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    The lawyer is married to a beautiful, well-to-do girl in the midwest whose family sets the pace in local society and intends to run his marriage and his career as well. He has rebelled, come to New York, and taken up residence with this intriguing young woman. He is lonely and in need of consolation; she is one of those rare women whose only purpose seems to be making others happy. Their briefly fulfilling relationship is unhappily destined to failure: he is a cultured gentile with a wife and painful memories while she is a plain Jewish girl with little education and a horrible Bronx accent. They share happy and humorous moments together, but they both see with sadness the utter hopelessness of the affair."It's a whale of a hit, a bittersweet joy ride." - The New York Mirror ."An absorbing, affectionate, and funny delight." - The New York Daily News

    Don’t miss this special edition of the first five books in the Butler Ranch Series, now at an exceptional price! Brodie Can fulfilling a promise bring love into Brodie Butler’s life again? Struggling with a tragedy in his family, winery manager, Brodie Butler, needs to put his grief on hold to carry out the promise of delivering the tragic news of his brother’s death and a special box to the enigmatic Peyton Wolf. But instead of closing a chapter in his late brother’s life, Brodie opens a new one in his own after he meets a woman he could envision himself being with forever. Torn between familial loyalty and his desire for Peyton, Brodie’s guilty conscience threatens to destroy any chance he may have with her. Will they find a future together when Peyton’s heart belonged to a hero Brodie could never measure up to? Maddox The Hatfields and McCoys have nothing on the Butler and Avila families. The feud between them had been going on for years when Maddox Butler came to the rescue and saved the Avila’s Los Caballeros winery from certain ruin. Now it’s Maddox and his brothers that are threatening the winery’s future—at least that what Alex’s family believes. Neither the feud, nor the fence between the vineyards has ever been enough to keep the two determined young lovers apart. Will their love heal the wounds of the past to reunite the families a second time? Or will it drive the wedge deeper and make them choose family over love? Naughton He’s a loner by choice. She’s a winemaker in a man’s world. Harboring a secret that could tear his family apart, Naughton Butler chooses to take on life alone. But when he and his brother inherit four hundred acres of prime vineyard property, it’s up to them to decide how to manage both. To do so, the brothers hire the new kick-ass, hotter-than-hell winemaker, Bradley St. John. Landing a job at the Butler Ranch is Bradley’s dream come true. But when Naughton thinks she’s nothing more than a joke, she sets out to prove that a woman is the best person for a man’s job. As she shows off her skills and talents, Naughton realizes Bradley’s more woman than he ever imagined. Mercer He promised to protect her… Not to love her. Mercer Bryant promised his deceased partner that he’d secretly protect Quinn Sullivan at any cost. As a former CIA operative, Mercer knows his way around intense and stealthy operations. Trained in combat, he can get out of any situation—and into any woman’s bed. But when he starts to feel something more for the stunning Quinn, he can’t stay away. Shipped off to boarding school at a young age, the feisty Quinn doesn’t need a man to watch over her. But when she finds herself in danger, the only place she feels safe is the arms of the irresistible and rugged Marine. Hell bent on protecting her, Mercer takes on the vengeful Russians who are responsible for his partner’s disappearance.

    Following Rachel McNally to the big city, he had no idea how much his life and the world around him would change.Chronicling the days leading up to World War I and the events that followed, Tinder Street is the first book in a saga that will take readers from rural farms to a major industrial city in the Midwest, across an ocean where German U-boats lurk waiting for a target to come within range of their deadly torpedoes, to the bloody trench warfare of France, and home again. And of how, back at home, the soldiers of a victorious Army try to put their experiences behind them and pick up the pieces of the lives they once had, to look toward a future bright with promise. Lucas was one of those soldiers, a man who hated the thought of killing, but did his duty. A duty that would haunt him long after the last shots were fired.This is also the story of the simple working class people who built America. Farmers, factory workers, streetcar conductors, midwives, and public servants. Their joys and sorrows, their wins and losses, and how these people who struggled together to build a better life for themselves and their children changed a place named Tinder Street to Tender Street, a reflection of one family’s devotion to their neighbors.

