The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively.

    Solzhenitsyn reveals the entire apparatus of Soviet repression -- the state within the state that ruled all-powerfully. Through truly Shakespearean portraits of its victims -- men, women, and children -- we encounter secret police operations, labor camps and prisons; the uprooting or extermination of whole populations, the "welcome" that awaited Russian soldiers who had been German prisoners of war. Yet we also witness the astounding moral courage of the incorruptible, who, defenseless, endured great brutality and degradation. The Gulag Archipelago 1918-1956 -- a grisly indictment of a regime, fashioned here into a veritable literary miracle -- has now been updated with a new introduction that includes the fall of the Soviet Union and Solzhenitsyn's move back to Russia.

    Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

    For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. Includes: Jerusalem; Songs of Innocence and of Experience; All Religions are One; There is No Natural Religion; The Book of Thel; The Marriage of Heaven and Hell; Visions of the Daughters of Albion; America a Prophecy; Europe a Prophecy; The Song of Los Milton a Poem; The Ghost of Abel; On Homers Poetry and] On Virgil; Laocoon; The First Book of Urizen; The Book of Ahania; The Book of Los.

    Bringing the earthiness of America's past to mind, The Memory of Old Jack conveys the truth and integrity of the land and the people who live from it. Through the eyes of one man can be seen the values Americans strive to recapture as we arrive at the next century."Few novelists treat both their characters and their readers with the kind of respect that Wendell Berry displays in this deeply moving account . . . The Memory of Old Jack is a slab of rich Americana." —The New York Times Book Review

    There she witnessed the full impact of the war and first formed the ambition to write an account of what history - the great political events driven by men of power, wealth, and ambition - does when it reaches the realm of ordinary people struggling for life and bread. The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats the war as his playground. A German soldier on his way to North Africa rapes her, falls in love with her, and leaves her pregnant with a boy whose survival becomes Ida's passion. Around these two other characters come and go, each caught up by the war which is like a river in flood. We catch glimpses of bombing raids, street crimes, a cattle car from which human cries emerge, an Italian soldier succumbing to frostbite on the Russian front, the dumb endurance of peasants who have lived their whole lives with nothing and now must get by with less than nothing.

    The pieces in this volume show him to be at times playful, more serious at other, but writing always with the lightest of touches. He had the keenest of eyes for the 'infra-ordinary', the things we do every day - eating, sleeping, working - and the places we do them in without giving them a moment's thought. But behind the lightness and humour, there is also the sadness of a French Jewish boy who lost his parents in the Second World War and found comfort in the material world around him, and above all in writing.This volume contains a selection of Georges Perec's non-fiction works, along with a charming short story, 'The Winter Journey'. It also includes notes and an introduction describing Perec's life and career.

    Features a new foreword by Anne Applebaum. "The greatest and most powerful single indictment of a political regime ever leveled in modern times." --George F. Kennan "It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century." --David Remnick, The New Yorker "Solzhenitsyn's masterpiece. ... The Gulag Archipelago helped create the world we live in today." --Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

    For Morag Gunn, growing up in a small Canadian prairie town is a toughening process – putting distance between herself and a world that wanted no part of her. But in time, the aloneness that had once been forced upon her becomes a precious right – relinquished only in her overwhelming need for love. Again and again, Morag is forced to test her strength against the world – and finally achieves the life she had determined would be hers.The Diviners has been acclaimed by many critics as the outstanding achievement of Margaret Laurence’s writing career. In Morag Gunn, Laurence has created a figure whose experience emerges as that of all dispossessed people in search of their birthright, and one who survives as an inspirational symbol of courage and endurance.The Diviners received the Governor General’s Award for Fiction for 1974.

    Annotations in this edition are keyed both to the reading text of the new critical edition of Ulysses published in 1984 and to the standard 1961 Random House edition and the current Modern Library and Vintage texts.Gifford has incorporated over 1,000 additions and corrections to the first edition. The introduction and headnotes to sections provide general geographical, biographical and historical background. The annotations gloss place names, define slang terms, give capsule histories of institutions and political and cultural movements and figures, supply bits of local and Irish legend and lore, explain religious nomenclature and practices, trace literary allusions and references to other cultures.The suggestive potential of minor details was enormously fascinating to Joyce, and the precision of his use of detail is a most important aspect of his literary method. The annotations in this volume illuminate details which are not in the public realm for most of us.

    Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly ter, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

    This novel focuses on the trauma of a mother who awakens one morning to the shattering news that her son is lying dead in the police morgue, reduced to a mere numeral: Corpse No. 1084. Through her struggle to understand his revolutionary commitment as a Naxalite, she recognizes her own alienation—as a woman and a wife—from the complacent, hypocritical, and corrupt feudal society her son had so fiercely rebelled against.

    A complete collection of Anne Frank's known writings -- different versions of her diary (as well as five recently discovered diary pages), fables, personal reminiscences and her unfinished novel, Cady's Life. Also includes a summary of the document examination and handwriting identification analysis completed in 1986 by the Netherlands State Forensic Science Laboratory. Every aspect of the diary--including Anne's handwriting and the paper used--is examined. This book allows readers to compare the three versions of the diary itself: Anne's original entries; the diary as she herself edited it in the hiding place of the "Secret Annex"; and the version most popularly known, as edited by Anne's father, Otto Frank, and a Dutch publishing house after World War II, when they removed certain family and sexual references. The book also includes biographical information on the Frank family and a summary of critical events during and after the family's arrest--including how the Nazi authorities learned about the Franks and their secret hiding place.First published in Dutch in 1986 as De Dagboeken van Anne Frank, by Staatsuitgeverij.

    Mitford's most famous novels, "The Pursuit of Love" and "Love in a Cold Climate," satirize British aristocracy in the '20s and '30s through the amorous adventures of the Radletts, an exuberantly unconventional family closely modeled on Mitford's own.

    The sisters, mothers and daughters, aunts, grandmothers, and friends in these stories shimmer with hope and love, anger and reconciliation, as they contend with their histories and their present, and what they can see of the future.WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013

    Writing at a time when Athens was undergoing a crisis in its social attitudes, Aristophanes was undergoing a crisis in its social attitudes, Aristophanes was an eloquent opponent of the demagogue and the sophist, and his comedy reveals a deep sympathy and longing for the return of a peaceful and honest way of life.

    Only his eldest son, Rami, remains faithful.

    A poignant story of a resourceful Nigerian woman who overcomes strict tribal domination of women and countless setbacks to achieve an independent life for herself and her children.

    Dispensing with the long-established Victorian picture of Shelley as a blandly ethereal character, Holmes projects a startling image of "a darker and more earthly, crueler and more capable figure." Expelled from college, disowned by his aristocratic father, driven from England, Shelley led a life marked from its beginning to its early end by a violent rejection of society; he embraced rebellion and disgrace without thought of the cost to himself or to others. Here we have the real Shelley—radical agitator, atheist, apostle of free love, but above all a brilliant and uncompromising poetic innovator, whose life and work have proved an essential inspiration to poets as varied as W.B. Yeats and Allen Ginsberg.

    Seventeen stories written over the past fifteen years reveal the author's vision of human love and tragedy.Wants --Debts --Distance --Faith in the afternoon --Gloomy tune --Living --Come on, ye sons of art --Faith in a tree --Samuel --The burdened man --Enormous changes at the last minute --Politics --Northeast playground --The little girl --A conversation with my father --The immigrant story --The long-distance runner

    Exact Change launched a program of reprinting her fiction with what is perhaps her best loved book.The Hearing Trumpet is the story of 92-year-old Marian Leatherby, who is given the gift of a hearing trumpet only to discover that what her family is saying is that she is to be committed to an institution. But this is an institution where the buildings are shaped like birthday cakes and igloos, where the Winking Abbess and the Queen Bee reign, and where the gateway to the underworld is open. It is also the scene of a mysterious murder.Occult twin to Alice in Wonderland, The Hearing Trumpet is a classic of fantastic literature that has been translated and celebrated throughout the world.

    Goines's powerful first novel in the Kenyatta series lays bare the bloody, brutal world of crime in the black ghetto--where, as Goines puts it, "kindness is the sweetest con of all." Here is the gutsy and often shocking world of Billy and Jackie, prison buddies on the streets and hot on the trigger.

