First published in 1846, it is about the mysteries of artistic creation. “Most writers—poets in especial—prefer having it understood that they compose by a species of fine frenzy—an ecstatic intuition…” This edition also contains a long note on Poe’s life and work written by French poet Charles Baudelaire (1821-1867) in 1852. The essay was translated in English by Henry Curwen (1845-1892) in 1873.

    This textbook, based on the author's own undergraduate teaching, develops general relativity and its associated mathematics from a minimum of prerequisites, leading to a physical understanding of the theory in some depth. It reinforces this understanding by making a detailed study of the theory's most important applications - neutron stars, black holes, gravitational waves, and cosmology - using the most up-to-date astronomical developments. The book is suitable for a one-year course for beginning graduate students or for undergraduates in physics who have studied special relativity, vector calculus, and electrostatics. Graduate students should be able to use the book selectively for half-year courses.

    P. Lovecraft’s motifs, conceptions, and imagery have affected an entire century of weird writing. Beginning with a delightful parody of Lovecraft written by Edith Miniter in 1921, this anthology features “The Red Brain,” a story of incalculable cosmic horror by Donald Wandrei; “The Beast of Averoigne,” in which Clark Ashton Smith plays a riff on “The Dunwich Horror”; and C. Hall Thompson’s “The Will of Claude Ashur,” an ingenious adaptation of “The Thing on the Doorstep.” Ramsey Campbell, one of the leading weird writers of today, has always maintained his Lovecraftian roots, and in “The Pattern” he utilizes Lovecraft’s theme of “conflict with time” to cataclysmic effect. The pioneering Thomas Ligotti (“The Sect of the Idiot”) draws inspiration from Lovecraft’s early tales, while Brian McNaughton (“Meryphillia”) teases out the latent sexuality in Lovecraft’s use of ghouls. Caitlín R. Kiernan’s “The Peddler’s Tale” is one of the few successful elaborations of Lovecraft’s dreamland stories, while Jonathan Thomas uses Lovecraft’s native town of Providence for a tale of alien races. This volume contains previously unpublished stories by W. H. Pugmire, Mark Samuels, and Ray Garton, all of which demonstrate their authors’ skill at fusing Lovecraftian motifs with their own dark vision. All in all, The Red Brain is a rich banquet of strangeness that no Lovecraft devotee will want to be without.

    But his luck has changed. Now he’s in the Preston house, where he has a budding romance with fellow foster child Lyssa. But something strange is going on in the basement.Maddy is a slow nine-year-old girl who is kept in the basement. Sometimes she talks in a gravelly adult voice. Sometimes she seems to know things about others that she couldn’t possibly know...and predicts things that always come true. And sometimes people from the government come by to spend time with Maddy down in the basement.Maybe Ryan’s luck hasn’t changed as much as he thinks.

    (more than 175,000 copies sold) and in the humorous vein of Go the F**k to Sleep comes a laugh-out-loud collection of bad advice that turns the children's alphabet book on its head. Adorable illustrated characters lead readers down a path of poor decision-making, and alphabetical, rhyming couplets offer terrible life lessons in which O is for opening things with your teeth, F is for setting Daddy's wallet on fire, and R is for Raccoon (but definitely not for rabies). With plenty of playfully disastrous choices lurking around every corner, this compendium of black humor may be terrible for actual children, but it's perfect for the common-senseless child in all adults.

    When they cross paths in war-torn Europe, will their destinies lead to ruin… or victory over evil? Poland, 1944. Wanda Odwaga will never stop resisting. As the Nazis occupy her beloved homeland, the twenty-three-year-old artist vows to do whatever it takes to help the underground movement mobilize against Hitler’s forces. But she’s devastated when the Gestapo storms her house in search of rebel leaders, killing her heroic father and leaving the face of his murderer forever etched in her mind. New York. Finn Keller longs to balance the scales. Having escaped Germany with his mother as a teen, he’s disgusted his estranged twin brother has become a ruthless Nazi henchman with a vicious reputation. So when a covert government agency approaches him with a dangerous undercover mission, Finn willingly risks his life to play his part in turning the tide of war. Still grieving her unforgivable loss, Wanda’s thirst for revenge takes an unexpected leap forward when she once again encounters her father’s killer. And as Finn dives deeply into the role of impersonating his cold-hearted sibling, he’s captivated by the beautiful Polish woman frozen in front of him… her eyes blazing with the promise of murder. Can these two players in a deadly game survive the ravages of a sadistic conflict?

