"Another virtuoso performance. . . . Such an astute blend of aesthetics and information is admirable, the child's eye will be rewarded many times over."--Booklist. ALA Notable Book; Caldecott Medal.

    He warmly conveys his own love for his two countries and described the strong and constant desire to be in both places at once: When in one country, he invariably misses the other. His grandfather, he tells us, would understand.

    It goes forth at nightto prowl around the fires.It even likes to minglewith the dancers...Shadow...It waves with the grasses,curls up at the foot of trees...But in the African experience Shadow is much more. The village storytellers and shamans of an Africa that is passing into memory called forth for the poet Blaise Cendrars an eerie image, shifting between the beliefs of the present and the spirits of the past.Shadow...It does not cry out,it has no voice...It can cast a spell over you...It follows man everywhere,even to war...Marcia Brown's stunning illustrations in collage, inspired by her travels in Africa, evoke the atmosphere and drama of a life now haunted, now enchanted by Shadow.

    He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

    As European immigrants the d'Aulaires felt keenly the importance of standing against injustice, and saw in Lincoln the archetypal American hero as he stood against the injustice of slavery. It was this spirit they hoped to exemplify in their biography of young Abe as he grew into manhood against the backdrop of the wilderness of Kentucky, the deep woods of Indiana, and the prairies of Illinois. Camping for weeks in Lincoln country, the d'Aulaires imbibed the spirit of the man Lincoln as well as his humor and good will. From his days as a clerk, teaching himself law reading Blackstone, practicing law in Springfield, running unsuccessfully for office, debating Stephen Douglas over the issue of slavery, and ultimately becoming President of the United States, the d'Aulaires have written and beautifully illustrated the life of one of America's most remarkable citizens. This book was awarded the Caldecott Medal in 1940.

    When he reached the other side he was very thirsty.” The jaunty red fox stole milk from an old farm woman, lost his tail under the annoyed woman’s knife, and spent the day bargaining to get it back. Awarded the Caldecott Medal for the most distinguished picture book of 1971.

    When a fox bursts into his domain, dupes him into crowing, and then grabs him in a viselike grip, Chanticleer must do some quick thinking to save himself and his barnyard kingdom.

    Human and canine both struggle to rouse themselves, eat breakfast from bowls, and have an intimate knowledge of their route. Pilkey paints their shared experiences with a graceful economy of language.

    . . . The droll illustrations, with tones blended to luminescent shading, are complete and humorous themselves.' -- Association of Library Service to Children, ALA.

    "This book...recounts the persistence of a Frenchman, Louis Bleriot, to build a flying machine to cross the English Channel....  The text is succinct, caption-like in its directness and brevity....The paintings...add the necessary testure and tone to this marriage.  This is vintage Provensen" – School Library Journal

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    The house has an expressive face of windows and doors, and even the feelings of a person, so she’s sad when she’s surrounded by the dirty, noisy city’s hustle and bustle: “She missed the field of daisies / and the apple trees dancing in the moonlight.” Fortunately, there’s a happy ending, as the house is taken back to the country where she belongs.

    But they were bored and restless and, looking for something interesting to do, thought they'd give Jumanji a try. Little did they know when they unfolded its ordinary-looking playing board that they were about to be plunged into the most exciting and bizare adventure of their lives.In his second book for children, Chris Van Allsburg again explores the ever-shifting line between fantasy and reality with this story about a game that comes startingly to life.His marvelous drawings beautifully convey a mix of the everyday and the extraordinary, as a quiet house is taken over by an exotic jungle.

    Not the man with the hat or the lady with the umbrella. Not even the television or the radio forecasters. But one boy and his dog have faith that the snow will amount to something spectacular, and when flakes start to swirl down on the city, they are also the only ones who know how to truly enjoy it.Uri Shulevitz' playful depiction of a snowy day and the transformation of a city is perfectly captured in simple, poetic text and lively watercolor and pen-and-ink illustrations.

    Only Noah had been warned by God of the great floodand only Noah could save life on earth. This powerful story of salvation has fascinated people of all ages for centuries. Now, four-time Caldecott Honor-recipient Jerry Pinkney captures all the courage, drama, and beauty of this ancient parable in rich, glorious paintings. Full of sensitive detail and emotion, his art brings new life and meaning to an important message of peace. This elegant edition of Noah's Ark promises to give readers strength and hope for many years to come.