    Sewall's monumental biography of the great American poet (1830-1886), won the National Book Award when it was originally published in two volumes. Now available in a one-volume edition, it has been called "by far the best and most complete study of the poet's life yet to be written, the result of nearly twenty years of work" (The Atlantic).R.W.B. Lewis has hailed it as "a major event in American letters," adding that "Richard Sewall's biographical vision of Emily Dickinson is as complete as human scholarship, ingenuity, stylistic pungency, and common sense can arrive at."

    It is told in the first-person by the narrator, Horse Badorties, a down-at-the-heels hippie living a life of drug-fueled befuddlement in New York City c. 1970. The book is written in a colorful, vernacular "hippie-speak" and tells the story of the main character's hapless attempts to put together a benefit concert featuring his own hand-picked choir of 15-year-old girls.Horse is a somewhat tragic, though historically humorous, character with echoes of other famous characters in popular culture such as Reverend Jim Ignatowski of Taxi fame. In his inability to follow anything through to completion he displays symptoms of attention-deficit disorder though this could equally be drug-induced. His defining characteristic is his joy in renting or commandeering apartments which he fills with street-scavenged junk articles until full to bursting he moves on to his next "pad". The name "fan man" is a reference to another of his traits; the collecting of fans of all shapes and sizes.

    The plays in this collection reveal Stoppard's sense of fun, his sense of theater, his sense of the absurd, and his gifts for parody and satire. They include The Real Inspector Hound, After Margritte, Dirty Linen, New-Found-Land, Dogg's Hamlet, and Cahoot's Macbeth.

    In the middle, meanwhile, are The Great Switcheroo and The Last Act, two stories exploring a darker side of desire and pleasure.In the black comedies of Switch Bitch Roald Dahl brilliantly captures the ins and outs, highs and lows of sex.'Dahl is too good a storyteller to become predictable' Daily TelegraphRoald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    Includes 3 novels: The Hour of the Drgon, The People of the Black Circle and Red Nails.

    Wodehouse did for the English.

    The narrator, Peder Jensen, is both competent second mate and unworldly philosopher. Esther Greenleaf Muerer has previously translated other works by Jens Bjorneboe, including Moment of Freedom.

    More than forty years passed before Devi read Bengal Nights, the novel Eliade had fashioned out of their encounter, only to find small details and phrases, even her given name, bringing back episodes and feelings she had spent decades trying to forget. It Does Not Die is Devi's response. In part a counter to Eliade's fantasies, the book is also a moving account of a first love fraught with cultural tensions, of false starts and lasting regrets.Proud of her intelligence, Maitreyi Devi's father had provided her with a fine and, for that time, remarkably liberal education — and encouraged his brilliant foreign student, Eliade, to study with her. "We were two good exhibits in his museum," Devi writes. They were also, as it turned out, deeply taken with each other. When their secret romance was discovered, Devi's father banished the young Eliade from their home. Against a rich backdrop of life in an upper-caste Hindu household, Devi powerfully recreates the confusion of an over-educated child simultaneously confronting sex and the differences, not only between European and Indian cultures, but also between her mother's and father's view of what was right. Amid a tangle of misunderstandings, between a European man and an Indian girl, between student and teacher, husband and wife, father and daughter, she describes a romance unfolding in the face of cultural differences but finally succumbing to cultural constraints. On its own, It Does Not Die is a fascinating story of cultural conflict and thwarted love. Read together with Eliade's Bengal Nights, Devi's "romance" is a powerful study of what happens when the oppositions between innocence and experience, enchantment and disillusion, and cultural difference and colonial arrogance collide. "In two novels written forty years apart, a man and a woman tell stories of their love. . . . Taken together they provide an unusually touching story of young love unable to prevail against an opposition whose strength was tragically buttressed by the uncertainties of a cultural divide."—Isabel Colegate, New York Times Book Review"Recreates, with extraordinary vividness, the 16-year-old in love that she had been. . . . Maitreyi is entirely, disarmingly open about her emotions. . . . An impassioned plea for truth."—Anita Desai, New Republic"Something between a reunion and a duel. Together they detonate the classic bipolarities: East-West, life-art, woman-man."—Richard Eder, New York Newsday"One good confession deserves another. . . . Both books gracefully trace the authors' doomed love affair and its emotional aftermath."—Nina Mehta, Chicago Tribune

    

    It is an epic account of a generation--America in the 1940s.

