Its fourteen-year-old heroine Wendla is killed by abortion pills. The young Moritz terrorized by the world around him and especially by his teachers shoots himself. The ending seems likely to be the suicide of Moritz's friend Melchior but in a confrontation with a mysterious stranger (the famous Masked Man) he finally manages to shed his illusions and face the consequences.

    Toxic, eyeless crabs poison Long Island's water supply. The North Sea shelf collapses, killing thousands in Europe. Around the world, countries are beginning to feel the effects of the ocean's revenge as the seas and their inhabi-tants begin a violent revolution against mankind. In this riveting novel, full of twists, turns, and cliffhangers, a team of scientists discovers a strange, intelligent life force called the Yrr that takes form in marine animals, using them to wreak havoc on humanity for our ecological abuses. Soon a struggle between good and evil is in full swing, with both human and suboceanic forces battling for control of the waters. At stake is the survival of the Earth's fragile ecology -- and ultimately, the survival of the human race itself.The apocalyptic catastrophes of The Day After Tomorrow meet the watery menace of The Abyss in this gripping, scientifically realistic, and utterly imaginative thriller. With 1.5 million copies sold in Germany -- where it has been on the bestseller list without fail since its debut -- and the author's skillfully executed blend of compelling story, vivid characters, and eerie locales, Frank Schatzing's The Swarm will keep you in tense anticipation until the last suspenseful page is turned.(front flap)

    At first, Friedrich seemed to be the more fortunate, but when Hitler came to power, things began to change. Friedrich was expelled from school and became an orphan when his mother died and his father was arrested and deported.This is a terrifying story of the destruction of a single Jewish family.

    Fluent in five languages and able to get by in several others, Masha lives with her boyfriend, Elias. Her best friends are Muslims struggling to obtain residence permits, and her parents rarely leave the house except to compare gas prices. Masha has nearly completed her studies to become an interpreter, when suddenly Elias is hospitalized after a serious soccer injury and dies, forcing her to question a past that has haunted her for years.   Olga Grjasnowa has a unique gift for seeing the funny side of even the most tragic situations. With cool irony, her debut novel tells the story of a headstrong young woman for whom the issue of origin and nationality is immaterial—her Jewish background has taught her she can survive anywhere. Yet Masha isn’t equipped to deal with grief, and this all-too-normal shortcoming gives a particularly bittersweet quality to her adventures.

    The von Globig family’s manor house, the Georgenhof, is falling into disrepair. Auntie runs the estate as best she can since Eberhard von Globig, a special officer in the German army, went to war, leaving behind his beautiful but vague wife, Katharina, and her bookish twelve-year-old son, Peter. As the road fills with Germans fleeing the occupied territories, the Georgenhof begins to receive strange visitors—a Nazi violinist, a dissident painter, a Baltic baron, even a Jewish refugee. Yet in the main, life continues as banal, wondrous, and complicit as ever for the family, until their caution, their hedged bets, and their denial are answered by the wholly expected events they haven’t allowed themselves to imagine.All for Nothing, published in 2006, was the last novel by Walter Kempowski, one of postwar Germany’s most acclaimed and popular writers.

    A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, the fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

    With masterly precision, Canetti reveals Kien's character, displaying the flawed personal relationships which ultimately lead to his destruction.Manipulated by his illiterate and grasping housekeeper, Therese, who has tricked him into marriage, and Benedikt Pfaff, a brutish concierge, Kien is forced out of his apartment - which houses his great library and one true passion - and into the underworld of the city. In this purgatory he is guided by a chess-playing dwarf of evil propensities, until he is eventually restored to his home. But on his return he is visited by his brother, an eminent psychiatrist who, by an error of diagnosis, precipitates the final crisis..."Auto-da-Fé" was first published in Germany in 1935 as "Die Blendung" ("The Blinding" or "Bedazzlement") and later in Britain in 1947, where the publisher noted Canetti as a 'writer of strongly individual genius, which may prove influential', an observation borne out when the author was awarded the Nobel Prize for Literature in 1981. "Auto-da-Fé" still towers as one of the greatest novels of the twentieth century, and Canetti's incisive vision of an insular man battling agianst the outside world is as fresh and rewarding today as when first it appeared in print.

    Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change.

    Coetzee ("dazzling"), Guy Davenport ("a very special kind of whimsical-serious-deep writer"), and Hermann Hesse ("If he had a hundred thousand readers, the world would be a better place"). Charged with compassion, and an utterly unique radiance of vision, Walser is as Susan Sontag exclaimed "a truly wonderful, heart-breaking writer."The Assistant is his breathtaking 1908 novel, translated by award-winning translator Susan Bernofsky. Joseph, hired to become an inventor's new assistant, arrives one rainy Monday morning at Technical Engineer Karl Tobler's splendid hilltop villa: he is at once pleased and terribly worried, a state soon followed by even stickier psychological complexities. He enjoys the beautiful view over Lake Zurich, in the company of the proud wife, Frau Tobler, and the delicious savory meals. But does he deserve any of these pleasures? The Assistant chronicles Joseph's inner life of cascading emotions as he attempts, both frantically and light-heartedly, to help the Tobler household, even as it slides toward financial ruin. Tobler demands of Joseph, "Do you have your wits about you?!" And Joseph's wits are in fact all around him, trembling like leaves in the breeze—he is full of exuberance and despair, all the raptures and panics of a person "drowning in obedience."

    Throughout her life, which spanned the Nazi era, the war, and the postwar consumer economy, she struggled to maintain appearances, only to arrive at a terrible recognition: "I'm not human any more." Not long after, she killed herself with an overdose of sleeping pills.In A Sorrow Beyond Dreams her son sits down to record what he knows, or thinks he knows, about his mother's life and death before, in his words, "the dull speechlessness—the extreme speechlessness" of grief takes hold forever. And yet the experience of speechlessness, as it marks both suffering and love, lies at the heart of Handke's brief but unforgettable elegy. This austere, scrupulous, and deeply moving book is one of the finest achievements of a great contemporary writer.

    Lenz is a dispassionate account on the nervous system of a schizophrenic, perhaps the first third-person text ever written from the “inside” of insanity. At his death at the age of 23 in 1837, Georg Büchner also left behind Leonce and Lena, Woyzeck, and Danton’s Death—psychologically and politically acute plays well ahead of their time.Richard Sieburth’s translations include Hölderlin’s Hymns and Fragments, Walter Benjamin’s Moscow Diary, Gérard de Nerval’s Selected Writings and Henri Michaux’s Emergences/Resurgences. His English edition of the Nerval writings won the 2000 PEN Book-of-the-Month-Club Translation Prize.

    Hermann, the manager of a paper mill, has decided that sexual gratification begins at home. Which means Gerti - his wife and property. Gerti is not asked how she feels about the use Hermann puts her to. She is a receptacle into which Hermann pours his juices, nastily, briefly, brutally. The long-suffering and battered Gerti thinks she has found her saviour and love in Michael, a student who rescues her after a day of vigorous use by her husband. But Michael is on his way up the Austrian political ladder, and he is, after all, a man.

    Identitti), a well-known blogger and doctoral student is, in awe of her supervisor--superstar postcolonial and race studies professor Saraswati. But her life and sense of self are turned upside down when it emerges that Saraswati is actually white. Nivedita's praise of Saraswati during a radio interview just hours before the news breaks--and before she learns the truth--calls into question her own reputation as a young activist.Following the uproar, Nivedita is forced to reflect on the key moments in her life, when she doubted her identity and her place in the world. As debates on the scandal rage on social media, blogs, and among her closest friends, Nivedita's assumptions are called into question as she reconsiders the lessons she learned from her adored professor.In her thought-provoking, genre-bending debut, Mithu Sanyal enlisted the contributions and commentary of real life public intellectuals as if Saraswati were a real person. A darkly comedic tour de force, Identitti showcases the outsized power of social media in the current debates about identity politics and the power of claiming your own voice.

    The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review