or olives. Particles that turn mudOn the potter's wheel that spins to form the vesselThat holds the oil that drips to cool the blade.--from "Biography"Jersey Rain takes up a central American subject: the emotional power of inventions, devices, and homemade imaginings -- from the alphabet and the lyre through the steel drum and piano to the record player, digital computer, and television. Formally innovative and highly readable poems like "ABC," "Ode to Meaning," "To Television," and "The Green Piano" meditate a life guided by the quick, artful tinkerer-god Hermes: deity of music and deception, escort of the dead, inventor of instruments, brilliant messenger, and trickster of heaven.Tiptoe on the globe. Gazingnowhere in particular, the slenderThunderer surrounded by thunder,Fire zigzag in his grasp, labeled "SpiritOf Communication"---unhistorical,Pure, the merciless messenger.--from "A Phonebook Cover Hermes of the Nineteen-forties"Jersey Rain -- at once complex and aboveboard -- marks a new, strong, lyrical stage of Robert Pinsky's work. Assembled here are poems -- some of the finest of his career -- that together compose a sweeping and embattled meditation on the themes of a life guided by Hermes: deity of music and deception, escort of the dead, inventor of instruments, brilliant messenger and trickster of heaven.

    The paintings are in brilliant color and each features the Japanese parasol.Matsuo Basho (1644 - 1694) was born Matsuo Kinsaku during the early Edo period in Japan. During his lifetime, Basho was recognized for his work in a poetic form that was a precursor to the haiku. Over the course of time, Basho became recognized as an unparalleled master of the haiku. His work is internationally renowned, and his poems are reproduced at many historical sites in Japan.

    With a large worldwide cult following, Brown has delivered ..".a heart crushing and brilliant work of modern American classics." NYLON magazine. It contains such hits as "The Victory Explosions" and "All distortion, All the time." This collection of 49 poems sings with sincere revelations and ecstatic lust for wild, honest living.

    Treacherously lush or alluringly bleak, these poems reframe their subjects as landscape, as legacy―a bereavement, an intimacy, a racial identity, a pubescence, a culpability, a diagnosis. With a surveyor’s keenest tools, Youn marks the boundaries of the given, what we have been allotted: acreage that has been ruthlessly fenced, previously tenanted, ploughed and harvested, enriched and depleted. In the title sequence, the poet gleans a second crop from the field of Milton’s great sonnet on his blindness: a lyric meditation on her barrenness, on her own desire―her own struggle―to conceive a child. What happens when the transformative imagination comes up against the limits of unalterable fact?

    The language here is at once disruptive and familiar, political and sensual, and tinged by the melancholy of loss and the discomforting radiance of redemption. A strong debut." —Chris AbaniThe best way to hide is in plain sight. In this politically-charged and candid debut, we follow the chronicles of an undocumented immigrant speaker over a twenty-year span as she grows up in the foreign and forbidding landscape of America.From "Ivan, Always Hiding":I strained for the socketas you pulled me,my bare legs against your legs in the windowless dark. The room,snuffed out, could have been nolarger than a freight car,no smaller than a box van; we couldn't tell anymore, the glintsin the shellacked floor, too, were dulled. This is like death, you said,always joking. I slid my headinto the crook of your neck, and didn't disagree. Raised in the Philippines and California, Janine Joseph holds an MFA from New York University and a PhD from the University of Houston. Her poems have appeared in the Kenyon Review Online, Best New Poets, Hayden's Ferry Review, and elsewhere. Her libretto "From My Mother's Mother" was performed as part of the Houston Grand Opera's "Song of Houston: East + West" series. A Kundiman and Paul and Daisy Soros Fellow, she is an assistant professor of English at Weber State University.

    The Blue Estuaries contains her five previous books of verse along with a section of uncollected work, fully representing a unique and distinguished contribution to modern poetry over five decades.

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.