    Hours later, he finds himself in hospital with a pair of adventurous pyjamas and a recurring geometrical pain. Here, he falls instantly in love with a beautiful night nurse called Sister. And together they are pitched headlong into a wild and flickering world of mystery Kleinzeit.

    The famous Gibbsville stories, more than fifty of theminclude such stunners as "The Doctor's Son," "Imagine Kissing Pete," "Fatimas and Kisses," "The Cellar Domain," and "The Bucket of Blood." Again, O'Hara's Pennsylvania Protectorate, as he called itin reality, the coal region of his hometown, Pottsville, in Schuylkill Countycomes to socially and sexually complicated life. Here are the miners in the company towns, the country club set, the shopkeepers, the bartenders, the barbers, and the collegians. It is a world as varied, vibrant, and complete as Faulkner's Yoknapatawphna County or Thomas Wolfe's Altamount. Presented in this Book-of-the-Month Club Selection are four decades of the best work by the author who Bennett Cerf declared one of America's most underrated writers."

    His prose reveals the same mastery that marks his work from Waiting for Godot and Endgame to Molloy and Malone Dies. In each of the three stories, old men displaced or expelled from the modest corners where they have been living bestir themselves in search of new corners. Told, “You can’t stay here,” they somehow, doggedly, inevitably, go on.Includes:“The Expelled”“The Calmative”“The End”Texts for Nothing (1-10)

    Lesbian poetry.

    In this text, two well respected poets bring their love of the craft of poetry into a book that teaches as well as inspires. The text also includes exercises, chapter summaries, games, diagrams, illustrations, and 4-color reproductions of great works of art.

    It contains forty- eight koans, or spiritual riddles, that must be explored during the course of Zen training. Shibayama Zenkei (1894-1974), an influential Japanese Zen teacher and calligrapher who traveled and lectured throughout the United States in the 60s and 70s, offers his own commentary alongside the classic text. The Gateless Barrier remains an essential text for all serious students of Buddhism.

    The stories blend into one masterly and moving whole: poignant, compassionate, and profound in emotional impact.In this fourth book of the five-volume Manawaka series, Vanessa MacLeod takes her rightful place alongside the other unforgettable heroines of Manawaka: Hagar Shipley in The Stone Angel, Rachel Cameron in A Jest of God, Stacey MacAindra in The Fire-Dwellers, and Morag Gunn in The Diviners.

    It is a novel of dazzling intricacy, absorbing suspense, and the highest ambition: to redeem the great claim of paranoia on the American psyche. In trying to figure out just who is so threatened by an innocent piece of cinema verité filmed in collaboration with a friend, Cartwright finds himself at the heart of a mystery stretching from New York and London to Corsica and Stonehenge. With each new fact he gathers, both the intricacy of the syndicate arrayed against him and what his search will cost him become alarmingly clear.

    Doctors stymied by mysterious symptoms of the killer: soaring temperature, painful backache, swelling of the throat and neck, discolored skin! Latest victim airlifted to special isolation ward at New York's Columbia Presbyterian Hospital, blood samples rushed to Yale's Arborvirus Laboratory, all-out search launches to discover an antidote. U. S. Public Health officials alarmed, virus has the potential to decimate the whole population, aviation officials consider cancellation of all jet travel to critical world areas.

    

    In a town dominated by a somber municipal brewery, she is a colorful and rather alarming apparition speeding through the quiet village on her bicycle, her long, tempestuous hair billowing behind her. Not even her husband, Francin (the brewery manager), can control her, as Maryska shocks the populace with her scandalous behavior, and incurs the disapproval of a proper little town that is blissfully unaware of the cataclysmic world events into which it is about to be engulfed. As World War II draws to a close and communism looms on the horizon, Maryska and her town appear to have survived unscathed. But subtle changes begin to appear - in Maryska and her family, and most noticeably at the brewery, where the new political order creates tensions that tear through the social fabric of the town in ways that Maryska in her wildest days could not possibly have imagined. The two linked narratives brought together in The Little Town Where Time Stood Still comprise Bohumil Hrabal's poignant and witty evocation of the passing of an era and display a master writer at the height of his powers as he creates, in an enchanting fictional work, an elegy for a nation that is no more.From the flamboyant and unpredictable Maryska, who scandalises the town when she cuts short her golden tresses, to the eccentric Uncle Pepin, who always has to have a ready supply of furniture to smash when he's angry, Bohumil Hrabal creates a range of enchanting and memorable characters - confirming his status as one of Europe's greatest writers.

