Joyce scholar Edmund L. Epstein has arranged this material as running commentary on A Portrait of the Artist As a Young Man, Ulysses, and Finnegans Wake. With a new foreword by Phil Cousineau for this Collected Works edition, Mythic Worlds, Modern Words is both an introduction to the major work of Joyce and a representative portrait of Joseph Campbell as a critic of Joyce. It is also a major contribution to Joyce criticism, the fruit of a lifetime’s meditation on the great Irish writer’s writings.

    1. Introduction2. Addresses to the parliament of religions. 3. Karma -yoga4. Raja-yoga5. Lectures and Discourses.

    She is locked in a mental institution, and her breasts are removed due to a misdiagnosis of cancer. As she looks back, she wonders if she made bad decisions or if the decisions chose her.

    However, this is only the beginning of her lifelong dream of hunting and fishing in the Last Frontier of Alaska.She will take you to the Brooks Range, north of the arctic circle, where she and her mate hunt for dall sheep, come face-to-face with a grizzly bear that wants to eat them, and an angry moose trying to trample her hunting partner.Return to the Brooks Range to live with Donna, her mate, and one-year-old daughter in a cabin deep in the wilderness while mining for the elusive gold. Live an authentic life in the Bush of Alaska (The Bush is a term Alaskans use to describe regions of the state not connected to civilization) where she bakes her own bread, has no electricity, no running water, and wolves try to eat her baby.Fish along side her in the famous Katmai and Resurrection Bay, or do some crazy dip-net fishing for salmon at Chitna, Alaska. Catch a few grayling, salmon, or northern pike,and float the Delta river where she almost lost her life.Fly in small airplanes over the Brooks Range to view forest fires waiting to trap them in the wilderness, or hold on tight as they cruise over the majestic Prince William Sound to land on Hinchinbrook Island, and hunt for Alaskan brown bear.Return to the new life-style in the wild and wooly north after the discovery of oil, and the not-so-civilized changes to the Last Great Frontier of Alaska. As author David VanDyke says, "The Wild Side of Alaska will pull you in and keep you laughing, crying and gasping at the amazing true story of one of the last real American frontier women. You won't want to miss this down-to-earth tale of woman versus wilderness.

    We should not be satisfied with being almost Christian but rather strive towards being altogether a Christian.In Almost Christmas: A Wesleyan Advent Experience, author and pastor Magrey deVega leads a group of authors to explore how we can make the same commitment to Christ during Advent, connecting our Wesleyan heritage with the traditional Advent themes of Love, Hope, Joy, and Peace.In this book, perfect for Advent, deVega and the other authors break down the barriers that prevent us from experiencing an “altogether” love, hope, joy, and peace in Christ in our lives and in the world around us. They demonstrate the promises God offers to us that makes those longings a reality, inviting us to claim those promises for ourselves this Advent and celebrate an altogether Christmas.Chapters include: Altogether Love Altogether Hope Altogether Joy Altogether Peace Additional components for a four-week study include a DVD featuring Magrey deVega and the other writers and a comprehensive Leader Guide, as well as nativity hymns by Charles Wesley, litanies for lighting the Advent wreath, and prayers that can be incorporated into both worship and small group settings. A daily devotional and a youth study book are also available.

    Mysticism, in the sense of a "longing for God," has been present in all times, cultures, and religions. But Soelle believes it has never been more important than in this age of materialism and fundamentalism. The antiauthoritarian mystical element in each religion leads to community of free spirits and resistance to the death-dealing aspects of our contemporary culture. Religion in the third millennium, Soelle argues, either will be mystical or it will be dead. Therefore, Soelle identifies strongly with the hunger of New Age searchers, but laments the religious fast food they devour. Today, a kind of "democratized mysticism" of those without much religious background flourishes. This mystical experience is not drawn so much of the tradition as out of contemporary experiences. In that sense, each of us is a mystic, and Soelle's work seeks to give theological depth, clarity, and direction. This, her magnum opus, conjoins Soelle's deep religious knowledge and wisdom with her passion for social justice into a work destined to be a classic of religious literature.

    Two people determined to remain on their chosen paths. But life doesn't always go to plan...Captain Robert Crawford is proud to have achieved his first command. Despite his taciturn manner, he loves his ship, and those who serve under him are loyal and steadfast. Passengers, however, are another matter—troublesome, unpredictable and the bane of his life. The shipping company’s other edict is no better; he must marry, and the sooner the better. Even his best friend cannot understand why this troubles him so much. How could he when Robert has never confided in anyone about his past?Miss Agnes Dinwiddie is still grieving one year on from her father's death. Seeing no future for herself in her old home, she accepts her brother’s invitation to be his housekeeper in America. Accepting a position as companion for the duration of the journey, she expects the trip to be the perfect balm to take her away from her heartache and help her to heal. What she wasn’t expecting was to meet an infuriating, complicated captain.Confined on board with demanding passengers and a young woman who seems to challenge him at every turn, and who he can’t stop thinking about, Captain Crawford wonders what the devil he has done to deserve such a trial. One thing’s for certain, he’s never experienced a journey like it before.The Spinster's Captain is a Victorian Romance, topped with a generous amount of humour, action and tears. If you like simmering chemistry, compelling but complex characters and fast-paced action, then this is the perfect book for you. For lovers of Regency or Victorian romance.