    Mystery, romance, and a dog called Randall will delight and move you. With a bonus alternative prologue to the first book, this collection is the perfect read for lovers of old fashioned romance, family secrets, mysteries, and warm characters you'll grow to love. MARTHA: Where was she all those years? A short, stunning story of love and loss, and the resilience and strength of a woman. THE STATIONMASTER'S COTTAGE: Christie Ryan inherits a rundown old cottage in a small town she's never heard of. Hidden inside are old love letters and unworn wedding rings. With her own life at a crossroads, she meets reclusive artist, Martin Blake, and his golden retriever, Randall. The dog adores her, but his owner refuses to help Christie discover the truth. With time against her, will solving the mystery bring her happiness, or heartache? Award winner, Amazon bestseller. JASMINE SEA: As Christie settles into her new home, the newfound peace is disturbed by a troubling series of crimes in the normally sleepy town. As pressure builds for her to sell the cottage, Christie's future plans are threatened by a mysterious woman who commissions a painting from Martin. In a heart-stopping series of events, Christie comes face to face with her greatest fear… and there is no going around it. With only one chance to save those she loves, will her life be the price? THE SECRETS OF PALMERSTON HOUSE: In 1853, Palmerston House was lost in a game of poker. Now, someone wants it back. Christie finds herself in the middle of a new mystery, trying to discover what do a nineteenth century diary, a grandfather clock, and an old key have in common. As a dangerous plot unfolds, long hidden secrets threaten to change everything held dear to the town. THE CHRISTMAS KEY: A heartwarming novella rounding off the Christie Ryan Romantic Mystery series with the last of the secrets revealed, and delightful Christmas magic to touch the favourite residents of River's End.

    Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she sets about building a dream house in the hope that he will one day return to her. From her fairytale castle, The Mai waits by the window for her dark-haired prince to return. Set in the inspiring surrounds of the West of Ireland, on the banks of the legendary Owl Lake, we enter this world on the day of Robert's return after an absence of four years. In the midst of Mai's and Robert's troubled reunion are the idiosyncratic characters that comprise the family. Irreverent and unapologetic, the opium-smoking one-hundred-year-old matriarch, Grandma Fraochlan, presides over all. The "Spanish Beauty," as she is known, with her "ancient and fantastical memory" and mythical presence, reminds us that the past is looming ever present. Her daughters, Agnes and Julie, meddle in the affairs of their three nieces, with comical tenacity. Deeply theatrical and profoundly intense, THE MAI is an epic tale of love and loss, of elusive dreams shattered by vulgar but inescapable reality.

    A farce with a hilarious drunk scene for two stylish comediennes.

    Tired of writing cheap comedy gags for "Chipper the Chipmunk," a children's television star, Murray finds himself unemployed with plenty of free time with which to pursue his...pursuits. Lectured by his conventional brother Arnold and hounded by "the system," Murray is paid a visit by bickering, uptight social workers, Sandra and Albert, and finds himself solving their problems as well as most of his own."Would be a standout comedy in any season. Filled with laughter and warmth and sweetness and inspired daffiness. One of the quintessential New York comedies."-New York Daily News "An extraordinarily funny play with some brilliantly offbeat lines."-The New York Post

    It was ground-breaking, not only for its blatant denounciation of the incompetence of political leaders during World War I, but also for its unusual theatrical style and development. Created organically through a process of improvisation which was then scripted, Oh What A Lovely War is a colorful and innovative exercise in ensemble theatre and acting.It recalls the horrors of World War I through the humor and frivolity of a seaside pier show, mixing famous British war songs (often with alternative words) with gags and dances, and sets hilarious clowning against shocking factual documentation of the war's casualties. An exhilarating ensemble piece, Joan Littlewood's theatrical creation is a lesson in Brechtian theatre, in its self-conscious theatricality, and uses humor to present human tragedy.It received the acclaim of London audiences and critics. It won the Grand Prix of the Théâtre des Nations festival in Paris that year and has gone on to become a classic of the modern theatre. In 1969 a film version was made which extended the play's popular success. This new version of the play, as edited by Joan Littlewood, returns the script to its original version.Includes a new photo section of the original production, and an Afterword by Victor Spinetti.