    After gaining local fame as a pitcher on the field, Willie enjoys a meteoric rise to celebrity status.

    A pathbreaking, surreal novel of the outdoors.

    

    Bilingual with introduction.

    In 1970 he startled the world by stepping out onto a balcony in Tokyo before an assembly of troops and plunging a sword into his abdomen; a disciple then beheaded him, completing the ritual of hara-kiri. John Nathan's riveting biography traces the life of this tortured, nearly superhuman personality. Mishima survived a grotesque childhood, and subsequently his sadomasochistic impulses became manifest -- as did an increasing obsession with death as the supreme beauty. Nathan, who knew Mishima professionally and personally, interviewed family, colleagues, and friends to unmask the various -- often seemingly contradictory -- personae of the genius who felt called by "a glittering destiny no ordinary man would be permitted."

    Creatively obsessed with problems of race, identity, power, politics, and family dynamics, he wrote novels, stories, and lectures that continue to shape our understanding of the region's promises and problems. His experiments and inventions in form and style have influenced generations of writers.Originally published in 1974 as a two-volume edition and extensively updated and condensed in a 1991 reissue, Joseph Blotner's Faulkner: A Biography remains the quintessential resource on the Nobel laureate's life and work. The Chicago Tribune said, "This is an overwhelming book, indispensable for anyone interested in the life and works of our greatest contemporary novelist." That invaluable 1991 edition is now back in print.Blotner, a friend and one-time colleague of Faulkner's, brings a vivid, personalized tone to the biography, as well as a sense of masterful, comprehensive scholarship. Using letters, inter-views, reminiscences, critical work, and other primary sources, Blotner creates a detailed and nuanced portrait of Faulkner from his birth to his death. The revision of the original 1974 biography incorporates commentary on the plethora of Faulkner criticism, family memoirs, and posthumously published works that appeared in the wake of the first version. It also examines collections of letters and other materials that only came to light after the original publication.Featuring a detailed chronology of Faulkner's life and a genealogical chart of his family, Faulkner is authoritative and essential both for literary scholars and for anyone wanting to know about the life of one of the nation's foremost authors. Blotner's masterpiece is the template for all biographical work on the acclaimed writer.Joseph Blotner, Charlottesville, Virginia, is professor emeritus of English at University of Michigan and the author of several books, including Robert Penn Warren: A Biography, The Modern American Political Novel, and The Fiction of J. D. Salinger. His work has appeared in the New York Times Book Review, Yale Review, American Literature, and else-where.

    A gallery of unforgettable portraits--of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle--as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer's reckoning with the relations between men and women, women and writing, writing and life.

    A jaded businessman has a chance encounter with the doctor son of his best friend at school, Ozu, and memories are stirred of a former love interest of Ozu's, Aiko. The son of his friend proves to be contemptuous of the outmoded values of his father's world and ruthless in pursuit of success at his hospital. The story reaches a terrible climax when Aiko, now a middle-aged cancer-sufferer, is admitted to the hospital and Ozu leads the way in experimenting on her with dangerous drugs.

    Here are three of Euripides' finest tragedies offered in vivid, modern translations.

    

    Does Anyone Else Have Something Further To Add? Stories About Secret Places and Mean Men (16 stories): About a Secret CrocodileMad ManNor Limestone IslandsThe Man UnderneathBoomer FlatsThis Grand Carcass YetIn the GardenGroaning Hinges of the WorldGolden TrabantHow They Gave It BackMaybe Jones and the CitySeven Story DreamAdam Had Three BrothersPig in a PokeyThe Weirdest WorldThe Ultimate Creature

    Volume II begins with Walt Whitman and Emily Dickinson and moves through Toni Morrison.

    

    This book contains a selection of the most well-known and best loved of Paterson's poems including those favourites, Waltzing Matilda, Saltbush Bill, and A Bush Christening.Pro Hart's paintings reflect the moods of the poems and add to the charm of the book.This is a book which will delight the already countless number of Paterson admirers and will doubtless bring many newcomers to their ranks.

