Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. From the collections Will You Please Be Quiet, Please?, Where I’m Calling From, What We Talk About When We Talk About Love, and A New Path to the Waterfall; including an introduction by Robert Altman. With deadpan humor and enormous tenderness, this is the work of “one of the true contemporary masters” (The New York Review of Books).  From the eBook edition.

    A mixture of horror, crime, fantasy, science fiction, magical realism, and the grotesque—all with a literary bent—these stories represent the future of genre-bending fiction from some of our brightest and most original voices.

    For Vincent, it is the latest in a string of violent events his family has faced since moving to England. But Vincent knows something that the thugs don't: he has in him the spirit of his father who, once upon a time in a far off country, also faced down fear to prove he was Grade A. Stroke of Luck: During a summer cricket match, Alan meets Rachel, and they start a relationship - but soon Alan discovers he is having an affair with a married woman. Though not a happily married one. Rachel's husband abuses her physically and psychologically and Rachel is at her wits' end. Alan vows to protect her - but her husband is not the only one who is a threat. Rachel is being secretly watched... The Walls: When Chris spots a beautiful woman across a crowded restaurant on his business trip to Texas, he never imagines that she would be interested in him, let alone be waiting for him when he returns to his hotel later that evening.As the two strangers talk, the true and haunting reason for their visits comes to light...

    With the publication of his debut novel, Alive in Necropolis, Doug Dorst was widely celebrated as one of the most creative, original literary voices of his generation-an heir to T.C. Boyle and Denis Johnson, a northern California Haruki Murakami. Now, in his second book, The Surf Guru, his full talent is on display, revealing an ability to explore worlds and capture characters that other writers have not yet discovered.In the title story, an old surfing-champion-turned-surfwear- entrepreneur sits on his ocean-front balcony watching a new generation of surfers come of age on the waves, all but one of whom wear wet suits emblazoned with the Surf Guru's name. An acid-tongued, pioneering botanist who has been exiled from the academy composes a series of scurrilous (and hilarious) biographical sketches of his colleagues and rivals, inadvertently telling his own story. A pair of twenty-first- century drifters course through a series of unusual adventures in their dilapidated car, chased west out of one town and into the next, dreaming of hitting the Pacific.Dorst's characters have all successfully cultivated a particular expertise, and yet they remain intent on moving toward the horizon, seeking hope in something new. Likewise, each of Dorst's stories is a virtuoso performance balancing humor and insight, achieving a perfect pitch, pulsing with a gritty and punchy, distinctly American realism- and yet always pushing on into the unexpected, taking us some place new.The surf guru --Dinaburg's cake --La fiesta de San Humberto el menor --Vikings --Jumping jacks --Twelve portraits of Dr. Gachet --The monkeys howl, the hagfish feast --Splitters --The candidate in bloom --What is mine will know my face --Little reptiles --Astronauts

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    Named by The New Yorker as one of the twenty best writers of her generation, Antonya Nelson explores the broad notion of family from myriad angles in Female Trouble. Set in the vividly rendered Midwest, these moving stories are dark and honest portraits of people in moral quandaries, gray areas, unclear circumstances -- from the three-timing thirty-year-old man of the title story to the divorced mother of a turbulent teen in "Incognito" to the sexually adventurous daughter of an adulterous mother in "Stitches." With Female Trouble, Nelson has created a cast of memorable characters who reveal us to ourselves with disturbing clarity and conscience.

    Chekhov’s sensibility was radically human and thoroughly modern: write not how you think things should be, but rather as they are. Universally recognized as one of the greatest short story writers of all time, he revolutionized the form and had a profound influence on his successors from Flannery O’Connor to Alice Munro.As the celebrated Russian-immigrant author Boris Fishman writes in his bold, incisive, and delightfully counterintuitive introduction to this Restless Classics collection, Chekhov is funny, optimistic, ceaselessly curious, and undogmatic—a significant break from the bleak and morally rigid tradition of his contemporaries Dostoevsky and Tolstoy. Unlike those peers born to privilege, Chekhov was raised in the peasantry and worked as a doctor. In his writing, he portrays the complexity of human beings as changeable and contingent, neither saints nor sinners—an approach intimately linked with his work as a clinician and humanitarian.Chekhov’s humanity, just as much as his mastery of the writing craft, is potent medicine in times that seem so divided, riven by ideology and antipathy for groups seen as “other.” The first new selection of his work in over a decade, the Restless Classics edition of Chekhov: Stories for Our Time pairs beloved favorites with lesser known gems, all stunningly illustrated by Matt McCann: a perfect introduction for novices and a must-have for Chekhov devotees.