    "Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"—Time Out "There are few stage authors writing more interestingly than Mark Ravenhill … He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism."—Financial Times Shopping and Fucking: "is a darkly humorous play for today's twenty-somethings … a real coup de theatre"—Nicholas de Jongh, Evening Standard Faust: "…an intelligent and witty reappropriation of the legend … alive, pertinent and disturbing"—Michael Coveney, Observer Handbag: "…combines urban grit with sly wit, and reveals Mark Ravenhill as a writer of real daring" —Daily Telegraph Some Explicit Polaroids: "laudably ambitious, pulsates with energy … very funny"—Financial Times

    Gilbert's verses for Sullivan's music are the most fastidiously turned and inventively rhymed in all lyric comedy. As the Savoy Operas enter their second century on a swell of renewed popularity, Gilbert's reputation as the supreme wordsmith of light opera remains secure. Complete and authentic, these are the librettos on which modern performances and recordings are based. Scattered among the songs are over seventy of the amusing, quirky pictures Gilbert drew to illustrate them. A chronology prepared for this edition sketches the authors' lives and careers. This is a book that no lover of Gilbert and Sullivan, musical comedy, or indeed the English theater will want to be without.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    As Zinn writes in his Introduction, Emma Godman "seemed to be tireless as she traveled the country, lecturing to large audiences everywhere, on birth control ("A woman should decide for herself"), on the falsity of marriage as an institution ("Marriage has nothing to do with love"), on patriotism ("the last refuge of a scoundrel") on free love ("What is love if not free?") and also on the drama, including Shaw, Ibsen, and Strindberg. This book will be of immense interest to feminists, American historians, and people interested in the long history of resistance and protest in the United States.Howard Zinn is professor emeritus at Boston University. He is the author of the classic A People’s History of the United States. A television adaptation of the book is currently being co-produced by Matt Damon, Ben Affleck, and Chris Moore for HBO. Zinn has received the Lannan Foundation Literary Award for Nonfiction and the Eugene V. Debs award for his writing and political activism. Zinn is the author of the internationally acclaimed play Marx in Soho, which has been touring the country in performance since its release.

    Stairs to the Roof is a rare and different Williams' work: a love story, a comedy, an experiment in meta-theater, with a touch of early science fiction. Tennessee Williams called Stairs to the Roof "a prayer for the wild of heart who are kept in cages" and dedicated it to "all the little wage earners of the world." It reflects the would-be poet's "season in hell" during the Depression when he had to quit college to type orders eight hours a day at the International Shoe Factory in St. Louis. Stairs is Williams' revenge, expressed through his alter ego, Benjamin Murphy, the clerk who stages a one-man rebellion against the clock, the monotony of his eight-to-five job, and all the dehumanizing forces of an increasingly mechanized and commercial society. Ben's swift-moving series of fantastic adventures culminate in an escape from the ordinary that is an endorsement of the American dream. In 1941 with the world at war and civilization in danger of collapse, Williams dared to imagine a utopian future as Ben leads us up his stairs towards the Millennium. Stairs to the Roof was produced only twice, once at the Playbox in Pasadena, California, in 1945, and subsequently at the Pasadena Playhouse in 1947. Now, in an edition meticulously prepared by noted Williams scholar Allean Hale, Williams fans can share this play of youthful optimism.

    Kilkenny were beaten in that final by Tipperary but Tyrrell’s inner-most thoughts from his diary, both in the lead-up to, and after the game, provide the narrative to a compelling life story. His unique insights paint the picture of a relentless individual and a relentless team – the most successful side in the history of Irish male sport. The intrigue and aura around Kilkenny coach Brian Cody and his players was always heightened because very little ever emerged from the camp, or the dressing room. Now, for the first time, Tyrrell opens a unique window into the elite mindset and attitude which forged such unprecedented success. Tyrrell’s own journey is chronicled with brutal and unwavering honesty. The hurling legend’s constant drive to be a winner with his beloved county have pushed him towards breaking point many times. Tyrrell operates somewhere between obsessed and maniacal. On the pitch, he displayed the ruthless mentality of an assassin but behind it all, he had to conquer crippling self-doubt and fear. It took until his fourth successive All-Ireland final for Tyrrell to believe he had finally arrived as a senior inter-county hurler, going on to become one of the most feared and respected defenders in the game.