    The problem always seems to be finding the best place for a person to start, or whether you could make a difference if you started at all.Ann Kiemel is a young woman who believes that the world can only be changed a person at a time and in her travels across the country and her strong involvement with people in her neighborhood and in connection with her position as Dean of Women and everywhere she goes, she is out to change the world. In a quiet, effective way on airplanes, in her office, in conferences, her message is simple but powerful: "I'm an ordinary girl with a great big God inside of me and we are out to win the world with love. Join hands with me, mister, little boy, lady, teenaged girl--join hands and we can change the world."

    The classic novel of 1950s New York by the author of Clockers and Samaritan

    You have no choice: I've invited you. We will have a lot of sex. You are going to laugh a great deal -- people have no idea how blithe a suicide can be! -- and you will meet a few human beings whom you'll have to love as much as I do."With these words Terry Andrews, bestselling author of a beloved children's classic welcomes us to his world. THE STORY OF HAROLD is a Dantesque excursion through a garden of tortured and unfulfilled relationships: one with a woman whom Terry sleeps with and cares for but cannot love completely; another with a surgeon, father of six, who is Terry's most cherished -- and most unreciprocating -- lover; and another with a sad young boy already doomed to a life of insecurity and failure, whome Terry strives to redeem -- even as he prepares his own suicide. As Terry beguiles the boy further spellbinding exploits of Harold -- the hero of his famous book -- the reader follows Terry, with terror and pity, to the end of his appointed journey.

    At its centre is Manos: man of intellect and integrity, lover of life, hero of the Greek war against the Italian Invasion, who deserted the national army to join the leftists in the clandestine struggle against the Greek fascists and royalists. Underground operations lead him from city to city, involving him in a chain of shifting and perilous relationships and Manos is forced to choose between his humanist impulses and the brutal dictates of ideological orthodoxy. Combining an exotic brilliance of detail reminiscent of Durrell's Alexandria novels with the sweep and historical passion of Malraux, Stratis Tsirkas has, with Drifting Cities, established himself as a novelist of international importance.Kedros "Modern Greek Writers Series"

    Instead, he lets loose misery and confusion and—for the spectators at any rate—a morality play, rich in reflections upon the paradoxes of human life and the nature of the battle between sacred and profane love.

    The first edition included one hundred stories, but subsequent editions let the collection grow to 128 stories (13th edition). Each edition drops some stories (and authors) and adds others.The stories are listed alphabetically by author surname, and all editions include biographical notes on the author and a glossary of literary terms, both at the end of the book. The book also includes explanatory footnotes either defining currently infrequently used words or references to historical events and characters.Some of the more recent editions include complementary websites. A reader's guide and an instructor's manual for most editions have also been published.

    The Blue Estuaries contains her five previous books of verse along with a section of uncollected work, fully representing a unique and distinguished contribution to modern poetry over five decades.

    ‘The novelist talks as an individual to individuals, in a small personal voice. In an age of committee art, public art, people may begin to feel again a need for the small personal voice; and this will feed confidence into writers and, with confidence because of the knowledge of being needed, the warmth and humanity, and love of people which is essential for a great age of literature.’In this collection of her non-fiction, Lessing’s own life and work are the subject of a number of pieces, as are fellow writers such as Isak Dinesen and Kurt Vonnegut. There are essays on Malcolm X and Sufism, discussions of the responsibility of the artist, thoughts on her exile from Southern Rhodesia, and a fascinating memoir of her fraught relationship with her mother.Lit throughout by Doris Lessing's desire for truth-telling, ‘A Small Personal Voice’ is both an important collection of writings by and a self-portrait of one of the most significant writers of the past century.

    C. Andersen, R. L. Stevenson, Rachel Field, and others.

    

    Now renowned as the Persian poet who created the Rubayyat, Omar Khayyam was known in his time as an astronomer and mathematician. He created his famous poem as a personal answer to the great questions of life. The poem extended through more than 750 stanzas, many of which are now permanently lost."Though partial copies survived the ravages of time, the Rubayyat was virtually unknown outside the Middle East until the 19th century, when the battered manuscripts aroused the interest of Western scholars. But it took the Englishman Edward FitzGerald, a fortunate combination of scholar and poet, to transform the Rubayyat into a worthy English version. Others had attempted literal translations. Only FitzGerald was able to capture the elusive qualities of mystical wonder and beauty which give this work its timeless interest."Omar Khayyam was never sure if the end of life would mean the end of his soul or the beginning of a new existence. One fact is certain: he attained immortality in a manner he had not expected, for his masterpiece will live among the great works of literature as long as there are those who read, wonder, and enjoy." (Inside cover)

