The authors of the essays on recent criticism and productions are Heather DuBrow, University of Wisconsin at Madison, and William Liston, Ball State University, respectively.

    Dunstan's Church, just a few blocks away from the Royal Courts of Justice. On this site, they say, he robbed and murdered more than 150 customers. To dispose of their remains, he carried them through underground tunnels to the bakery of one Mrs. Lovett a few blocks away, where they supplied the stuffing for her meat pies, the favorite mid-day repast of the lawyers who worked nearby and got their shaves from Sweeney Todd. The man you lunched with yesterday could be your lunch today!The story first appeared in 1846 as a best-selling "penny dreadful", a sensational thriller published in installments. Before the final chapters even had a chance to hit the stands, the first stage version was packing them in at the Royal Britannia Saloon. Since then, there have been numerous stage and literary versions of the story.This script has been specially commissioned by Blackstone Audio, Inc., based on the original sources of the tale.

    Only the most beautiful and powerful women in Beverly Hills are invited to join... JESSICA--The lawyer, who longs for the days when men were men, and women dressed to please them.TRUDIE--The builder, who wants a man who will challenge her --all of her--with no holds barred.LINDA--The surgeon, who uses masks to unmask the desires she hides even from herself.But the most mysterious of them all is the woman who created Butterfly. She has changed her name, her accent, even her face to hide her true identity. And now she is about to reveal everything to realize the dream that has driven her since childhood.

    This novel focuses on the trauma of a mother who awakens one morning to the shattering news that her son is lying dead in the police morgue, reduced to a mere numeral: Corpse No. 1084. Through her struggle to understand his revolutionary commitment as a Naxalite, she recognizes her own alienation—as a woman and a wife—from the complacent, hypocritical, and corrupt feudal society her son had so fiercely rebelled against.

    He contacts CIA headquarters for help but when an attempted rendezvous goes wrong, it quickly becomes clear that no one can be trusted. Malcolm disappears into the streets of Washington, hoping to evade the killers long enough to unravel the conspiracy—but will that be enough to save his life?

    Writing at a time when Athens was undergoing a crisis in its social attitudes, Aristophanes was undergoing a crisis in its social attitudes, Aristophanes was an eloquent opponent of the demagogue and the sophist, and his comedy reveals a deep sympathy and longing for the return of a peaceful and honest way of life.

    On the outside most of the children looked healthy. But the reality was far sadder. Locked away from love and any human contact, these children struggled with life every day.It soon became evident that Mary MacCracken was a natural, gifted teacher. Using her instincts, observations and common sense, Mary was able to establish a rapport with even the most difficult children. Over time, Mary taught her class to eat and to drink; she decoded their mutterings, and taught them to talk and to read. But most important of all she helped them to take the first steps towards feeling love and trust.There are no miracle-workers in this story, only a remarkable woman who refused to give up. Heartfelt, moving and incredibly inspiring, this is an amazing story about the astonishing human capacity for growth and change, even in those whom society regards as beyond help.

    The intellectual emigrated for political reasons, the worker to find work ...

    Students Susan and Larry find themselves as guests enticed to the Brabissant mansion by it's dissolute caretakers the lonely Mackeys. Struck by Susan's strong resemblance to Veronica Brabissant, long- dead daughter of the family for whom they work, the o

    Eccentric Miss Peamarsh offers a chance for a new future - but then Davy stumbles across a horrifying secret from Miss Peamarsh's past and it could ruin everything.

    It is an epic account of a generation--America in the 1940s.

    The plays in this collection reveal Stoppard's sense of fun, his sense of theater, his sense of the absurd, and his gifts for parody and satire. They include The Real Inspector Hound, After Margritte, Dirty Linen, New-Found-Land, Dogg's Hamlet, and Cahoot's Macbeth.

    Written with the full co-operation of Sondheim himself, it examines each of Sondheim's masterpieces - including West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods - as well as the other Sondheim productions on Broadway, Off-Broadway, in repertory, as revivals, as opera, on film, and on television. this account is based on hundreds of hours of interviews with Sondheim and his associates.

    As he dies, his kingdom also dies. His armies suffer defeat, the young emigrate, the seasons change overnight, and his kingdom’s borders shrink to the outline of his throne. At last, as the curtain falls, the king himself dissolves into a gray mist.

