Whether you enjoy celebrating Christmas or Hanukkah, Winter Solstice or New Year's there's something here for everyone. So curl up by the fireplace and get cozy. You have twelve reasons this season to stay indoors and fall in love.

    Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

    From a spectrum of backgrounds—urban and rural, wealthy and poor, mixed race, immigrants, and more—Black Enough showcases diversity within diversity.Whether it’s New York Times bestselling author Jason Reynolds writing about #blackboyjoy or Newberry Honor-winning author Renee Watson talking about black girls at camp in Portland, or emerging author Jay Coles’s story about two cowboys kissing in the south—Black Enough is an essential collection full of captivating coming-of-age stories about what it’s like to be young and black in America.

    With Adam playing Santa while draped in Mrs. Starkadders's shawls, the family shares their traditional "Christmas pudding"-a mélange containing random objects of doom foretelling the coming year: a coffin nail for death, a bad sixpence for financial ruin, and a menthol cone to indicate that the lucky recipient will go "blind wi' headache." These lively tales will delight anyone who loves Stella Gibbons and her signature wit.

    Millions of copies of this award-winning story have sold since its first publication in 1947, delighting readers of all ages. A facsimile edition of the book is now faithfully re-created, offering a new generation--and fans of the original--the beauty of the classic 1940s design. Details of how the book came to be written, and made into a beloved film, are included in a brief historical note.

    But in Jon Clinch’s ingenious novel, Jacob Marley, business partner to Ebenezer Scrooge, is very much alive: a rapacious and cunning boy who grows up to be a forger, a scoundrel, and the man who will be both the making and the undoing of Scrooge. They meet as youths in the gloomy confines of Professor Drabb’s Academy for Boys, where Marley begins their twisted friendship by initiating the innocent Scrooge into the gentle art of extortion. Years later, in the dank heart of London, their shared ambition manifests itself in a fledgling shipping empire. Between Marley’s genius for deception and Scrooge’s brilliance with numbers, they amass a considerable fortune of dubious legality, all rooted in a pitiless commitment to the soon-to-be-outlawed slave trade. As Marley toys with the affections of Scrooge’s sister, Fan, Scrooge falls under the spell of Fan’s best friend, Belle Fairchild. Now, for the first time, Scrooge and Marley find themselves at cross-purposes. With their business interests inextricably bound together and instincts for secrecy and greed bred in their very bones, the two men engage in a shadowy war of deception, false identities, forged documents, theft, and cold-blooded murder. Marley and Scrooge are destined to clash in an unforgettable reckoning that will echo into the future and set the stage for Marley’s ghostly return. Meticulously crafted and beguilingly told, Marley revisits and illuminates one of Charles Dickens’s most cherished works to spellbinding effect.

    The sketches, poems, and stories of black rural and urban life that make up Cane are rich in imagery. Visions of smoke, sugarcane, dusk, and flame permeate the Southern landscape: the Northern world is pictured as a harsher reality of asphalt streets. Impressionistic, sometimes surrealistic, the pieces are redolent of nature and Africa, with sensuous appeals to eye and ear.

    This autobiographical account chronicles the remarkable odyssey of Harriet Jacobs (1813–1897) whose dauntless spirit and faith carried her from a life of servitude and degradation in North Carolina to liberty and reunion with her children in the North.Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave relationship. Jacobs writes frankly of the horrors she suffered as a slave, her eventual escape after several unsuccessful attempts, and her seven years in self-imposed exile, hiding in a coffin-like "garret" attached to her grandmother's porch.A rare firsthand account of a courageous woman's determination and endurance, this inspirational story also represents a valuable historical record of the continuing battle for freedom and the preservation of family.

    Brown’s poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we’ve become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown’s mastery, and his invention of the duplex―a combination of the sonnet, the ghazal, and the blues―testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while revelling in a celebration of contradiction.

    Here are classic tales from writers including Truman Capote, Shirley Jackson, Dylan Thomas, Saki and Chekhov, as well as little-known treasures such as Italo Calvino's wry sideways look at Christmas consumerism, Wolfdietrich Schnurre's story of festive ingenuity in Berlin, Selma Lagerlof's enchanted forest in Sweden, and Irène Nemerovsky's dark family portrait. Featuring santas, ghosts, trolls, unexpected guests, curmudgeons and miracles, here is Christmas as imagined by some of the greatest short story writers of all time.

    Rutherford Calhoun, a newly freed slave and irrepressible rogue, is desperate to escape unscrupulous bill collectors and an impending marriage to a priggish schoolteacher. He jumps aboard the first boat leaving New Orleans, the Republic, a slave ship en route to collect members of a legendary African tribe, the Allmuseri. Thus begins a daring voyage of horror and self-discovery.Peopled with vivid and unforgettable characters, nimble in its interplay of comedy and serious ideas, this dazzling modern classic is a perfect blend of the picaresque tale, historical romance, sea yarn, slave narrative, and philosophical novel.

    Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.”Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns.The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume.In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “postracial” society, is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about.

    James should get you started.Diary entries both real and imagined reveal innocent Christmases past, while tales from P.G. Wodehouse and Damon Runyon show the singular workings of the yuletide spirit.Go carolling with Laurie Lee and the animals of The Wind in the Willows, meet some unruly relations courtesy of Stella Gibbons and Nancy Mitford, feast on Christmas geese and puddings zestfully imagined by Dickens and Edith Nesbit, while O. Henry and John Cheever ruminate on the nature of gift-giving.As the fire is slowly dying, bittersweet and comical Christmas memories from Truman Capote and Dylan Thomas draw your seasonal reading to a close.

    Tolkien received letters from the North Pole - from Father Christmas himself! They told wonderful stories of mischief and disaster, adventures, and battles: how the reindeer got loose and scattered presents all over the place, how the accident-prone Polar Bear climbed the North Pole and fell through the roof of Father Christmas's house, and many others.Now, for the first time, these letters are brought to life with specially arranged holiday music.REVIEW:"Tolkien at his relaxed and ingenious best." The Times of LondonABOUT THE AUTHOR:J.R.R. TOLKIEN (1892-1973) is the creator of Middle-earth and author of such classic extraordinary works of fiction as 'The Hobbit', 'The Lord of the Rings', and 'The Silmarillion.' His books have been translated into more than fifty languages and have sold many millions of copies worldwide.©1997, 2004 (P)1997 Harper Collins UK

    In it, Reed, one of our preeminent African-American authors, mixes portraits of historical figures and fictional characters with sound bites on subjects ranging from ragtime to Greek philosophy. Cited by literary critic Harold Bloom as one of the five hundred most significant books in the Western canon, Mumbo Jumbo is a trenchant and often biting look at black-white relations throughout history, from a keen observer of our culture.