    Six weeks after they met, he wrote "The Judgment" for her in one night of feverish activity. Kafka always inferred to the traumatic, public breaking-off of their engagement as his "tribunal," and indeed he began work on The Trial within a month of that event.Kafka's letters to Felice offer rare insights into the writer's life and art. Elias Canetti's brilliant and sensitive examination of this moving correspondence to shows is the origins of Kafka's voice as a writer and his torment as a man.

    E. Rölvaag lyrically chronicles the experiences of Nils Vaag, a young Norwegian immigrant. Abandoning the life of a fisherman in Nordland, a region poor but full of mystical beauty, Nils emigrates to the New World in 1912. There he sweeps saloons, lives in a boardinghouse called "Babel" for the many languages used by its residents, and begins to find his way among the people of the city.The Boat of Longing was Rölvaag's favorite of all his books and the only one set in urban America. When it was first published in English in 1933, it received wide praise from American critics. This edition includes an introduction by Einar Haugen, professor emeritus of Scandinavian and Linguistics at Harvard University and author of a critical study of Rölvaag.

    The book is a mosaic in which the poet's voice and the voice of his age sound with startling, ribald and riotous clarity.

    Routledge is an imprint of Taylor & Francis, an informa company.

    unwillingly accepts a summer babysitting job on Nantucket Island and finds it far more pleasurable than she expected, even though she must cope with her employer's mental problems and a ghostly visitor.

    Saki's stories include the satiric, the comic, the macabre, and show a marked interest in the use of animals as agents of revenge upon mankind.

    Booth exposes five dogmas of modernism that have too often inhibited efforts to answer these questions. Modern dogmas teach that "you cannot reason about values" and that "the job of thought is to doubt whatever can be doubted," and they leave those who accept them crippled in their efforts to think and talk together about whatever concerns them most. They have willed upon us a "befouled rhetorical climate" in which people are driven to two self-destructive extremes—defenders of reason becoming confined to ever narrower notions of logical or experimental proof and defenders of "values" becoming more and more irresponsible in trying to defend the heart, the gut, or the gonads. Booth traces the consequences of modernist assumptions through a wide range of inquiry and action: in politics, art, music, literature, and in personal efforts to find "identity" or a "self." In casting doubt on systematic doubt, the author finds that the dogmas are being questioned in almost every modern discipline. Suggesting that they be replaced with a rhetoric of "systematic assent," Booth discovers a vast, neglected reservoir of "good reasons"—many of them known to classical students of rhetoric, some still to be explored. These "good reasons" are here restored to intellectual respectability, suggesting the possibility of widespread new inquiry, in all fields, into the question, "When should I change my mind?"

    

    

    with 14 illus., 8vo.

    Today, as literary discourse pays more attention to textuality; to voice, reader-response, and phenomenology, Stein emerges as a pioneering modernist to whom the century is slowly catching up. For those in the performing arts, Geographical History further addresses the notion of play as landscape, one of Stein's most influential theatrical ideas, as well as such issues as dialogue, character, and dramatic structure -- in a book that is itself a model of modern experimentation.

    "I always thought it would be much harder than this to dig a cave. It's almost as if it's digging itself."Margaret stared at the hollow under the tree. "Same," she whispered, "look! It IS digging itself."They couldn't see any dirt piling up, but the cave was getting bigger all the time.