    So an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the `instinct of the moment'. As her book points out with remarkable persuasiveness `technique' as such is a myth, for there is no such thing as a correct voice. There is no right way—there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of a whole: an expression of inner life…. After a voice session with her I have known actors speak not of the voice but of a growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable. —from Peter Brook's foreword to Voice and the Actor

    Some are important historically, some intrinsically; others have both historic and intrinsic value. Apart from presenting such writings by dramatic theorists and critics, the book also aims to offer works by philosophers, psychologists, and social theorists, and by dramatic authors. The selections include theories and analyses of the major, traditional dramatic genres, from ancient to modern times, and of modern genres, forms of drama, and conceptions of theatre. It is a thread that may be traced throughout the anthology. Another thread is a contrast between traditional and more 'avant garde' dramas. In addition, there is discussion of social contexts and resonances of the drama, dramatic action and playwriting, dramatic illusion, and Shakespearean criticism.

    She had grown up a servant's child on the Grant family's estate, and had savored the memory of its elegance as well as her love for young Lennox Grant for long years after she'd been abandoned by her parents and forced to leave.Now, unexpectedly an heiress, Helen found she could go back to Gallowmerry. She could fulfill her desire to live among the Grants as an equal... .But the Gallowmerry to which she returned was not the fond home of her childhood. It had become a house of dark secrets and unspoken hatreds whose poisons had infected the entire Grant family. It had become a house of horror luring Helen herself to the brink of madness.

    Includes plays such as - The Shadowy Waters; Cathleen in Houlihan; The Hour Glass; On Baile's Strabd; The Green Helmet; Deirdre; At the Hawk's Well; The Dreaming of the Bones; The Cat and the Moon; The Only Jealousy of Emer; Calvary; Sophocles' King Oedipus; The Resurrection; and, The Words Upon the Windwo-FPane.

    Tecumseh! is a playscript in two acts of the life of the famous Shawnee warrior, Tecumseh, depicting his nearly successful efforts to draw all the tribes into a union to oppose and oust encroaching whites, and his betrayal by his brother, which thwarted the plan; and finally his death in the Battle of the Thames during the War of 1812.

    

    Only seven of these survive complete, but we have a wealth of fragments, from which much can be learned about Sophocles' language and dramatic art. This volume presents a collection of all the major fragments, ranging in length from two lines to a very substantial portion of the satyr play The Searchers. Prefatory notes provide frameworks for the fragments of known plays.Many of the Sophoclean fragments were preserved by quotation in other authors; others, some of considerable size, are known to us from papyri discovered during the past century. Among the lost plays of which we have large fragments, The Searchers shows the god Hermes, soon after his birth, playing an amusing trick on his brother Apollo; Inachus portrays Zeus coming to Argos to seduce Io, the daughter of its king; and Niobe tells how Apollo and his sister Artemis punish Niobe for a slight upon their mother by killing her twelve children. Throughout the volume, as in the extant plays, we see Sophocles drawing his subjects from heroic legend.This is the final volume of Lloyd-Jones's new Loeb Classical Library edition of Sophocles. In volumes I and II he gives a faithful and very skilful translation of the seven surviving plays. Volume I contains Oedipus Tyrannus, Ajax, and Electra. Volume II contains Oedipus at Colonus, Antigone, The Women of Trachis, and Philoctetes.

    If you can keep paying attention you will find at the end that you seem to have been living in Japan for quite a while.' --Edwin Denby, 'Art News'

    

    A puzzling note in Ned's handwriting sets Nancy and her friends Bess and George on a hazardous search for a bizarre criminal. From their base of operations, the Emerson College campus, the three girl detectives and Ned's college pals follow a maze of clues to locate the kidnapper's hideout and rescue Ned. The Secret of the Forgotten City: Nancy and her friends plan to join a dig sponsored by two colleges to hunt for a treasure hidden in a city now buried under the Nevada desert. Before she starts, the young sleuth receives an ancient stone tablet with petroglyphs on it. A thief also wants the treasure.THESE SUMMARIES WERE TAKEN OFF THE INTERNET.