First published in 1853, it is dotted with murder and mayhem : graves opening and the dead walking the earth, the animate becoming the inanimate and vice versa, ogres and monsters of lake and wood, human transformations reminiscent of Ovid's Metamorphoses. Written as ballads, Marcela Sulak's new translation perfectly captures the cadence and rhythm in an English that is fresh and energetic. Through the years A Bouquet has come to be regarded as a masterpiece and wellspring of inspiration to artists of all stripes, including Antonín Dvořák, who composed a series of symphonic poems to some of these tales. Of the many illustrators who have contributed to the various editions that have appeared over the past century and a half, Alén Diviš's artwork is generally considered the most powerful. This edition also includes Erben's own notes explaining the origins of many of these tales.

    A handsome forester on a mission to catch her. Danger and love are about to unite in Thornbeck Forest. The Beautiful Pretender After inheriting his title from his brother, the margrave has two weeks to find a noble bride. What will happen when he learns he has fallen for a lovely servant girl in disguise? The Golden Braid Rapunzel can throw a knife better than any man. She paints beautiful flowering vines on the walls of her plaster houses. She sings so sweetly she can coax even a beast to sleep. But there are two things she is afraid her mother might never allow her to do: learn to read and marry.

    The three little kittens may be a bit irresponsible, but they always manage to correct their mistakes in this favorite classic tale. The kittens' dramatic displays of regret, as well as their sincere efforts to get into their mother's good graces—and taste her scrumptious-looking pie!—will delight readers young and old.

    George and the Dragon commemorates the 25th Anniversary of the Caldecott Award-winning picture book. Hodges retells an exciting segment from Spenser's The Faerie Queene, in which the Red Cross Knight slays a dreadful dragon that has been terrorizing the countryside for years, bringing peace and joy back to the land. Featuring a fresh new cover design - with artwork that highlights the dragon adventure within - and distinctive embossed gold Caldecott Award sticker, this is the perfect way to introduce the classic tale to a whole new generation of readers.

    Tales include The Birth of Cuchulain and Finn and the Salmon of Knowledge. Full-color illustrations.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    It demonstrates how recent writers have changed the aesthetic constructs and social content of fairy tales to reflect cultural change since the 1960s in area of gender roles, socialization and education. It includes selected works from such writers as Angela Carter, Margaret Atwood and Jay Williams, and critical essays from Marcia Lieberman and Sandra Gilbert.

    He was banished from the Sky World for this mother's disobedience and bore a mysterious scar on his face, the symbol of the Sun's disapproval. As Star Boy grew, he came to love the chief's daughter, and it was she who helped him find the courage to journey to the Sky World and make peace with the Sun. The Sun not only lifted the scar but sent Star Boy back to the world with the sacred knowledge of the Sun Dance, a ceremony of thanks for the Creator's blessing.

    Actually, they meet there twice. The first time, there's a curse involved. The second time--you'll have to read and find out. It all adds up to about 4,000 words--perfect as a train read or an after-dinner fable. (Didn't you hear? Doctors recommend after-dinner fables.)

    Josef Breuer—celebrated psychoanalyst—is about to encounter his strangest case yet. Found by the lunatic asylum, thin, head shaved, she claims to have no name, no feelings—to be, in fact, not even human. Intrigued, Breuer determines to fathom the roots of her disturbance.Years later, in Germany, we meet Krysta. Krysta’s Papa is busy working in the infirmary with the ‘animal people,’ so little Krysta plays alone, lost in the stories of Hansel and Gretel, the Pied Piper, and more. And when everything changes and the world around her becomes as frightening as any fairy tale, Krysta finds her imagination holds powers beyond what she could have ever guessed. . . .Eliza Granville has had a life-long fascination with the enduring quality of fairytales and their symbolism, and the idea for Gretel and the Dark was sparked when she became interested in the emphasis placed on these stories during the Third Reich.

    In this bold, funny, and unflinching collection, the beloved author-illustrator retains all the emotion and humor of the original fairy tales: the heroes are courageous, the villains are horrible, and the children are tasty. With her sly, simple language and vibrant illustrations, even the scariest fiends become the stuff of shared hilarity and shivery thrills.

    The book tells the adventures of the real boy who came to London and became a well-known figure more than a hundred years before James Barrie penned his classic. Peter the Wild Boy lived in eighteenth century England, through the reigns of three kings (all named George), and achieved legendary status in his own lifetime. He was not only a popular figure, but also drew intense philosophical and scientific study, and was a subject of interest to literary figures such as Daniel Defoe and Jonathan Swift. Peter retained a youthful appearance throughout his life, and had a joyful, intuitive spirit that was both challenging and infectious. This imaginative dramatization of the life of Peter the Wild Boy captures the joy, innocence and fire of a bright, feral child living in the midst of the Age of Enlightenment. It is narrated by the girl who perhaps knew him best. The epic story of his life, spanning approximately seventy years, navigates a tumultuous and thoughtful period in English history, rich with characters. Peter is a magical, poignant tale full of humor, love, and courage in the face of life's difficulties. It will make you laugh, cry, dream and remember what it means to be young.

    These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Using a unique idiom rooted in hip-hop, graphic illustrations, Arabic calligraphy and folklore studded with Kiswahili and Somali slang, these stories mark the arrival of a singular new voice in contemporary fiction.

    I Will Look For You Among The Stars is a poetry collection about love, loss, and grief- the pain of losing people you can never get back.

    These are ten tales, much neglected. Editor of Enchanted Conversation: A Fairy Tale Magazine, Kate Wolford, introduces and annotates each tale in a manner that won't leave novices of fairy tale studies lost in the woods to grandmother's house, yet with a depth of research and a delight in posing intriguing puzzles that will cause folklorists and savvy readers to find this collection a delicious new delicacy.Beyond the Glass Slipper is about more than just reading fairy tales—it's about connecting to them. It's about thinking of the fairy tale as a precursor to Saturday Night Live as much as it is to any princess-movie franchise: the tales within these pages abound with outrageous spectacle and absurdist vignettes, ripe with humor that pokes fun at ourselves and our society.Never stuffy or pedantic, Kate Wolford proves she's the college professor you always wish you had: smart, nurturing, and plugged into pop culture. Wolford invites us into a discussion of how these tales fit into our modern cinematic lives and connect the larger body of fairy tales, then asks—no, insists—that we create our own theories and connections. A thinking man's first step into an ocean of little known folklore.