    With the active (linked) table of content, click on a title to go to it, and use the Back button to return to the table of contents. According to Wikipedia: "Charles John Huffam Dickens, FRSA (IPA: /ˈtʃɑ:lz ˈdɪkɪnz/; 7 February 1812 – 9 June 1870), pen-name "Boz", was one of the most popular English novelists of the Victorian era as well as a vigorous social campaigner. Critics George Gissing and G. K. Chesterton championed Dickens's mastery of prose, his endless invention of unique, clever personalities, and his powerful social sensibilities, but fellow writers such as George Henry Lewes, Henry James, and Virginia Woolf faulted his work for sentimentality, implausible occurrences, and grotesque characterizations. The popularity of Dickens's novels and short stories has meant that they have never gone out of print. Many of Dickens's novels first appeared in periodicals and magazines in serialized form—a popular format for fiction at the time—and, unlike many other authors who completed entire novels before serial production commenced, Dickens often composed his works in parts, in the order in which they were meant to appear. Such a practice lent his stories a particular rhythm, punctuated by one minor "cliffhanger" after another, to keep the (original) public looking forward to the next installment."Responding to customer feedback, I improved the formatting on 8/12009. If you bought a copy before then, you should be able to download the new version at no additional cost. Feedback always welcome. seltzer@samizdat.com

    Unattractive and lonely, Ellie is amazed and delighted when the unusual new girl at school singles her out as a friend and suggests that they combine the psychic powers they both seem to have.

    Essays discuss human nature, the duality of the divine and the demonic, asceticism, eroticism, and comparisons of civilizations.

    

    

    Only seven of these survive complete, but we have a wealth of fragments, from which much can be learned about Sophocles' language and dramatic art. This volume presents a collection of all the major fragments, ranging in length from two lines to a very substantial portion of the satyr play The Searchers. Prefatory notes provide frameworks for the fragments of known plays.Many of the Sophoclean fragments were preserved by quotation in other authors; others, some of considerable size, are known to us from papyri discovered during the past century. Among the lost plays of which we have large fragments, The Searchers shows the god Hermes, soon after his birth, playing an amusing trick on his brother Apollo; Inachus portrays Zeus coming to Argos to seduce Io, the daughter of its king; and Niobe tells how Apollo and his sister Artemis punish Niobe for a slight upon their mother by killing her twelve children. Throughout the volume, as in the extant plays, we see Sophocles drawing his subjects from heroic legend.This is the final volume of Lloyd-Jones's new Loeb Classical Library edition of Sophocles. In volumes I and II he gives a faithful and very skilful translation of the seven surviving plays. Volume I contains Oedipus Tyrannus, Ajax, and Electra. Volume II contains Oedipus at Colonus, Antigone, The Women of Trachis, and Philoctetes.

    Prepared by recognized authorities, its articles treat their topics in sufficient depth to be of value to the scholar as well as to the general reader.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

    The story follows the lives of a husband and wife who buy a small farm in New England.

    The description for this book, The Adventurer: The Fate of Adventure in the Western World, will be forthcoming.

    A contented, uneventful life is no life at all as far as I'm concerned. I said I thought life was a sick joke. That doesn't mean I'm a pessimist. It may be sick, but it's still a joke; it's still funny. I've no illusions about the absurdity of life, but I'm still cheerful about it. Twenty-six years ago, a short novel called Bonjour Tristesse, written by an unknown eighteen-year-old, was published in France. Called by one reviewer a beautifully written malicious little tale, the story about a young girl who drives her potential stepmother to suicide sold over one million copies, was translated into twelve languages and became a modern classic. Francoise Sagan, its young author, became a legend and her fast life-style a symbol of postwar cynicism. As celebrity-seeking journalists moved in and kept the public informed (and misinformed) about her expensive tastes, changing lovers, passion for drink, gambling and sports cars, Sagan continued to write novels, plays and film scripts, avoiding the public eye as much as possible. Now, in this extended interview prepared by her French publisher, we have the opportunity to meet the real woman behind the myth. At forty-five we find her witty, simple and dazzlingly profound as she talks about her childhood, love, loneliness, money, fame, politics, drinking, predilections, writing, the theatre and films, friendship, religion, happiness, death, marriage. In these conversations it is clear that Sagan speaks as she writes, and she writes superbly. To read Nightbird is to be in the company of a fascinating woman.

    SammlerTHREE STORIES-Leaving the Yellow House-Mosby´s Memoirs-The Old System

    16 The Japanese novel, lately so widely translated, is finding a broader and better informed readership than ever before. Until now, however, no comprehensive critical discussion of the form has been available in a Western language. Masao Miyoshi offers an intensive reading of several outstanding novels of the past hundred years. He explains that the Japanese novel, usually regarded as basically Western in style, retains native elements that utterly resist Western influence. Citing Western, especially English, novels for comparison, he demonstrates how the Japanese novel differs in important formal aspects.