The story that unfolds of Precious Orchid's life in China, where she rises from a childhood of shame to become one of the most successful courtesans in the land, is unlike any they've heard before. . .When Precious Orchid's father is falsely accused of a crime and found guilty, he is executed, leaving his family a legacy of dishonor. Her mother's only option is to enter a Buddhist nunnery, so she gives her daughter over to the care of her sister in Shanghai.At first, life at Peach Blossom Pavilion feels like a dream. Surrounded by exotic flowers, murmuring fountains, colorful fishponds, and bamboo groves, Precious Orchid sees herself thriving. She is schooled in music, literature, painting, calligraphy, and to her innocent surprise, the art of pleasuring men. For the beautiful Pavilion hides its darker purpose as an elite house of prostitution. And even as she commands the devotion of China's most powerful men, Precious Orchid never gives up on her dream to escape the Pavilion, be reunited with her mother, avenge her father's death, and find true love. And as the richest, most celebrated Ming Ji or "prestigious courtesan" in all of China, she just might have her way even if it comes with a devastating price. . .Sweeping in scope and stunning in its evocation of China, Peach Blossom Pavilion is a remarkable novel with an unforgettable heroine at the heart of its powerful story. . . "Riveting. . .a rare peek into an exotic culture that is thrilling, captivating, and moving." --Shobhan Bantwal, author of The Dowry Bride"In the sure voice of Precious Orchid, Mingmei Yip recounts thirteen tumultuous years of Chinese history: vicious politics, pristine piety and heartrending scandal, framed in the classical arts. She writes with a painter's fastidious eye and the irresistible energy of grand storytelling. The pages just turn themselves." --Neal Chandler, Director, Creative Writing Program of Cleveland State University. "Peach Blossom Pavilion, story of the last geisha in China, is told with amazing insight as if the author had lived in the tumultuous China of a century ago. Through her beautiful, lucid prose, Mingmei brings modern Western readers into the mysterious world of the cultivated courtesan." --Hannelore Hahn, Founder and Executive Director, International Women's Writing Guild."Peach Blossom Pavilion is a vivid account of the forgotten past." --Chun Yu, author of Little Green: Growing Up During the Chinese Cultural Revolution

    The book is divided into six chapters, each focusing on a theme; one is a series of eerily compelling portraits based on a dozen family photographs Doucet found discarded in a garbage can in Berlin. In another series, Doucet explores gender issues as no one else can with twenty hilarious, somewhat unflattering portraits of the "modern man." She deftly explores other themes, ranging from fortune cookies to female sexuality (go figure ), and everything is neatly encompassed in this sharply-designed art book. Julie Doucet is internationally renowned for her wry, sexually-charged work, a sort of "female R. Crumb" of comics. She is the author of four books, including the 2000 Firecracker Award-Winner "My New York Diary. "

    Everything goes downhill from there as two Space Marines are arrested and accused of dealing China Mike—a highly addictive and illegal synthetic drug—and Fortis is forced to either get involved in the war against the cartel or abandon his Marines to the local legal system.However, as their involvement in the drug war deepens, Fortis suspects the platoon has been plunged into the middle of something much bigger. Rumors of a growing resistance movement against the colonial government abound, and it appears his men are being used to do the security force’s dirty work of putting it down.As Fortis navigates his way between the corrupt colonial government, a corporate espionage agent, intergalactic mercenaries, and his own chain of command, he has to find the truth of the situation and answer one important question—is there any way for Third Platoon to be successful when everyone else on the planet wants them to fail?

    What I destroyed in that building might end up saving this sorry planet.This dumbass shrink has been trying to dissect my brain all week. He thinks the months I spent lost in the wilderness somehow turned me into a Loony Tune. Boy, is he barking up the wrong tree. No matter how many drugs they pump into my veins, they'll never make me forget what really happened.

    

    Amy is curled up on the locker room floor. DRY LAND is a play about abortion, female friendship, and resiliency, and what happens in one high school locker room after everybody’s left.

    Two young women besieged by the demands of mothers, lovers, and careers—not to mention a highly persistent telephone answering machine—as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties.Wendy Wasserstein's characters are so funny, so many-sided, and so real that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays—Uncommon Women and Others, Isn't It Romantic, and the Pulitzer Prize-winning The Heidi Chronicles—manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.

    . . may the devil tek him! Her knows his temper, felt his fist many a time. And there be others as knows, women he's paid to keep silent about the blows they've suffered, for it tek more'n a roll in bed to satisfy Fenton Gilmore. Emma Lawrence has reason to fear the base cruelty of the man she must call uncle. She and her sister Rachel had been taken into the Gilmore household on the death of their parents and have known nothing but unkindness at the hands of Fenton and his wife. And now Rachel is dead, brutally raped and strangled, and Emma must dry her tears and flee if she is to escape the same fate. Emma falls in with two other orphans, and Timothy and Lily become as dear to her as her own departed sister. But Fenton Gilmore does not give up so easily. His evil ambition is to own a brothel and Emma is vital to his perverted plan.

