Odin All Father crossed the Rainbow Bridge to walk among men in Midgard. Thor defended Asgard with his mighty hammer. Mischievous Loki was constantly getting into trouble with the other gods, and dragons and giants walked free. This collection of Norse sagas retold by author Padraic Colum gives us a sense of that magical time when the world was filled with powers and wonders we can hardly imagine.

    The newcomers are a proud and bloody-minded people whose kings once changed themselves into wolves. The Norse have advanced as implacably as a glacier from Iceland to the wastes of Greenland and from there to the place they call Vinland the Good. The natives are a bronze-skinned race who have not yet discovered iron and still see themselves as part of nature. As William T. Vollmann tells the converging stories of these two peoples and of the Norsewomen Freydis and Gudrid, whose venomous rivalry brings frost into paradise he creates a tour-de-force of speculative history, a vivid amalgam of Icelandic saga, Inuit creation myth, and contemporary travel writing that yields a new an utterly original vision of our continent and its past.--back cover

    The lyrical passages and poetic images, the wry humor, the tall-tale extravagance, and the homely realism of the 'Kalevala' come through with extraordinary effectiveness.

    It brings together essays, prose and artwork from more than fifty remarkable contributors from all over the world. Their stories and revelations are challenging, their visions and determination in exploring the mysteries are inspirational, and their enthusiasm for the Goddess of the Crossroads is truly entrancing and sometimes highly infectious. Hekate is a Goddess of great antiquity. She is primordial, powerful and sometimes animalistic - and yet, she is also sophisticated, modern and capable of adapting to different cultures. She is the Torchbearer, the Cosmic World Soul, the Guide and Companion. She is Mistress of the Restless Dead, who rules over the Heavens Earth and Sea. She is the Keybearer and so much more. Her devotees today, as throughout the ages, include philosophers, poets, sorcerers, theurgists, witches, root-cutters, enchantresses and ordinary people. In her introduction, the author and priestess Sorita d'Este brings together an exciting wealth of material on the history and development of how the goddess Hekate has been seen through the ages. As well as a fascinating discussion of her possible origins and mythological connections, the introduction also includes a timeline providing glimpses into her portrayal through the ages, with extracts from literature and examples of amulets, coins and art. The spectrum of material covered in this anthology is as diverse as the forms of Hekate herself, emphasising her role as lightbearer, keybearer, initiatrix, world soul, child's nurse, mistress of crossroads and serpent mysteries. Her devotees describe her role in traditional witchcraft and initiatory Wicca, healing and paganism, her approachability through her angels and trance oracles, her assistance in overcoming traumas and helping the dead continue their journeys. From the reestablishment of the ancient worship of the great mother goddess as Hekate in Thrace (Bulgaria) to meteorites and pilgrimages, Hekate's presence around the world and beyond is vividly described and illustrated by her torchbearers.

    As traders and raiders, explorers and colonists, they reshaped the world between eastern North America and the Asian steppe. For a millennium, though, their history has largely been filtered through the writings of their victims. Based on the latest archaeological and textual evidence, Children of Ash and Elm tells the story of the Vikings on their own terms: their politics, their cosmology, their art and culture. From Björn Ironside, who led an expedition to sack Rome, to Gudrid Thorbjarnardóttir, the most travelled woman in the world, Price shows us the real Vikings, not the caricatures they have become in popular culture and history.

    He investigates how stories influence perception and construct truths, the cultural roots of the notion of evil and reveals the need for mythology through a telling of various Indian and Western myths. In doing so, he shows how myths reflect the culture they emerge from while simultaneously reinforcing the source.Culture is a groundbreaking work that contextualizes mythology and proposes that myths are alive, dynamic, shaped by perception and the times one lives in.

    Horace Gregory, in this modern translation, turns his poetic gifts toward a deft reconstruction of Ovid's ancient themes, using contemporary idiom to bring today's reader all the ageless drama and psychological truths vividly intact. --From the book jacket

    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

    The financial collapse in Iceland had, after all, precipitated the world-wide meltdown, and fomented widespread protest over the country’s leadership.Entering the race for mayor of Reykjavík, Iceland’s capital, Gnarr promised to get the dinosaurs from Jurassic Park into downtown parks, free towels at public swimming pools, a “drug-free Parliament by 2020” . . . and he swore he’d break all his campaign promises.But then something strange started happening: his campaign began to succeed. And in the party’s electoral debut, the Best Party emerged as the biggest winner. Gnarr promptly proposed a coalition government, although he ruled out partners who had not seen all five seasons of The Wire.And just like that, a man whose previous foreign-relations experience consisted of a radio show (in which he regularly crank-called the White House and police stations in the Bronx to see if they had found his lost wallet) was soon meeting international leaders and being taken seriously as the mayor of a European capital.Here, Gnarr recounts how it all happened and, with admirable candor, describes his vision of a more enlightened politics for the future. The point, he writes, is not to be afraid to get involved—or to take on the system.

    Set in Norway and Iceland at the beginning of the eleventh century, Gunnar's Daughter is the story of the beautiful, spoiled Vigdis Gunnarsdatter, who is raped by the man she had wanted to love. A woman of courage and intelligence, Vigdis is toughened by adversity. Alone she raises the child conceived in violence, repeatedly defending her autonomy in a world governed by men. Alone she rebuilds her life and restores her family's honor--until an unremitting social code propels her to take the action that again destroys her happiness.First published in 1909, Gunnar's Daughter was in part a response to the rise of nationalism and Norway's search for a national identity in its Viking past. But unlike most of the Viking-inspired art of its period, Gunnar's Daughter is not a historical romance. It is a skillful conversation between two historical moments about questions as troublesome in Undset's own time--and in ours--as they were in the Saga Age: rape and revenge, civil and domestic violence, troubled marriages, and children made victims of their parents' problems.

    This book brings together a selection of these stories, along with fascinating historical details about the Mughal court, the emperor and his witty courtier. From the time that a chance meeting in the forest brought Akbar and Birbal face-to-face, the emperor and his minister together faced dilemmas that ranged from the ethical to the personal, from debates on the true nature of justice to the problems of hen-pecked husbands. An old widow is robbed of her bag of gold and Birbal nails the culprit. A thief runs away with the emperor’s royal seal but gives Akbar a surprise later. Birbal manages a miraculous escape when envious courtiers conspire to have him killed. The king asks his ministers how many crows there are in the city, and only Birbal has the answer.With well-researched introductions to each aspect of Mughal life, Amita Sarin recreates Akbar’s court in all its grandeur and vitality. The stories in this collection are both amusing and thought-provoking, both historical and timeless.

    He is turned away but not before learning that one of the most adept of the old priestesses, or sibyls, lives in disgrace in the mountains above the temple. In her rude goat-hut he seeks the meaning of his disastrous brush with the son of God. She reveals that she, too, has been touched by the son of a god, a very different son, not quite human, born of her own body. He dwells with her as a constant reminder of the betrayal of her mystical and erotic union with the divine, her punishment, and perhaps her redemption.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.