    “I don’t know what planet Judy Budnitz comes from,” said Newsweek on the publication of her fiction debut, Flying Leap, “but I’m happy to have her. Tremendous . . . funny, dark, adventurous, slanted, and enchanted.” These twelve astonishingly inventive stories–which take us into the heart of America and around the globe, from suburban backyards and swimming pools to war-torn streets and fallout shelters–are riveting, seductive, and impossible to forget.In “Flush,” a mammogram prompts a dark comedy of blurred identities between a mother and her two adult daughters. In “Elephant and Boy,” a surrogate mother-and-son bond, tinged with the erotic, is formed when a philanthropist attempts to “civilize” a young elephant handler. “Nadia” sounds the depths of a young woman’s complex feelings toward a friend’s mail-order bride from Eastern Europe. “Preparedness”–an Orwellian tale in Technicolor–imagines rapture in the wake of imminent apocalypse. And in “Where We Come From,” a pregnant woman’s many failed attempts to cross the border do not lessen her resolve to give birth on U.S. soil to a “nice big American baby.”Magical, poignant, often transcendent, these are virtuoso modern fables that mine our stores of hidden urges, misunderstandings, and blind passions, inviting us on a voyage through places and times at once deeply familiar and wondrously strange.From the Hardcover edition.

     "The Ugliest Pilgrim" takes you into the adventures and into the heart of a disfigured young woman who has run away from her life in search of a better one. This award-winning story is the basis for the musical Violet, which won the New York Drama Critics Circle Award. In "Hitchhiker," a wary secretary hitches a ride in a boat with a man hell-bent on saving fish; instead he saves her from the river -- and herself. And in the title story, Betts brilliantly captures the inner life of a teacher and writer struggling to control her classroom, her household, and her life.

    Manette Ansay explores the rural Midwest landscape and the people who inhabit it: ordinary folk with extraordinary inner lives, struggling to make sense of the isolated, sometimes painful, and often intensely religious worlds in which they live. Her are 15 haunting and exquisitely written tales that offer a rare and unforgettable glimpse into the complexities of being human and being alive.

    "Excitability" collects the best of Diane Williams' bold, often hilarious stories of love, sex, death, and the family.

    Twinkle the elf fear nothing - until he plays a trick on Snorty the dragon and gets the fright of his life! And while Janet and Malcolm go on a thrilling train journey, Tuffy the clown tries to be a hero and Pixie Pinnie paints a cow.

    . . Munoz writes elegantly and sympathetically . . . [his stories] have a softly glowing, melancholy beauty." —The New York Times Book Review Manuel Munoz's dazzling collection is set in a Mexican-American neighborhood in central California—a place where misunderstandings and secrets shape people's lives. From a set of triplets with three distinct fates to a father who places his hope—and life savings—in the hands of a faith healer, the characters in these stories cross paths in unexpected ways. As they do, they reveal a community that is both embracing and unforgiving, and they discover a truth about the nature of home: you always live with its history. Munoz is an explosive new talent who joins the ranks of such acclaimed authors as Junot Diaz and Daniel Alarcon.

    Atkins, Meagan J. Saunders, Anne Thomas Soffee, Clint McCown, Conrad Ashley Persons, Clay McLeod Chapman, Pir Rothenberg, David L. Robbins, Hermine Pinson, and Dennis Danvers.FROM THE INTRODUCTION TO RICHMOND NOIR:"In The Air-Conditioned Nightmare, Henry Miller tosses off a hard-bitten assessment of the City on the James: 'I would rather die in Richmond somehow,' he writes, 'though God knows Richmond has little enough to offer.' As editors, we like the dying part, and might point out that in its long history, Richmond, Virginia has offered up many of the disparate elements crucial to meaty noir. The city was born amid deception, conspiracy, and violence . . ."These days, Richmond is a city of winter balls and garden parties on soft summer evenings, a city of private clubs where white-haired old gentlemen, with their martinis or mint juleps in hand, still genuflect in front of portraits of Robert E. Lee. It's also a city of brutal crime scenes and drug corners and okay-everybody-go-on-home-there's-nothing-more-to-see. It's a city of world-class ad agencies and law firms, a city of the FFV (First Families of Virginia) and a city of immigrants--from India, Vietnam, and Africa to Massachusetts, New York, and New Jersey. It's a city of finicky manners (you mustn't ever sneeze publicly in Richmond) and old-time neighborliness, and it's a city where you think twice about giving somebody the finger if they cut you off on the Powhite Parkway (that's pronounced Pow-hite, not Po-white, thank you very much) because you might get your head blown off by the shotgun on the rack . . ."

    At its core, the world of Tomorrowland is our own, though reflected off a funhouse mirror--revealing our hopes and deepest fears to comic, heartbreaking effect.