Until April 19 2008, Josef Fritzl seemed like an upstanding member of the community in the Austrian town of Amstetten: an ideal father and successful businessman who had worked his way up from humble beginnings to become a role model of respectability.Yet for over two decades he had been living a double life of unimaginable and unparalleled horror. In 1984 he had drugged his 18-year-old daughter, Elisabeth, and dragged her into a purpose-made prison under the house that he had spent five years preparing. He held her captive there for 24 years and raped her frequently. Fritzl initially kept his daughter chained to a bed and forced her to re-enact scenes from pornographic films he projected in the cellar. Three months into her incarceration Elisabeth miscarried what would have been her first child. Over the next 18 years in the cellar she bore her father seven children - six of whom survived. Lisa, Monika and Alexander were taken 'upstairs' to live with their grandmother. Michael died after birth. Kerstin, Stefan and Felix were never to see daylight, trapped with their mother in the five-room cellar.This bold and forensically-researched study sheds new light on the mind and the psychological development of the man who became one of the most unique and frightening criminals in history. It includes new information on the bizarre formative experiences that shaped his pathology and argues that his crimes, though unthinkable, were in many ways inevitable.Stefanie Marsh and Bojan Pancevski were the first English-speaking reporters to break the case and were there as the police uncovered the dungeon. They draw on previously unreleased testimonies from the trial as well as exclusive interviews and documents including confidential official files on the case to give the only complete and authoritative account of the forces that drove Fritzl to create another world, far from the light, in which his fantasies of control could be played out.

    If all goes according to plan, a struggling plane-manufacturing company will win a coveted government defense contract . . . and David himself will become very, very rich. Gaining the trust of IRS agent Jesse Hayes is a crucial part of the scheme. But the unwitting recruit has troubles of her own. Her boss has been found dead, and incriminating tax files level suspicion at a high-profile senatorial candidate.As the pieces of an explosive puzzle fall into place, David and Jesse realize they are pawns in a top-secret billion-dollar conspiracy stretching from the frenzy of Wall Street to the darkest corridors of Washington D.C., where a shocking military secret lies hidden.With tensions mounting, the lines between money and politics, and life and death, become razor-thin. . . .

    A deadly poison drifted to every corner of the planet, threatening the last survivors with annihilation. For a soldier in Antarctica like Creed, there is only one way to keep breathing untainted air. He must bury his hatred of the extraterrestrials and join the Jelk Corporation as an assault trooper, leaving the planet for outer space. In return for his and other people's services, the corporation will house the last humans for as long as the assault troopers keep winning.For the price of living and the chance to save humanity, Creed has to wear a shock chip in his neck?Jelk discipline is harsh?and he has to don a symbiotic battlesuit that feeds off his sweat. Human life is cheap in the vast alien war. The assault troopers are little more than suicide soldiers, but for humanity to escape extinction, they must survive. But Creed didn't agree to the bargain in order to remain a dog to the aliens. He has a plan, and he'll need all his cunning to beat these star born bastards and begin the road to freedom for the human race."Assault Troopers" is a tale of human extinction and ultimate desperation, written by bestselling author Vaughn Heppner.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    In his classic The Age of Spiritual Machines, he argued that computers would soon rival the full range of human intelligence at its best. Now he examines the next step in this inexorable evolutionary process: the union of human and machine, in which the knowledge and skills embedded in our brains will be combined with the vastly greater capacity, speed, and knowledge-sharing ability of our creations.

    Full of insights, arguments and philosophical perspectives, the book covers an amazing array of topics. Beginning in antiquity with Democritus, it progresses through logic and set theory, computability and complexity theory, quantum computing, cryptography, the information content of quantum states and the interpretation of quantum mechanics. There are also extended discussions about time travel, Newcomb's Paradox, the anthropic principle and the views of Roger Penrose. Aaronson's informal style makes this fascinating book accessible to readers with scientific backgrounds, as well as students and researchers working in physics, computer science, mathematics and philosophy.