    Wafa Sultan has become a force radical Islam has to reckon with. For the first time, she tells her story and what she learned, first-hand, about radical Islam in A God Who Hates, a passionate memoir by an outspoken Arab woman that is also a cautionary tale for the West. She grew up in Syria in a culture ruled by a god who hates women. “How can such a culture be anything but barbarous?” Sultan asks. “It can’t,” she concludes “because any culture that hates its women can’t love anything else.” She believes that the god who hates is waging a battle between modernity and barbarism, not a battle between religions. She also knows that it’s a battle radical Islam will lose. Condemned by some and praised by others for speaking out, Sultan wants everyone to understand the danger posed by A God Who Hates.

    Born a princess in the region of Rajasthan in 1498, Mira (as she is more commonly known) fought tradition and celebrated a woman's right to an independent life in her ecstatic poems. Her royal family arranged an early marriage for her, but she felt a marriage to Krishna was more important. As a result, her life became a model of social defiance and spiritual integrity. During her lifetime, Mira's reputation spread across her country. She was known as a woman of immense talent and devotion. By the time she died in 1550, she was considered a saint. People across India recited and danced to her poems, and they still do today. In this collection, Robert Bly and Jane Hirshfield, two of America's best poets, have created lively English versions of Mirabai's poems, using fresh images and energetic rhythms to make them accessible to modern readers. Their work makes clear that Mirabai's poetry transcends her time and culture.Columbia University professor of religion John Stratton Hawley provides an afterword to the volume that discusses what is known of Mirabai's life and reputation. With a historian's precision, he shows how Bly and Hirshfield's versions belong to a tradition of reinterpretation and rephrasing that is already centuries old.Mirabai comes to life through the impressive interpreting of her poems by Bly and Hirshfield. The poems feel as fresh today as they must have felt when this amazing woman sung them herself five centuries ago.

    The topics may vary widely, from love to mental illness to the most recent "Florida Man" headline, but it's all in the same handwriting. Welcome to The Immortal Soul Salvage Yard.

    Poems consider women's roles in society, childhood, home, nature, language, communications, the past, and mortality.

    Then she hits on a brilliant idea – a kids’ clothing shop with a twist – and is thrilled when it really takes off. When husband Lee offers to quit his job to look after the family while her business grows, it seems a godsend – but will their marriage stand the test of reversing their roles?Jo soon recruits Holly and Mel to help her in the shop. Designer Holly’s high-flying career has come crashing down and she’s moved back home – but is she ready to manage a major family crisis? Meanwhile, Mel worries her teenage daughter Serena is going off the rails. Is finding out more worth risking her daughter’s trust?At the crossroads of their lives, friendship could be the only the thing keeping these wonder women strong.

    She explores the importance of women's religious practices along with related themes of family and of social change. Weaving several of her own voices--analytic, descriptive, and personal--with the voices of her subjects in alternate chapters of traditional ethnography and ethnographic fiction, Brown presents herself as a character in Mama Lola's world and allows the reader to evaluate her interactions there. Startlingly original, Brown's work endures as an important experiment in ethnography as a social art form rooted in human relationships. A new preface, epilogue, bibliography, and a collection of family photographs tell the story of the effect of the book's publication on Mama Lola's life.

    Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theorist and critic Sylvere Lotringer as a scholarly journal in 1974, Semiotext(e) quickly took on the mission of melding French theory with the American art world and punk underground. Its Foreign Agents, Native Agents, Active Agents and Double Agents imprints have brought together thinkers and writers as diverse as Gilles Deleuze, Assata Shakur, Bob Flanagan, Paul Virillio, Kate Millet, Jean Baudrillard, Michelle Tea, William S. Burroughs, Eileen Myles, Ulrike Meinhof, and Fanny Howe. In Hatred of Capitalism, editors Kraus and Lotringer bring these people together in the same volume for the first time.

    And, with all due respect, sir, who the hell are you?'When a body mysteriously appears at the bottom of the otherwise serene hills of Sonargam in peak tourist season, Superintendent of Police, Shimla, Niki Marwah, and her crack team of investigators must act quickly to find out how Rak Mehta, the hotshot President & CEO of a super-successful publishing company, landed there.As they scour the grounds of the luxurious Lotus Resort, where Indigo's employees have checked in for their annual conference, the police team uncovers bitter rivalries, secret grudges and vicious lies – not to mention the victim's own sordid past that has made him more enemies than friends.Lipstick stains, condoms, a notebook full of rambling code; bribery, mind games, broken promises - everything points to murder. And, with the list of suspects growing, it will take all of Niki’s ingenuity and skill to catch the killer before Sonargam's idyllic landscape is disrupted once again...