    Even as they bring ease to our lives, these programs are stealing something essential from us.Drawing on psychological and neurological studies that underscore how tightly people’s happiness and satisfaction are tied to performing hard work in the real world, Carr reveals something we already suspect: shifting our attention to computer screens can leave us disengaged and discontented.From nineteenth-century textile mills to the cockpits of modern jets, from the frozen hunting grounds of Inuit tribes to the sterile landscapes of GPS maps, The Glass Cage explores the impact of automation from a deeply human perspective, examining the personal as well as the economic consequences of our growing dependence on computers.With a characteristic blend of history and philosophy, poetry and science, Carr takes us on a journey from the work and early theory of Adam Smith and Alfred North Whitehead to the latest research into human attention, memory, and happiness, culminating in a moving meditation on how we can use technology to expand the human experience.

    Not a real, workable device. Except for the way it could work under a man's mental skin....

    The Onion has quickly become the world's most popular humor publication, misinforming half a million readers a week with one-of-a-kind social satire both in print (on newsstands nationwide) and online from its remote office in Madison, Wisconsin.Witness the march of history as Editor-in-Chief Scott Dikkers and The Onion's award-winning writing staff present the twentieth century like you've never seen it before.

    It sets one dreaming of the oddest possibilities of intercommunication in the future, of spending an intercalary five minutes on the other side of the world, or being watched in our most secret operations by unsuspected eyes. It happened that I was the immediate witness of Davidson's seizure, and so it falls naturally to me to put the story upon paper.

    The daughter of a black mother and white father, a student of history and of the Deep South, she is inspired by everything from colonial paintings of mulattos and mestizos to the stories of people forgotten by history. Meditations on captivity, knowledge, and inheritance permeate Thrall, as she reflects on a series of small estrangements from her poet father and comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.Thrall confirms not only that Natasha Trethewey is one of our most gifted and necessary poets but that she is also one of our most brilliant and fearless.

    Professor, poetry award winner, performer, and former member of the National Council on the Arts, Harjo’s prose speaks of women's despair, of their imprisonment and ruin at the hands of men and society, but also of their awakenings, power, and love.

    Across the book’s three sequences, we find the black-girl speaker in the midst of a self-imposed exile, going back in memory to explore her younger self—a mixed-race child being raised by her white supremacist grandfather in the shadow of Churchill Downs, Kentucky’s world-famous horseracing track—before arriving in a state of self-awareness to confront the personal and political landscape of a harshly segregated Louisville. Out of a space that is at once southern and urban, violent and beautiful, racially-charged and working-class, she attempts to transcend her social and economic circumstances. Across the collection, Priest writes a horse that acts as a metaphysical engine of flight, showing us how to throw off the harness and sustain wildness. Unlike the traditional Bildungsroman, Priest presents a non-linear narrative in which the speaker lacks the freedom to come of age naively in the urban South, and must instead, from the beginning, possess the wisdom of “the horses & their restless minds.”    FROM "RODEO"   The four-wheeler is a chariot. Horse-wraiths Kicking up a plume of spirits in the dirt behind us. Her arms kudzu around my middle. Out here,   In the desert, everything is invisible. Only the locusts’ flat buzz gives Them away. Everything native & quieting   Perennial & nighthawk black As we ride through: the cowgirls, The witch & the water sky-mirror-split,   The severity of squall lines. Also, the lips Parting air like lightning & the girl Blowing bubbles—in each one                                                 a rainbow.

    This title shows the same intensity of thought and conviction which had made Neville famous amongst progressive thinkers. In this volume we see not only a profound religious feeling, but also a sense of the dignity and responsibility of human life. Our own feeling about the results of his experiments as a whole is that they are not just an addition to our existing knowledge, but require a revolution in our whole way of thinking about the world.

    Collected here for the first time, these stories span the author’s life. There are stories from Thich Nhat Hanh’s childhood and the traditions of rural Vietnam. There are stories from his years as a teenaged novice, as a young teacher and writer in war torn Vietnam, and of his travels around the world to teach mindfulness, make pilgrimages to sacred sites, and influence world leaders. The tradition of Zen teaching stories goes back at least to the time of the Buddha. Like the Buddha, Thich Nhat Hanh uses story–telling to engage people’s interest so he can share important teachings, insights, and life lessons.From the Hardcover edition.