    Who are 'the Others'? Why are an increasing number of people throughout the world developing the ability to see and speak with the dead? Why have a farmers' guild from Iowa secretly enlisted the help of Scottish reporter Peter Nicolson? If they are correct, is the world stumbling blindly into a disaster that could threaten the survival of the human race? And what is contained within the missing 'GM File' that threatens to destroy some of the world's most powerful companies? To what lengths will these companies go to prevent Peter Nicolson uncovering the truth and publishing it to the world? Who has kidnapped the Scottish teenager Debbie McCrae? Will she manage to escape, or will she be killed by her mysterious abductor? What is the secret that Susie's dad tried to tell her as he died? And who is the mysterious Timothy? Can Peter Nicolson help stop the biggest terrorist attack the world has ever seen and prevent the destruction of the city of London? Will Peter Nicolson meet Maciek, his nemesis and erstwhile saviour? And if he does, who will survive?

    Her handsome husband, a radio personality, is beloved of the women of Ireland. Her two gorgeous sons are making a name for themselves in films. She has a lavish house in Dublin. What does she have to complain about? Finn eagerly anticipates her 40th birthday but spends the day alone and crying, forced to realise that she is literally a housewife. She has married a house! For over twenty years she has supported her husband in his career. She has raised two sons to manhood. She practically rebuilt the family home with her own sweat and labour. Her one escape is the garden workshop where she beats metal into fantasy figures. The day after her birthday she resigns her position as wife and mother. Her husband and sons fight the change in their lives but she holds firm. She locks herself in her workshop. Her fantasy figures don’t care if she looks a mess and can’t stop crying. Dare Lawrence, a wealthy Irishman living in America, discovers her secret world and wants some of it. He insists she puts a price on her figures, something Finn finds impossible to do. He shows her work to his friends in Hollywood. After years of her husband demanding that she hide her ‘little hobby’ suddenly the world comes calling. They want what she has created.

    . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.Reviews: "The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald“Deeply engrossing.” –Robert Hurwitt, San Francisco Chronicle“Earnestly poetic…Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition.” –Ben Brantley, New York TimesNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.

    Harper Waddle, Sophie Bushell, and Kate Foster are about to commit the ultimate suburban sin--bailing on college to each pursue their dreams: write the next Great American Novel, make it as a Hollywood actress, and backpack around the world. Middlebury-bound Becca Winsberg is convinced her friends have gone insane...until they remind her she just might have a dream of her own. So what if their lives are bass ackwards and belly up? They'll always have each other. Harper is going to be the next Jane Austen. Or Sylvia Plath. Or Plum Sykes. Figuring out which should be easy. It?s living with the lie she told her three best friends that?s going to be hard.Kate doesn?t know exactly what she wants. But whatever it is, she won?t find it at Harvard. Maybe the answer is in Paris, or Athens? or anywhere Kate can be someone besides the girl with perfect grades, perfect hair, and the perfect boyfriend.Sophie is a star. She?s already got the looks, the talent, and a list of demands for her dressing room. Now that she?s wrangled a furnished guesthouse in Beverly Hills, it?s only a matter of time before she?s discovered. Unless she isn?t.Becca is dysfunctional. At least, her family is. Which is why she can?t wait to flee the drama and get to college. But Becca?s friends know she needs more than a spot on the Middlebury ski team and a cozy dorm room. They know she needs to fall in love.Dreams are complicated. They almost never turn out like you imagine?they almost always change. Sometimes, they change you.

    "Lost Geography" takes the complexity of migration as its central subject: Why do landscape, work, and family lock some people in place and release others? In settings both rural and urban, these stalwart, tragically dispersed yet resilient people respond not only to new environments and experiences but to the eruption of sudden loss and change.As the settings and characters shift in this wise, resonant book, readers are invited to see how habits of survival translate from one generation to another. How are we like our forebears? How does circumstance make us alter what our heritage has told us is important? With unfailing subtlety and elegance, "Lost Geography" teaches us, in a luminous sequence of intense personal dramas, that what keeps us alive isn't so much our ability to understand the details of our past as having the luck and courage to survive the assaults of both the present and history.

    Her foils and rapt listeners are the other integral and re-imagined women of this Shakespeare tragedy: Emilia, Desdemona's servant and the wife of Iago, and Bianca, now a majestic whore of Cyprus. The reluctantly loyal Emilia pesters Desdemona about a military promotion for her husband. Her motive, however, is that he leave her a wealthy widow, preferably sooner than later. Bianca, now a street-wise, yet painfully naive prostitute, visits Desdemona thinking she is a very good friend and fellow hooker (at least one night a week). Bianca thinks the worst when she soon discovers that Desdemona knows intimate details of the life of her lover, Cassio. Though Desdemona has never been intimate with Cassio, her life is soon in danger when her husband, Othello, also suspects her of infidelity.

    It explores the dynamics of health, family and community with the story of her mother’s extraordinary ability to heal a changing neighborhood, despite her inability to heal herself. In this solo show with other people in it, Kron asks the provocative question: Are we responsible for our own illness? But the answers she gets are much more complicated than she bargained for when the play spins dangerously out of control into riotously funny and unexpected territory.Lisa Kron has received numerous honors, including several OBIE Awards, the Cal Arts/Alpert Award, the Bessie Award and the GLAAD Media Award. Ms. Kron lives in New York City and Los Angeles.