    Thus, in an elegant anagram (translation = lost in an art), Pulitzer Prize-winning author and pioneering cognitive scientist Douglas Hofstadter hints at what led him to pen a deep personal homage to the witty sixteenth-century French poet Clément Marot.”Le ton beau de Marot” literally means ”The sweet tone of Marot”, but to a French ear it suggests ”Le tombeau de Marot”—that is, ”The tomb of Marot”. That double entendre foreshadows the linguistic exuberance of this book, which was sparked a decade ago when Hofstadter, under the spell of an exquisite French miniature by Marot, got hooked on the challenge of recreating both its sweet message and its tight rhymes in English—jumping through two tough hoops at once. In the next few years, he not only did many of his own translations of Marot's poem, but also enlisted friends, students, colleagues, family, noted poets, and translators—even three state-of-the-art translation programs!—to try their hand at this subtle challenge.The rich harvest is represented here by 88 wildly diverse variations on Marot's little theme. Yet this barely scratches the surface of Le Ton beau de Marot, for small groups of these poems alternate with chapters that run all over the map of language and thought.Not merely a set of translations of one poem, Le Ton beau de Marot is an autobiographical essay, a love letter to the French language, a series of musings on life, loss, and death, a sweet bouquet of stirring poetry—but most of all, it celebrates the limitless creativity fired by a passion for the music of words.Dozens of literary themes and creations are woven into the picture, including Pushkin's Eugene Onegin , Dante's Inferno, Salinger's Catcher in the Rye , Villon's Ballades, Nabokov’s essays, Georges Perec's La Disparition, Vikram Seth's The Golden Gate, Horace's odes, and more.Rife with stunning form-content interplay, crammed with creative linguistic experiments yet always crystal-clear, this book is meant not only for lovers of literature, but also for people who wish to be brought into contact with current ideas about how creativity works, and who wish to see how today’s computational models of language and thought stack up next to the human mind.Le Ton beau de Marot is a sparkling, personal, and poetic exploration aimed at both the literary and the scientific world, and is sure to provoke great excitement and heated controversy among poets and translators, critics and writers, and those involved in the study of creativity and its elusive wellsprings.

    When the bound papyrus pages of this lost gospel finally reached scholars who could unlock its meaning, they were astounded. Here was a gospel that had not been seen since the early days of Xianity, & which few experts had even thought existed–a gospel told from the perspective of Judas Iscariot, history’s ultimate traitor. Far from being a villain, the Judas that emerges in its pages is a hero. In this radical reinterpretation, Jesus asks Judas to betray him. In contrast to the New Testament Gospels, Judas is presented as a role model for all those who wish to be disciples of Jesus. He's the one apostle who truly understands Jesus. This volume is the 1st publication of the remarkable gospel since it was condemned as heresy by early Church leaders, most notably by Irenaeus, in 180. Hidden away in a cavern in Middle Egypt, the codex containing the gospel was discovered by farmers in the 1970s. In the intervening years the papyrus codex was bought & sold by antiquities traders, hidden away & carried across three continents, all the while suffering damage that reduced much of it to fragments. In 2001, it finally found its way into the hands of a team of experts who would painstakingly reassemble & restore it. The Gospel of Judas has been translated from its original Coptic into clear prose. It's accompanied by commentary that explains its history in the context of the early Church, offering a new way of understanding the message of Jesus.

    A comprehensive overview of all of Marvel's greatest heroes and villains furnishes profiles of more than one thousand characters that document their individual superpowers and their careers, in a reference that traces the history of Marvel Comics and encompasses stunning artwork by some of Marvel's greatest artists.

    Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership.   Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.

    Modern media are replete with alarm over jihad, underage marriage and the threat of amputation or stoning under Shariah law. Sometimes rumor, sometimes based in fact and often misunderstood, the tenets of Islamic law and dogma were not set in the religion’s founding moments. They were developed over centuries by the clerical class of Muslim scholars.Misquoting Muhammad takes the reader back in time through Islamic civilization and traces how and why such controversies developed, offering an inside view into how key and controversial aspects of Islam took shape. From the protests of the Arab Spring to Istanbul at the fall of the Ottoman Empire, and from the ochre red walls of Delhi’s great mosques to the trade routes of Islam’s Indian Ocean world, Misquoting Muhammad lays out how Muslim intellectuals have sought to balance reason and revelation, weigh science and religion, and negotiate the eternal truths of scripture amid shifting values.

    The book consists of individual stories of what people experienced on the day of the invasion. There are stories about Kuwaitis, Palestinians, and other nationalities. Author Jean Sasson traveled to London, Cairo, and Saudi Arabia to interview those fleeing the violence. She was one of the few writers given an interview by Kuwait's Emir and Kuwait's Prime Minister. The book hit #2 on the New York Times Bestseller's list as it was the only book that told what was happening on the day of the invasion. Readers note that the war had not yet started, nor ended, so there is no resolution regarding the war in this book. It is strictly about human beings caught up in war.

    And if he’s that far gone, he won’t have any idea what’s going on around him, and he might end up missing out on all the real fun.From the New York Times-bestselling author of Goodnight iPad comes a delightful new commentary on the perils of our tech-obsessed lives and a fully charged romp for readers of all ages.

    His work is credited with turning the Gothic's focus from the external sources of horror to the inward effects of terror, thus helping to create the psychological basis for supernaturalist literature that continues to this day. Inspired by the Dutch painter Godfried Schalcken, 'Schalken the Painter' is a timeless Gothic tale. Many of the earliest occult stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive.

    She'd rather be testing gauntlets than throwing them down! So it's time for Shuri to rescue her brother yet again - with a little help from Storm, Rocket Raccoon and Groot! But what happens when her outer-space adventure puts Africa at risk from an energy-sapping alien threat? Then, Shuri heads to America to investigate a lead, with Ms. Marvel and Miles "Spider-Man" Morales along for the ride! But with her people in peril, will Shuri embrace her reluctant destiny and become the Black Panther once more? Prepare for a hero like you've never seen before! COLLECTING: SHURI (2018) 1-10