Its method is two-fold. First it presents five important lectures on Persian poetry given by Pir-o-Murshid Inayat Khan, who brought Sufis to the West. Then it offers fresh translations by the poet Coleman Barks of some of the poetry Inayat Khan discusses, designed to provide readers with ready access to at least a sample of this wondrous literature, still not easy to find in English. Thus the book presents a brief, but reasonably comprehensive, introduction to one of the great literatures of the world, until recently ignored in the West.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    frequently anthologized poem

    He is probably best known for his poems The Rime of the Ancient Mariner and Kubla Khan, as well as his major prose work Biographia Literaria."

    Probably composed between 1372 and 1389, the poem survives in three distinct versions. It is known to modern readers largely through the middle of the three, the so-called B-text. Now, George Economou's verse translation of the poet's third version makes available for the first time in modern English the final revision of a work that many have regarded as the greatest Christian poem in our language.Langland's remarkable powers of invention and his passionate involvement with the spiritual, social, and political crises of his time lay claim to our attention, and demand serious comparison with Dante's Divine Comedy. Economou's translation preserves the intensity of the poet's verse and the narrative energy of his alliterative long line, the immediacy of the original's story of the quest for salvation, and the individuality of its language and wordplay.

    First published in 1937.

    She falls in love with his son, Hood, and the narrative unfolds in tragedy of immense proportions. Medea is a verse adaptation of Euripides' drama and was created especially for the actress Judith Anderson. Their combined genius made the play one of the outstanding successes of the 1940s. In Medea, Jeffers relentlessly drove toward what Ralph Waldo Emerson had called "the proper tragic element" terror.

    RevisedCritique of Practical Reason, 4th revised ed.Critical Examination Of Practical Reason, 4th revised ed. First Part Of The Philosophical Theory Of Religion, 4th revised ed."Critique of Pure Reason, 2nd revised ed., In Commemoration of the Centenary of its First Publication."On EducationThe Metaphysics of Ethics, 3rd edition"The Philosophy of Law: An Exposition of the Fundamental Principles of Jurisprudence as the Science of Right"Principles of PoliticsPerpetual Peace: A Philosophical EssayThe Metaphysical Foundations Of Natural Science"Prolegomena: To Every Future System Of Metaphysics Which Can Claim To Rank As Science"Fundamental Principles of the Metaphysics of Morals

    How do you do it? You build in the mental equivalents by thinking quietly, constantly, and persistently of the kind of thing you want, and by thinking that has two qualities: clearness or definiteness, and interest. If you want to build anything into your life-if you want to bring health, right activity, your true place, inspiration; if you want to bring right companionship, and above all if you want understanding of God-form a mental equivalent of the thing which you want by thinking about it a great deal, by thinking clearly and with interest. Remember clarity and interest; those are the two poles. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.

    One result of these efforts was a series of novels that became counterculture bibles that remain widely influential today. Another was a body of evocative spiritual poetry. Published for the first time in English, these vivid, probing short works reflect deeply on the challenges of life and provide a spiritual solace that transcends specific denominational hymns, prayers, and rituals. The Seasons of the Soul offers valuable guidance in poetic form for those longing for a more meaningful life, seeking a sense of homecoming in nature, in each stage of life, in a renewed relationship with the divine. Extensive quotations from his prose introduce each theme addressed in the book: love, imagination, nature, the divine, and the passage of time. A foreword by Andrew Harvey reintroduces us to a figure about whom some may have believed everything had already been said. Thoughtful commentary throughout from translator Ludwig Max Fischer helps readers understand the poems within the context of Hesse’s life.From the Trade Paperback edition.

    Rudolf Steiner describes how each person's combination of temperaments is shaped out of a particular kind of union between hereditary factors and the inner spiritual nature. Telling descriptions are provided for the inwardly comfortable phlegmatic, the fickle interest of the sanguine, the pained and gloomy melancholic, and the fiery, assertive choleric. Steiner also offers practical suggestions for guiding the temperaments educationally in childhood and for adult self-improvement.

    Translation of: Orphee noir, originally published 1948 as the preface to Anthologie de la nouvelle poesie negre et malgache de langue francaise, edited by Leopold Sedar Senghor.

    P. Lovecraft is best known for his fiction, but he spent a great portion of his creative energy on his poetry. The Ancient Track collects the complete poetry of one of the twentieth centuries most iconic writers. The great majority of these poems were written between 1914, and 1920, the period of Lovecraft's heaviest concentration on poetry.Lovecraft's poetry may be regarded as the lesser of is literary output, but it merits collection precisely because it is an important ancillary to his other more well known forms of creative endeavor. Prior to the publication of The Ancient Track, Lovecraft's poetry had been scattered across several different volumes whose textual accuracy has not always been exemplary, while several poems had been uncollected."The Ancient Track"By H. P. LovecraftThere was no hand to hold me backThat night I found the ancient trackOver the hill, and strained to seeThe fields that teased my memory.This tree, that wall-I knew them well,And all the roofs and orchards fellFamiliarly upon my mindAs from a past not far behind.I knew what shadows would be castWhen the late moon came up at lastFrom back of Zaman's Hill, and howThe vale would shine three hours from now.And when the path grew steep and high,And seemed to end against the sky,I had no fear of what might restBeyond that silhouetted crest.Straight on I walked, while all the nightGrew pale with phosphorescent light,And wall and farmhouse gable glowedUnearthly by the climbing road.There was the milestone that I knew-"Two miles to Dunwich"-now the viewOf distant spire and roofs would dawnWith ten more upward paces gone. . . .There was no hand to hold me backThat night I found the ancient track,And reached the crest to see outspreadA valley of the lost and dead:And over Zaman's Hill the hornOf a malignant moon was born,To light the weeds and vines that grewOn ruined walls I never knew.The fox-fire glowed in field and bog,And unknown waters spewed a fogWhose curling talons mocked the thoughtThat I had ever known this spot.Too well I saw from the mad sceneThat my loved past had never been-Nor was I now upon the trailDescending to that long-dead vale.Around was fog-ahead, the sprayOf star-streams in the Milky Way. . . .There was no hand to hold me backThat night I found the ancient track.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    Enjoy!

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.